Abhiruchi -Cookery Show -May Episodes

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Part1 : Part2 : Part3Part4 31st May
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Part1 : Part2 : Part3Part4 – 28th May
Part1 : Part2 : Part3 – 27th May
Part1 : Part2 : Part3 : Part4 – 26th May
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Part1 : Part2 : Part3 : Part4 – 23rd May
Part1 : Part2 : Part3 : Part4 – 22nd May
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Part1 : Part2 : Part3 : Part4 – 18th May
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Part1 : Part2 : Part3 : Part4 – 13th May
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Part1 : Part2 : Part3 : Part4 – 11th May
Part1 : Part2 : Part3 : Part4 – 10th May
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Part1 : Part2 : Part3 : Part4 – 7th May
Part1 : Part2 : Part3 : Part4 – 6th May
Part1 : Part2 : Part3 : Part4 – 5th May
Part1 : Part2 : Part3 : Part4 – 4th May
Part1 : Part2 : Part3 : Part4 – 3rd May
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Samantha’s Strategic Shift Toward OTT

February 12, 2026

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Once a leading star heroine in Tollywood, Samantha Ruth Prabhu is now at a crucial turning point in her career. Personal developments, including her first marriage, subsequent divorce, and health challenges, slowed down her professional journey for a while. However, now that she has stepped into a new phase of life with her second marriage, Samantha appears ready to move forward with renewed energy. This time, though, her choices seem noticeably different from the past.

Samantha is currently working on Maa Inti Bangaram. Interestingly, her husband Raj Nidimoru is not only presenting the project but is also said to be offering creative inputs. The Raj & DK duo have already built a strong reputation with successful web series on major OTT platforms like Amazon Prime and Netflix. Against this backdrop, there is growing buzz that Samantha is consciously steering her career more toward the digital space.

Reports suggest that when directors approach her now, she is encouraging them to bring not just film scripts but also web series concepts. This appears to be more than just following a trend — it looks like a strategic move. Competition among leading actresses on the silver screen has intensified, and industry insiders say Samantha is no longer interested in repeating the glamorous, commercial roles she once did earlier in her career.

OTT platforms, on the other hand, have evolved into spaces that prioritize strong content. They offer wider scope for diverse and performance-driven roles, without rigid age or image constraints. Having already proven her pan-India appeal with The Family Man 2, Samantha is well-positioned to benefit from the expansive opportunities the digital medium offers.

Additionally, recent box office trends show that films led by star heroines have not consistently delivered the expected collections in theatres. In this context, Samantha’s shift appears calculated and forward-thinking. By choosing content-driven roles and balancing OTT with theatrical projects, she seems to be planning her second innings with greater clarity and strategy.

Overall, Samantha appears determined to shape her comeback phase thoughtfully — prioritizing longevity and meaningful storytelling over mere star image.