Buss Stop Movie Review – 2.5/5

Film: Bus Stop
Rating: 2.5/5Cast: Prince, Nandita, Sai Kumar P, Rao Ramesh
Music by: J.B.
Cinematography: J Prabhakar Reddy
Editing by: S. B. Uddhav
Direction: Maruthi
Produced: Bellamkonda Suresh
Release date: 11 November 2012
 
Bus Stop’ is the second film of director Maruthi, who came up after his super hit small film ‘Ee Rojullo’. Many thought that he would have come up with more promising stuff with ‘Bus Stand’ winning the hearts of all sets of audience. Let us see how it went.
Story:
This is the story of present day youth. Sreenu (Prince) loves Shailu (Sri Divya) where the latter is a sincere student. Her father pins lots of hopes and faith on her. But eventually her love towards Sreenu goes strong and then the clash starts with father.
Another guy, whose parents live on running a tiffin stall on road side, flirts with several girls and finally even ignores his parents due to his lust. How things turn from then is another track.
The third one is about a girl Seema (Hasika) who is a flirt. A guy loves her truly but she plays with him. But she gets betrayed by another. How situations change from then is another line.
Performances:
There are no big complaints with respect to the performances of any artiste.
Prince did his part well. But he can groom his dialogue delivery and expressions.
Nanditha is good and decent but still she needs to groom herself with respect to make over to get bigger offers.
Hasika who played Seema is the hot lady on screen. She has magnetic looks and can be promising if planned her career properly.
Sai Kumar is asusual with similar character he played in Ee Rojullo but without stammering.
Rao Ramesh is used for his stereo type message giving character. DMK, the journalist turned actor has got considerably lengthy role where he justified fully. Other two fathers are weak in screen presence but performed well.
Music by JB is good and especially the song in the pre climax, “Rekkalochchina prema…ningiki egirindaa…chukkalantina aasaa nelaki origindaa”. The back ground score for the film added lot of pep which made the film happening till the end without drop in pace.
Director repeated his genre with vulgarity, implying that he is comfortable only with it.
Analysis:
The intention is good. But the packaging marred. When a sweet was cooked, there will be no big complaint if more sugar is added to it. But how it becomes if loads of salt is poured in it? It becomes ‘Bus Stop’. The idea to show that parents are ultimate lovers in the world is impressive, but making that with tons of vulgarity makes the dish bitter. 
Have you ever watched Shakeela’s soft porn films? Whatever hasn’t to be shown will be shown and at last gives a color of message orientation. This movie is no less to that genre. This is a store house of soft porn dialogues, incest hints and loads of vulgarity to the core. It is an adult rated movie targeted to lure the youth by satiating their carnal desires verbally. Audiences wonder how the censor board allowed this film to screen. Doubts indeed arise if censor board has gone bias with this film.
Though the film attracts some laughs from vulgarity lovers, the director lost the grip on emotions. No one knows why the father of Shailu objects her love interest Sreenu, who is responsible enough and also in the process of winning a job. DMK’s role (the father of a guy who loses his rings) resembles something like an eccentric character in Vamsi’s films. If there is any originality in this director, that is nothing but ‘vulgarity’. Like Sreenu Vaitla for comedy, VV Vinayak for action, Rajamouli for wonder, we have Maruthi for ‘vulgarity’. That’s proved with this film. If he wishes to continue that image, it’s ok. Otherwise, he needs to change his genre if wishes to correct his image.

This film is abominable. It may collect well at the box office as it plays with the senses of teens. The facts are expressed in this review, and even these facts may attract the youth to drive towards the film. It is no less to any D-grade soft porn film with a coating of regional commercial formula.


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Lokesh Kanagaraj: Pioneering a New Era in Tamil Cinema with “Mr. Bharat”

December 19, 2024

In the evolving landscape of Tamil cinema, few names stand out as much as Lokesh Kanagaraj, a director whose vision and narrative style have redefined the boundaries of Kollywood. With his unmatched ability to blend compelling storytelling with innovative filmmaking techniques, Kanagaraj has become one of the most influential figures in the industry. His recent announcement of the project “Mr. Bharat” has generated significant excitement, drawing attention not only for its unique teaser but also for the promises it holds for Tamil cinema’s future.

Lokesh Kanagaraj’s journey to stardom has been nothing short of meteoric. After carving his niche with films like Maanagaram (2017) and Kaithi (2019), he solidified his position as a master storyteller with the 2023 blockbuster Leo. These films showcased his knack for weaving gripping narratives that blend suspense, emotion, and social commentary. His distinctive approach to direction has earned him accolades from both critics and audiences alike, earning him a reputation as one of Tamil cinema’s most innovative filmmakers.

As a director, Lokesh Kanagaraj has a profound ability to craft layered stories that delve into complex themes, often with a gritty realism and a deep sense of character exploration. His films are not just commercially successful but have also pushed the envelope in terms of storytelling conventions, earning him a loyal fanbase that eagerly anticipates his every project.

The announcement of Mr. Bharat, Kanagaraj’s new venture, has already set the industry and social media buzzing. The project, which is being produced under his banner G Squad, has generated considerable intrigue due to its unique teaser. The teaser, which prominently features a toy gun, has left fans and critics speculating about the film’s genre and storyline. While the teaser itself remains deliberately ambiguous, it is clear that the project will explore new creative ground, much like Kanagaraj’s previous works.

Mr. Bharat is not just a film; it is a testament to Kanagaraj’s ever-expanding influence in Kollywood. The film is being produced in collaboration with prominent names like Jagadish Palanichamy and Suthan Sundaram, further elevating its anticipation. What sets this project apart is Kanagaraj’s dual role as both a director and a producer. His involvement in the production process, alongside his directorial duties, signals a deep commitment to ensuring that Mr. Bharat retains his signature style of storytelling while introducing fresh ideas and cinematic techniques.

A particularly exciting aspect of Mr. Bharat is the possibility that it could expand the so-called Lokesh Cinematic Universe (LCU), a concept that has piqued the interest of fans ever since Kaithi and Leo introduced interconnected worlds with overlapping characters. Kanagaraj’s meticulous world-building, wherein characters and events from one film often resonate in another, has cultivated a sense of anticipation and speculation surrounding his future projects. Mr. Bharat could very well be the next chapter in this shared universe, pushing the boundaries of the LCU in unexpected directions.

Given Kanagaraj’s track record of crafting engaging and unpredictable narratives, it’s reasonable to expect that Mr. Bharat will not adhere to traditional tropes. The presence of the toy gun in the teaser hints at a possibly unconventional and metaphorical narrative, one that may challenge typical genre expectations and offer something new to the audience. It could very well incorporate elements of action, drama, and thriller, all wrapped in the filmmaker’s unique style.

Lokesh Kanagaraj’s influence extends beyond just his films. His work has inspired a new wave of filmmakers in Tamil cinema, many of whom look to his films as examples of how storytelling can be fresh, bold, and daring. Kanagaraj’s success has demonstrated that there is an appetite for original content in Kollywood, and his films have become templates for the kind of cinema that is both commercially viable and critically celebrated.

The growth of his production house, G Squad, is another indicator of his expanding influence in the industry. With Mr. Bharat already causing a stir, it is clear that Lokesh Kanagaraj’s ambitions are not limited to just directing; he is becoming a driving force in shaping the future of Tamil cinema. As a producer, his vision extends to nurturing projects that push the envelope in terms of creativity and narrative innovation.