Priya Prakash Varrier, widely known for her iconic wink, has regained significant attention with her special song in Good Bad Ugly. After a long hiatus, her Tamil debut in this action-comedy film opposite Ajith Kumar has reignited her popularity, making up for her earlier missed opportunity in Tollywood.
Though her role is brief, playing the girlfriend of Ajith’s son, it’s Priya’s song “Thottu Thottu Pesum Sultana” that has captured the audience’s attention. The track quickly went viral, trending across social media platforms, especially Reels and Shorts. Priya herself shared videos of her dancing to the song, adding to the buzz. While established stars like Simran and Trisha Krishnan graced the film, Priya’s brief 10-minute appearance stood out, leaving fans excited.
This breakthrough is setting the stage for Priya to seek more special songs in future films across Tollywood, Tamil, and even Mollywood. It will be intriguing to see how she leverages this newfound fame and the opportunities that come her way in the months to come.
KCR’s Warangal Speech Sparks Response from Revanth Reddy
In a massive public meeting held yesterday evening in Warangal, KCR reignited the Telangana sentiment, launching sharp attacks against Chandrababu Naidu and the Congress Party, branding them as anti-Telangana.
Interestingly, throughout his fiery speech, KCR carefully avoided mentioning Chief Minister Revanth Reddy’s name even once — a move that did not go unnoticed.
Today, CM Revanth Reddy responded to KCR’s remarks, expressing his displeasure. Revanth asserted that KCR speaks based purely on political convenience, lacking real administrative achievements or credibility. He emphasized that KCR had minimal involvement in Telangana’s actual development but still brazenly criticizes others.
“I found KCR’s speech devoid of any logical base. It was more about venting frustration than offering a meaningful message. He claims KTR is like his own child but encourages the same person to hurl abuses in the Assembly,” Revanth pointed out.
Despite KCR’s aggressive narrative, Revanth appeared composed and unshaken. He confidently stated that his work would speak louder than political rhetoric, signaling that he would stay focused on governance rather than getting pulled into verbal battles.