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Anaganaga Oka Raju Review: Naveen’s One-Man Show

January 14, 2026

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After almost three years since the massive success of Ms Shetty Mr Polishetty, Naveen Polishetty makes his much-awaited return with Anaganaga Oka Raju. Backed by Sithara Entertainments and paired opposite Meenakshi Chaudhary, the film arrives with solid buzz. With expectations high around Naveen’s ‘Star Entertainer’ image, let’s see how this rural-flavoured entertainer fares.

Story & Premise:

Raju (Naveen Polishetty) belongs to the once-glorious Gouravapuram Zamindar family. Though the riches are gone, the pride remains intact. A humiliating incident at a relative’s wedding becomes a turning point in Raju’s life, pushing him to marry into wealth and reclaim his lost respect.

His journey leads him to Charulatha (Meenakshi Chaudhary), the daughter of influential Bhupatiraju from Peddapalem. Raju falls for her at first sight and cleverly orchestrates a series of plans to win her heart. Love blossoms, marriage follows, and Raju believes all his problems are solved. But destiny has other plans. What unfolds in Peddapalem and how Raju navigates unexpected challenges forms the rest of the story.

Technical Departments:

Cinematographer Yuvraj delivers neat visuals, though the picturesque Godavari backdrop deserved more natural and aesthetic framing. The film visually looks pleasant but misses a chance to stand out.

Vamsi Atluri’s editing is serviceable, but the first 20–25 minutes could have been trimmed for better impact. Some comedy bits take time to land. Mickey J Meyer’s music does the job. Bhimavaram Balma and Rajugari Pelliro are well-shot and appealing, while the special number Andhra to Telangana feels forced and unnecessary. The background score remains safe and routine.

Sithara Entertainments ensures decent production values, especially in songs and set pieces. The story, co-written by Naveen Polishetty and Chinmayi, is fairly predictable, but debut director Maari compensates with a breezy screenplay and steady narration, extracting laughs at regular intervals.

Performances:

Naveen Polishetty is the soul of the film. He once again proves his unmatched comic timing and screen presence. From witty one-liners and situational humour to romance, dance, and emotional moments, Naveen handles everything with remarkable ease. His transition in the latter half adds depth to an otherwise light-hearted role.

Meenakshi Chaudhary looks fresh and charming, especially in the first half, and adapts well to the more mature and grounded role in the second half. Rao Ramesh, despite his talent, remains underutilised. Supporting actors like Bulliraju, Revanth, Mahesh, and Chammak Chandra add support but revolve largely around Naveen’s character.

What Works:

  • Naveen Polishetty’s effortless humour and charisma
  • Comedy-driven first half with consistent laughs
  • Well-mounted songs with rich visuals
  • Emotional connect in the final act

What Doesn’t:

  • Routine storyline and predictable twists
  • Slightly stretched initial setup
  • Forgettable special song and safe background score

Final Analysis:

With only a handful of films, Naveen Polishetty has built a reputation where audiences expect laughter and entertainment throughout. Anaganaga Oka Raju largely lives up to that promise. The first half banks heavily on humour, featuring several enjoyable moments, including a standout dog-rescue sequence. Once the setup settles, the narrative moves at a brisk pace.

The second half introduces mild political humour that mostly works and gradually shifts into an emotional zone. The last 30 minutes bring an effective dramatic turn, showcasing Naveen in a more responsible and serious avatar, which adds freshness to the character.

While the film doesn’t offer novelty in its storyline, its consistent entertainment value makes up for the shortcomings.

Verdict:

Anaganaga Oka Raju is a complete Naveen Polishetty show. It may not break new ground, but it delivers enough fun, humour, and emotion to make it a satisfying festive watch.

Final Verdict: Entertaining and dependable