అయోమయంగానే పోస్డల్‌ బ్యాలెట్‌ పోలింగ్ | Tense Situation at Postal Ballot Voting Centers

Ustaad Bhagat Singh marks the much-awaited reunion of Pawan Kalyan and Harish Shankar after their blockbuster Gabbar Singh. Announced back in 2020 and delayed due to multiple factors, including COVID and political commitments, the film has finally hit theatres. But does it recreate the magic of their previous collaboration?

What’s it about?

The story revolves around a noble teacher (K. S. Ravikumar) who dedicates his life to tribal welfare and shapes a courageous young boy into ‘Ustaad Bhagat Singh’. Growing up into an honest and fearless police officer, Bhagat takes on corruption and injustice.

As his mentor rises to become the Chief Minister, a political conspiracy threatens his life. What follows is Bhagat’s battle against powerful enemies, including a ruthless politician (R. Parthiban), while also navigating his personal relationships with Geetha (Sreeleela) and Shloka (Raashii Khanna).

Performances

Pawan Kalyan is the backbone of the film. His screen presence, styling, and energy are among his best in recent years. He shines in mass moments, emotional scenes, and even brings back his trademark comic timing in parts.

R. Parthiban delivers a solid performance as the antagonist, while K. S. Ravikumar impresses in a restrained and mature role.

Sreeleela does well as a lively RJ, and her chemistry with Pawan Kalyan works better than expected. Raashii Khanna, however, gets limited scope and leaves only a mild impact.

Supporting actors like Rao Ramesh, L.B. Sriram, and others deliver mixed performances, with some comedy portions falling flat.

Technical Aspects

Devi Sri Prasad, who earlier delivered chartbusters for Pawan Kalyan, disappoints this time with a below-average album.

Thaman S provides a decent but largely unremarkable background score.

Cinematography by Ayananka Bose is visually appealing, especially in forest sequences and grand sets. However, editing by Karthika Srinivas could have been tighter, particularly in the first half. Production values from Mythri Movie Makers are rich and commendable.

What Works

• Pawan Kalyan’s screen presence
• Three well-executed blocks in the second half
• A few impactful dialogues

What Doesn’t

• Routine, template-driven screenplay
• Outdated narration style
• Weak songs
• Slow and dull first half

Analysis

Despite rumors, Ustaad Bhagat Singh is not a remake of Theri, but it heavily borrows familiar elements from several commercial films. While the second half offers a few engaging moments—especially the old city episode, police station sequence, and key confrontation scenes—the film struggles with consistency.

Unlike Gabbar Singh, which stood out due to its fresh characterization, this film leans too much on Pawan Kalyan’s real-life persona and “vintage” references. The initial hour, in particular, feels outdated and lacks excitement.

However, the dialogues by Harish Shankar are a highlight, adding weight to several scenes. Certain nostalgic touches, like the usage of Nee Manase from Tholiprema, work well without feeling forced.

Final Verdict

Ustaad Bhagat Singh has moments that will satisfy fans and mass audiences, but it falls short of expectations when compared to Gabbar Singh.

For fans of Pawan Kalyan, there’s enough to enjoy. For others, it’s a watchable outing only if you’re okay with a formula-driven commercial entertainer.