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Priyadarshan’s 100th Film with Mohanlal

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In today’s cinema, when a hero and a director collaborate on three or four films, it is often celebrated as a rare and special combination. However, in earlier decades, such partnerships were far more common, with actors and filmmakers working together across a long list of projects.

In Telugu cinema, the legendary combination of Megastar Chiranjeevi and director K. Raghavendra Rao resulted in more than twenty films, a record that continues to be admired even today.

In Malayalam cinema, an even more extraordinary partnership stands out. Mohanlal, regarded as the number one star of the industry, has collaborated with veteran filmmaker Priyadarshan on an astounding 40 films. Their association extends beyond professional collaboration into a deep personal bond, with their families sharing a long-standing friendship.

Priyadarshan is now gearing up to direct his 100th film, a major milestone in his illustrious career. Making the project even more special, Mohanlal will be playing the lead role in this landmark venture. Interestingly, Priyadarshan’s directorial journey itself began with Mohanlal. Back in 1982, Mohanlal played a key role in Sindoor Sandhyakku Mounam, one of Priyadarshan’s earliest films. Decades later, their reunion for his hundredth film comes full circle, making the occasion truly memorable.

Over the years, Priyadarshan has remained active across industries, directing successful films not only in Malayalam but also in Hindi. During a peak phase of his Malayalam career, he also directed the Telugu film Nirnayam, starring Akkineni Nagarjuna, which received a moderate box-office response.

On the personal front, Priyadarshan married actress Lissy, who had appeared in several Telugu films, and the couple has a daughter, Kalyani Priyadarshan, who is now a well-known actress herself. The couple, however, parted ways in 2016.

Political Mirchi : పిఠాపురంలో జనసేన రూల్ బుక్ | Pitapuram

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Political Mirchi : పిఠాపురంలో జనసేన రూల్ బుక్ | Pitapuram

Big Shake-Up in Mega Summer Releases

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Mega heroes are firmly back on the success track. After Pawan Kalyan’s powerful comeback with OG last year, Megastar Chiranjeevi followed it up with a unanimous blockbuster, Mana Shankar Vara Prasad Garu. These back-to-back successes have put Mega fans in celebratory mode.

Attention has now shifted to the crucial Summer season, traditionally dominated by Mega films. Big-ticket projects like Ram Charan’s Peddi, Pawan Kalyan’s Ustaad Bhagat Singh, and Chiranjeevi’s Vishwambhara were expected to storm the box office within a short span. Adding to the lineup, Sai Durgha Tej’s Sambaralu Yetigattu and Varun Tej’s Korean Kanakaraju were also eyeing late-Summer releases.

However, recent developments suggest a major reshuffle in the Mega Summer calendar. Ram Charan’s Peddi, originally slated for a March 27 release, is likely to miss the early Summer window due to pending shoot portions and post-production work. While an official announcement is still awaited, sources indicate the makers are now targeting a May 1 release.

Meanwhile, buzz has intensified around Ustaad Bhagat Singh, with strong speculation that it may step into Peddi’s vacated March slot. Although the film’s shoot has wrapped up, a considerable amount of patchwork and post-production remains. The final call will depend on how swiftly the team can complete the first copy.

On the other hand, Vishwambhara, Chiranjeevi’s long-delayed fantasy adventure, has faced multiple postponements due to extensive VFX work. Given its massive budget, the makers initially aimed for a Summer release to maximize returns. However, the latest reports suggest the film may now skip Summer altogether and target a July 10 release.

What was expected to be a Mega-filled Summer with back-to-back releases now appears headed for a significant reshuffle. While uncertainty continues around Peddi’s release date, it is increasingly clear that Ustaad Bhagat Singh will arrive earlier than planned. Clarity is still awaited on the final release strategy for Vishwambhara.

Bhartha Mahasayalaku Wignyapthi: A Turning Point for Ravi Teja?

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With the release of Bhartha Mahasayalaku Wignyapthi, opinions remain divided on whether Ravi Teja has truly staged a full-fledged comeback. Among the Sankranti releases, Raja Saab ended up at the bottom, while Mass Maharaja’s film fared slightly better. Although the festive season aided its commercial performance, the film’s content failed to impress a section of the audience.

As a result, it lagged behind successful films like Nari Nari Naduma Murari and Anaganaga Oka Raju. Since Chiranjeevi’s MSG emerged as a unanimous blockbuster, it has been excluded from this comparison. Overall, the situation suggests that Ravi Teja’s box-office stamina is yet to be conclusively tested.

Currently, Ravi Teja is working with director Shiva Nirvana, with the shoot progressing at a brisk pace. The project is said to be an action-revenge drama enriched with strong father–daughter sentiment and emotional depth. Following this, reports indicate that Mass Maharaja may collaborate with young director Vivek Athreya. Despite the success of Saripodhaa Sanivaaram, Vivek took a considerable break before returning to direction.

There were recent reports of Vivek narrating scripts to Tamil superstars Rajinikanth and Suriya, though those discussions did not materialize into projects. Now, buzz around his potential collaboration with Ravi Teja is gaining traction. If this combination becomes a reality, it would excite fans, given Vivek Athreya’s reputation for distinctive storytelling.

While there is no official confirmation yet, the decent response to Bhartha Mahasayalaku Wignyapthi, especially in contrast to Ravi Teja’s recent flops, has managed to keep his fan base cautiously optimistic.

Tharun–Eesha Pair Shines in Om Shanti Shanti Shantihi

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Tharun Bhascker and Eesha Rebba’s rural, humour-driven family drama Om Shanti Shanti Shantihi is just six days away from its theatrical release on January 30. While the teaser and promotional content generated decent curiosity, it is the trailer that has significantly raised expectations.

The biggest highlight is the intense yet entertaining husband-wife dynamic between Tharun and Eesha, shaped by ego clashes, emotional undercurrents, and sharp exchanges. Both actors slip effortlessly into their roles, delivering performances that feel natural and lived-in. Despite being Telanganites, their Godavari slang sounds convincing and authentic, adding depth to the rural setting. Tharun, in particular, stands out with his trademark organic screen presence and understated humour.

For a debutant director, A R Sajeev displays impressive control over the narrative. The situational comedy works effectively, and the trailer suggests a clean, relatable entertainer rooted strongly in family emotions and everyday conflicts.

Backed by S Originals and Movie Verse Studios, the film appears well-positioned to connect with audiences across age groups. With the fresh pairing of Tharun Bhascker and Eesha Rebba generating interest, all eyes are now on whether Om Shanti Shanti Shantihi can convert this positive buzz into on-screen magic and a solid box-office performance.

Vijayawada: మాజీ మంత్రి జోగి రమేష్ ర్యాలీపై కేసు నమోదు

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Vijayawada: మాజీ మంత్రి జోగి రమేష్ ర్యాలీపై కేసు నమోదు

Kurnool: ప్రియుడి భార్యకు HIV ఇంజెక్షన్ ఇచ్చిన మాజీ ప్రియురాలు | Special Report

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Kurnool: ప్రియుడి భార్యకు HIV ఇంజెక్షన్ ఇచ్చిన మాజీ ప్రియురాలు | Special Report

Task Force : గురువమ్మా…అంత బంగారం ఎక్కడిదమ్మా

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Task Force : గురువమ్మా…అంత బంగారం ఎక్కడిదమ్మా

Full & Final : జీతం సర్కారుది.. ప్రచారం ప్రైవేటుదా? విద్యాశాఖ సీరియస్..

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Full & Final : జీతం సర్కారుది.. ప్రచారం ప్రైవేటుదా? విద్యాశాఖ సీరియస్..

ప్రియుడితో జల్సాల కోసం మొగుళ్లను పై లోకానికి పార్శిల్ చేస్తున్న భార్యలు..! | Special Focus

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ప్రియుడితో జల్సాల కోసం మొగుళ్లను పై లోకానికి పార్శిల్ చేస్తున్న భార్యలు..! | Special Focus

GVMC Move to Regularise GITAM Land Sparks Political Storm in Visakhapatnam

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The Telugu Desam Party (TDP)-led coalition government has landed in the middle of a major controversy following its decision to regularise 54.79 acres of prime land allegedly encroached upon by GITAM University at Rushikonda and Endada villages in Visakhapatnam.

According to reports, the Greater Visakhapatnam Municipal Corporation (GVMC) has placed an agenda item in its January 30, 2026 meeting proposing the “regularisation” of land occupied by the private university. GITAM University is owned by Visakhapatnam MP Mathukumilli Sri Bharat, a senior leader of the TDP.

Retired IAS officer and noted social activist E.A.S. Sarma has strongly objected to the move, writing to Chief Minister N. Chandrababu Naidu and urging him to immediately halt the proposed regularisation. Sarma alleged that the university had encroached upon valuable government land several years ago, running into thousands of crores of rupees, and that no action was taken due to political patronage.

CPI (M) Visakhapatnam district secretary M. Jaggu Naidu also criticised the decision, alleging that the agenda was introduced solely to benefit the sitting MP, who is also the chairman of the GITAM group. He stated that land in the Rushikonda–Endada belt is currently valued at around ₹22 crore per acre, placing the total market value of the disputed land at nearly ₹5,000 crore.

Jaggu Naidu argued that allocating such high-value public land to a profit-oriented private institution violates Supreme Court judgments in the 2G spectrum and coal block allocation cases and could attract provisions under the Prevention of Corruption Act, 1988. He further cited a 2011 Supreme Court ruling and a 2012 government order (GO No. 571), both of which prohibit the transfer of government land under local bodies to private entities.

Accusing the coalition government of betraying its electoral promise to protect public assets, the CPI (M) leader demanded the immediate withdrawal of the agenda item, repossession of the encroached land, and strict action against the officials and political leaders involved.

Nizamabad Lady Constable Soumya Incident: మహిళా కానిస్టేబుల్ ను కారుతో ఢీకొట్టిన గంజాయి ముఠా

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Nizamabad Lady Constable Soumya Incident: మహిళా కానిస్టేబుల్ ను కారుతో ఢీకొట్టిన గంజాయి ముఠా

Dhurandhar Beats Pushpa 2 to Become Highest-Grossing Hindi Film

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Bollywood fans finally have a new reason to celebrate. After nearly a year of dominance, Pushpa 2 has been dethroned as the highest-grossing Hindi film, with “Dhurandhar” officially taking the top spot at the box office.

In just seven weeks, Dhurandhar has amassed ₹829.40 crore in Hindi nett collections, edging past Pushpa 2, which had closed its Hindi run at ₹810.10 crore. What makes this achievement even more remarkable is the stark contrast in the two films’ journeys.

While Pushpa 2 was a highly anticipated sequel riding on the massive success and fanbase of its predecessor, Dhurandhar arrived as a standalone, fresh film, backed mainly by a single impactful trailer and strong word of mouth.

The week-wise box office trend clearly highlights this difference.

Pushpa 2 opened to a thunderous ₹425.10 crore in its first week—more than double Dhurandhar’s ₹207.25 crore opening. However, the momentum didn’t last. By its second week, Pushpa 2 witnessed a sharp 50% drop, collecting only ₹196.50 crore.

In contrast, Dhurandhar showed rare box office stamina. Its second-week collections jumped by 21%, reaching ₹252.25 crore, signalling strong audience reception and repeat viewership. From there on, Dhurandhar consistently outperformed Pushpa 2 week after week.

Dhurandhar vs Pushpa 2

Hindi Nett Box Office – Week-wise Comparison

Week 1: ₹207.25 Cr / ₹425.10 Cr

Week 2: ₹252.25 Cr / ₹196.50 Cr

Week 3: ₹172.00 Cr / ₹103.05 Cr

Week 4: ₹106.50 Cr / ₹53.75 Cr

Week 5: ₹51.25 Cr / ₹19.45 Cr

Week 6: ₹26.35 Cr / ₹8.00 Cr

Week 7: ₹13.75 Cr / ₹4.25 Cr

Total (7 Weeks): ₹829.40 Cr / ₹810.10 Cr

It may have taken almost a year for Bollywood to finally surpass Pushpa 2’s Hindi box office record, but Dhurandhar has proven that strong content and sustained audience support can outperform even the biggest franchise-driven openings.

With several big-ticket films lined up in the coming months, all eyes are now on which movie will be bold enough—and strong enough—to challenge Dhurandhar’s newly minted record.

Peddi New Release Date | Ram Charan | Buchibabu Sana

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Peddi New Release Date | Ram Charan | Buchibabu Sana

Kayadu Lohar Turns Heads Ahead of Telugu Debut

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Kayadu Lohar, who won audience appreciation last year with her role as Pallavi Parasuram in Pradeep Ranganathan’s Dragon, is gearing up for her Telugu debut with the comedy entertainer Funky, opposite Vishwak Sen. She will also be seen in a key role in Nani’s much-anticipated film The Paradise.

Recently, Kayadu set social media abuzz by sharing new pictures in a rich orange saree that beautifully blends traditional elegance with a contemporary touch. The textured fabric with subtle floral accents adds depth to the look, while the deep blue blouse offers a striking contrast. Her poised expressions, loose wavy hair, and minimal makeup further accentuate her natural charm.

Beyond Telugu cinema, Kayadu has an impressive lineup across Malayalam and Tamil industries, with nearly six films in hand. With back-to-back projects and growing visibility, she is fast emerging as a promising talent across South Indian cinema.

9 PM | ETV Telugu News | 24th January” 2026

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9 PM | ETV Telugu News | 24th January” 2026

LIVE: భారీ అగ్నిప్రమాదం.. కష్టంగా మారిన రెస్క్యూ | #Hyderabad | #FireAccident

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LIVE: భారీ అగ్నిప్రమాదం.. కష్టంగా మారిన రెస్క్యూ | #Hyderabad | #FireAccident

Child’s 911 Call Saves Lives After Georgia Family Shooting

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A timely and courageous 911 call by a child helped save three young lives after a tragic family dispute turned deadly in the US state of Georgia. The incident occurred in the early hours of Friday in Lawrenceville, a suburb of Atlanta, leaving four adults dead and shocking the Indian community across the United States.

According to Gwinnett County Police, an Indian woman and three of her Indian-origin relatives were shot dead inside their residence, allegedly by her husband, Vijay Kumar. The shooting took place while three children were present in the house.

As gunfire erupted, the children reportedly ran and hid inside a closet to protect themselves. Demonstrating remarkable presence of mind, one of the children—who is also the accused’s own child—managed to dial 911 and provide crucial information to emergency responders.

Police said officers reached the scene within minutes based on the details shared during the call. When they arrived at around 2:30 am local time, they found four adults with fatal gunshot wounds inside the home.

The victims were identified as Meenu Dogra (43), the wife of the accused, Gourav Kumar (33), Nidhi Chander (37), and Harish Chander (38). Authorities confirmed that the three children were not injured and were later placed in the care of another family member.

The accused, Vijay Kumar (51), has been arrested and charged with four counts of aggravated assault, four counts of felony murder, and four counts of malice murder. He also faces multiple charges related to cruelty to children, including one count in the first degree and two counts in the third degree.

The Consulate General of India in Atlanta expressed deep sorrow over the incident and confirmed the arrest of the suspect. In an official statement, the Consulate said it is extending all possible assistance to the bereaved family.

While the incident has sent shockwaves through the Indian diaspora in the US, the quick thinking and bravery of the child who made the emergency call is being widely credited with saving three innocent lives.

Aadi Shambhala Storms AHA OTT; Sequel Officially Announced

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The Telugu thriller Aadi Shambhala continues its extraordinary success journey, extending its blockbuster run from theatres to the digital space. After emerging as a Divine Blockbuster at the box office and delivering a career-best hit for Aadi Saikumar, the film premiered on AHA OTT two days ago to a phenomenal response.

With exceptional viewership and strong audience engagement, Aadi Shambhala is currently trending on the platform, reaffirming its widespread appeal. Buoyed by the massive theatrical success and the overwhelming OTT reception, the makers have officially confirmed that Shambhala 2 is in development.

The sequel is planned on a much grander scale, with an expanded storyline that delves deeper into the world and mythology established in the first part. Detailed announcements regarding the cast, crew, and production timeline are expected soon, generating significant buzz among audiences and trade circles.

Audiences and critics alike have praised the film for its gripping narrative, intense performances, and immersive cinematic experience. Director Ugandhar Muni has earned widespread acclaim for his compelling storytelling and his seamless fusion of horror and devotional elements, which resonated strongly with viewers.

Another major highlight is Sricharan Pakala’s powerful background score. His music has been unanimously lauded for elevating both the horror sequences and the devotional moments, adding depth, tension, and emotional intensity to the film.

Aadi Shambhala is produced by Mahidhar Reddy and Rajasekhar Annabhimoju under the banner of Shining Pictures.

Regional Accents Redefine Telugu Cinema

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For decades, Telugu cinema witnessed remarkable actors mastering accents beyond their native regions. Kota Srinivasa Rao, a native of coastal Andhra, became iconic for his flawless Telangana dialect after years of living in Hyderabad and closely observing the local speech. Similarly, Jayaprakash Reddy, hailing from Guntur, carved a unique identity by excelling in the Rayalaseema accent—an achievement he often credited to keen observation rather than formal training.

However, such linguistic experiments were largely confined to character actors and villains during that era.

Post-bifurcation, Telugu cinema has undergone a significant cultural shift. The division into Telangana and Andhra Pradesh has led to wider acceptance and celebration of diverse Telugu accents and regional slangs. Today, even lead actors confidently embrace dialects rooted in specific regions, adding authenticity and freshness to storytelling.

In this evolving landscape, filmmakers and actors like Tarun Bhasker and Eesha Rebba—both from Telangana—have introduced a new trailer titled “Om Shanti Shanti Shantihi.” While Eesha Rebba’s character identity remains understated due to minimal dialogue in the trailer, Tarun Bhasker has taken audiences by surprise with his strikingly accurate Godavari–Vizag belt accent.

The precision of his dialect has sparked curiosity about the effort behind mastering it. Interestingly, Tarun Bhasker’s exposure to this accent began during his work on a song for “Mangalavaram,” directed by Ajay Bhupathi. His performance once again highlights how modern Telugu cinema continues to expand its linguistic and cultural boundaries with confidence and respect.

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