As it is known, the makers of ‘RRR’ are now hell-bent on pushing the film for an Oscars nomination as they joined the FYC (For Your Consideration) campaign and sent out 14 nominations for the Oscars in various categories including Best Picture, Best Director, Best Actor, Best Original Song and many others. The most interesting one is definitely sending Alia Bhatt’s name in the Best Supporting Actress category.
While Best Film, Best Actors, Best Screenplay and Best Direction can be understood, a lot of people are scratching their heads over nominating Alia Bhatt for the Oscars. Alia is a very good actress and there is no denying that fact but her role in ‘RRR’ is very small. All she has is one scene where she explains Ram’s backstory to Bheem. There is no other prominent scene of hers in the film. It is safe to say that Shriya and Alia had almost the same screen time in the film and Olivia Morris comparatively had more than the two Indian actresses.
Alia played a lot of beautiful roles in her career and her performances in ‘Raazi’, ‘Gangubai Khatiawadi’ and others are award-worthy. But sending her name for the prestigious Oscars, especially for Sita’s role in ‘RRR’ is a bit silly according to me. While they have sent 14 nominations, getting at least one nomination itself is considered as a huge achievement. Let us wait and see if it happens or not.
‘RRR’ is produced by DVV Danayya on a budget of over 400 crores. The lead actors delivered stupendous performances and MM Keeravani is the music composer who is one of the main pillars in the film’s success. NTR will be seen as Komaram Bheem while Ram Charan plays the role of Alluri Seetha Ramaraju in this massive film which is set in the backdrop of the pre-Independence era.
Recent Random Post:
Dil Raju’s Sankranthi Triumph: A Masterclass in Strategy
Dil Raju, a seasoned producer and distributor in Telugu cinema, is known for his exceptional ability to navigate complex situations in the industry. His reputation as a problem-solver and strategist has not only made him a go-to figure for many but also earned him the government’s trust, with him being appointed as the FDC Chairman. This Sankranthi season, Dil Raju demonstrated his expertise by producing and distributing three major films: Game Changer, Sankranthi Ki Vastunnam, and Daaku Maharaaj.
The Box Office Clash
Among the three releases, Game Changer, starring Ram Charan and directed by Shankar, was the first to hit theaters. This highly anticipated project carried sky-high expectations from fans. The second release, Daaku Maharaaj, starring Nandamuri Balakrishna, was a distribution venture handled by Dil Raju. Finally, Sankranthi Ki Vastunnam, featuring Venkatesh under Anil Ravipudi’s direction, was the last to release but quickly became the dark horse of the season.
Even before the films hit theaters, speculation was rife about the clash between Ram Charan and Balakrishna fans, with Venkatesh’s fans eager not to be overshadowed. In this high-stakes scenario, Dil Raju’s collaboration with producer Naga Vamshi ensured a balanced theatrical rollout for all the films, avoiding significant disruptions.
A Surprising Turn of Events
While Game Changer opened to mixed reviews and struggled to gain traction at the box office, Daaku Maharaaj showcased steady performance. However, it was Sankranthi Ki Vastunnam that took everyone by surprise, earning unanimous praise and emerging as the clear winner. Despite its limited screen allocation, the film created a buzz that quickly translated into packed theaters and skyrocketing demand.
Dil Raju’s Strategic Genius
The key to this unexpected success lay in Dil Raju’s calculated decision-making. By allocating only a single screen to Sankranthi Ki Vastunnam in many towns and small cities, he created a scarcity-driven demand. The positive word-of-mouth for the film, combined with limited ticket availability, prompted audiences to book in advance, ensuring sustained momentum at the box office.
Even as the film’s success became evident, Dil Raju refrained from immediately increasing its screen count. This deliberate restraint further amplified its desirability. With Sankranthi Ki Vastunnam now collecting ₹77 crore gross worldwide in just two days and nearing a milestone of ₹1 million at the U.S. box office, adjustments are being made to allocate more screens by repurposing theaters previously reserved for Game Changer.
Lessons in Experience and Vision
Dil Raju’s confidence in Sankranthi Ki Vastunnam proved to be well-founded. His decision to prioritize balanced theatrical distribution over maximizing screens for a single project highlights his experience in reading the market. While Game Changer may not have met expectations, the overwhelming success of Sankranthi Ki Vastunnam reinforces Dil Raju’s adaptability and strategic foresight.
This Sankranthi season, Dil Raju didn’t just arrive—he orchestrated a masterstroke in film distribution, ensuring a successful festival run. As the momentum builds for Sankranthi Ki Vastunnam, all eyes are on how he sustains this success while learning from the challenges faced by Game Changer.
