Baahubali is The First Crossover Cinema in India Says Karan Johar

For decades, Naresh has stood as one of Telugu cinema’s most dependable entertainers, first charming audiences as a youthful hero during the golden era shaped by director Jandhyala. His impeccable comic timing, innocent screen presence, and effortless dialogue delivery made him a household favourite. Those early successes did more than just establish him as a star — they built a deep emotional connection with audiences that has lasted across generations.

As cinema evolved, so did Naresh. Rather than remaining confined to image-driven roles, he gracefully transitioned into character-driven performances, revealing layers many hadn’t fully seen before. His emotionally intense and restrained act in Rangasthalam marked a significant turning point, proving his willingness to reinvent himself. It showed an actor unafraid to embrace vulnerability and depth.

From the lovable Bangarraju in Shatamanam Bhavati to the cheerful and playful presence in Nari Nari Naduma Murari, Naresh has effortlessly navigated humour, sentiment, and subtle drama. His ability to balance warmth with realism reflects a performer who understands both craft and audience pulse.

Now, in Hey Balwant, his name appears on screen as Navarasaraya Vijayakrishna Naresh. While audiences have long known him as VK Naresh — a name he once adopted — this new prefix feels symbolic and well-deserved. It honours an actor who has explored the full spectrum of emotions, embodying versatility not as a phase, but as his enduring identity.