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Nani Set to Launch Nationwide Promotions for HIT 3
Actor-producer Nani’s most ambitious venture to date, HIT 3: The Third Case, has been generating considerable buzz across social media and film circles. The recently released trailer, showcasing Nani in a never-seen-before intense and blood-soaked avatar, has significantly amplified expectations around the investigative crime drama. Notably, the film has been awarded an ‘A’ certificate by the CBFC, a rare classification in Nani’s otherwise family-friendly filmography.
With the theatrical release scheduled for May 1, 2025, the makers are now shifting gears for full-scale promotions. Starting tomorrow, Nani, along with the film’s principal cast and crew, will embark on an aggressive ten-day promotional tour across major metropolitan cities in India. This strategic campaign is set to further boost anticipation and engagement among fans and cinephiles alike.
Directed by Sailesh Kolanu, HIT 3 is the third installment in the successful HIT franchise and is set for a grand release in multiple languages — Telugu, Tamil, Malayalam, Kannada, and Hindi. The multilingual rollout underscores the film’s pan-India appeal and Nani’s growing stature as a nationwide star.
Whether HIT 3 will emerge as Tollywood’s answer to recent pan-India blockbusters like Marco and Kill remains to be seen, but all eyes will be on the silver screen this May Day.
Poyiraa Mama: The High-Energy Anthem from Kuberaa That Will Get You Moving
Sekhar Kammula’s much-anticipated film Kuberaa is set for its theatrical release on June 20th, with the movie’s promotional campaign already generating tremendous buzz. The film, featuring powerhouse performances from Dhanush and Nagarjuna in lead roles, is produced jointly by Sri Venkateswara Cinemas LLP and Amigos Creations Pvt Ltd.
Adding to the excitement, the film’s music, composed by Rockstar Devi Sri Prasad (DSP), has already captured the attention of audiences. The first single, Poyiraa Mama, was unveiled today, and it promises to be a game-changer. With its high-octane beats and infectious energy, the song is bound to get audiences on their feet. DSP’s composition is nothing short of electrifying, with a relentless rhythm that keeps the momentum building from start to finish.
Dhanush’s dynamic vocal performance adds an extra layer of intensity, perfectly complementing the song’s energetic vibe. His gritty yet expressive delivery of the lyrics, penned by Bhaskarabhatla, makes the track even more captivating. The lyrics are catchy, relatable, and have an undeniable charm that makes it easy for listeners to sing along while still resonating deeply.
The choreography by Sekhar VJ matches the song’s intensity, with electrifying dance moves that elevate the track even further. Dhanush’s commanding presence on screen ensures every move feels purposeful and full of life, amplifying the infectious energy of the song.
Poyiraa Mama is more than just a song—it’s an experience. From the music to the visuals, everything falls into place to create a vibe that will undoubtedly linger long after the track ends. It’s the kind of anthem that will make you not just listen, but feel, and it’s clear that Kuberaa is shaping up to be a thrilling cinematic journey.
Anurag Kashyap Apologizes After Backlash Over Controversial Remark
Renowned filmmaker Anurag Kashyap, known for his outspoken nature and often controversial views, has found himself at the center of a heated public debate following a contentious statement made in the context of the upcoming Hindi film Phule. During a recent discussion, Kashyap allegedly remarked that he would “pee on Brahmins,” a comment that sparked widespread outrage and was deemed deeply offensive by many.
The backlash was swift and severe, prompting a wave of criticism across social media and various public platforms. The situation escalated further as Kashyap revealed that his daughter, family members, and colleagues began receiving rape and death threats in the wake of the controversy.
In response, Kashyap took to Instagram to issue a public apology. While standing by the broader message of his original post addressing caste discrimination in India, he expressed regret over the specific line that triggered the backlash. “This is my apology, not for my post but for that one line taken out of context and the brewing hatred,” he wrote. “No action or speech is worth your daughter, family, friends, and colleagues getting rape and death threats from the kingpins of sanskar (tradition).”
Kashyap’s comments have reignited debates surrounding freedom of speech, caste dynamics, and the safety of public figures in India. The incident also highlights the growing intersection of art, politics, and social discourse—especially in a climate where filmmakers are increasingly scrutinized for their personal and professional stances.
Balakrishna Bags ₹7.75 Lakh VIP Number for New BMW
For many, owning a luxury vehicle is a significant milestone—but for others, personalizing it with a distinctive registration number adds a special touch. A recent example is veteran actor and Andhra Pradesh MLA Nandamuri Balakrishna, who made headlines after acquiring a premium number plate for his new BMW.
Balakrishna successfully bid for the highly coveted registration number TG09 F0001, paying a substantial ₹7.75 lakh for the exclusive identifier. The auction was conducted by the Khairatabad RTO office, which witnessed an impressive ₹37.15 lakh in revenue from various high-demand registration numbers in a single day.
What’s notable is that the majority of these fancy numbers were acquired not by individuals, but by companies—highlighting the growing significance of unique registration numbers as status symbols and branding assets in the business world.
Balakrishna’s preference for a premium number underscores how, for some, the allure of a luxury vehicle is amplified by the charm of a lucky or stylish registration plate, adding a layer of personal identity and prestige.
Suhas Makes Quiet Leap into Kollywood with Mandadi
Suhas, the Telugu actor known for his understated yet impactful performances, has made a surprising move into Kollywood. Quietly stepping into Tamil cinema, he is not debuting as a lead actor but as a pivotal supporting character in the upcoming film Mandadi, fronted by Soori.
Suhas’ rise to fame has been anything but conventional. From gaining national recognition through YouTube shorts to earning his place in Telugu cinema with films like Color Photo, Writer Padma Bhushan, and Ambajipeta Marriage Band, he’s consistently impressed audiences with his relatable roles. He even ventured into a darker role, playing a sinister villain in Hit 2, showcasing his impressive range.
With Mandadi, Suhas is taking a step into unfamiliar territory. The film’s announcement was low-key, but it has already sparked curiosity, especially with the Tamil audience becoming familiar with him after his candid interview with Vijay Sethupathi. As he builds momentum in Kollywood, Suhas is making it clear that he is not interested in following conventional paths. Instead, he is determined to carve his own journey, one unexpected role at a time. Whether this move will redefine his career or simply mark a new chapter, Suhas’ quiet evolution as an actor is one to watch closely.
Ananya Panday Finds Her Breakthrough with Kesari 2
Ananya Panday’s entry into Telugu cinema with Liger didn’t go as planned. The film flopped, and her performance—marked by stiff expressions and minimal impact—drew more criticism than praise. Since her debut in 2019, Ananya has struggled to land a breakthrough role, and despite a few average outings, she hasn’t yet delivered a memorable performance. This lack of a standout moment in her career has often fueled the ongoing debates around nepotism in Bollywood.
But things may finally be turning around for her.
In Kesari Chapter 2, directed by Karan Singh Tyagi, Ananya takes on the role of Dilreet Gill against the intense historical backdrop of the Jallianwala Bagh massacre. The film stars Akshay Kumar and R. Madhavan in powerful lead roles and has received glowing reviews from critics and audiences alike. With nearly 10,000 tickets selling per hour on BookMyShow, the film’s momentum is hard to ignore.
What’s even more surprising is that Ananya’s performance is being widely appreciated. Sharing screen space with seasoned actors and still managing to make a mark is no small feat. Her portrayal brings a depth that many hadn’t seen from her before, and it could finally silence some of her critics. Industry insiders believe this could be the turning point in her career—a shift from the “nepo-kid” tag to being recognized as a capable performer.
Even with strong performances from actors like Regina Cassandra, who plays Akshay Kumar’s wife, Ananya holds her own and adds emotional weight to the narrative.
For Akshay Kumar, Kesari 2 is also a crucial win—after a string of underperformers, this film seems to be on track to become a super hit. While it may not rewrite box office history, its steady rise and positive reception signal a much-needed comeback. As for Ananya Panday, this could finally be her moment to shine.
Simran’s Graceful Clapback at JFW Awards Sparks Ageism Debate
Veteran actress Simran, a celebrated name across South Indian cinema, is making headlines following her powerful and thought-provoking speech at the JFW Movie Awards 2025. While graciously accepting her award, the actress addressed ageism in the industry with poise and candor—subtly responding to a remark that many believe was a veiled slight from a fellow actress, reportedly aimed at Jyothika.
Simran, known for her versatility and seamless transition into character-driven roles, reflected on the value of mature performances, referencing her acclaimed portrayals in films like Amrutha and Surya S/o Krishnan.
“I recently messaged a female co-star, complimenting her on her role. I said I was pleasantly surprised to see her in it. She replied, saying, ‘At least it’s better than doing aunty roles.’ That was very insensitive,” Simran shared during her speech. “I wish I had a better comeback, but honestly, it’s okay to do aunty roles, main aunty roles, or play the mother of a 25-year-old, rather than do dabba roles.”
The term “dabba roles” immediately caught the attention of audiences and netizens alike. Many interpreted it as a subtle dig at Jyothika’s recent appearance in Netflix’s Dabba Cartel, which received a mixed reception, with critics noting the lack of depth in her character.
Despite the speculation, Simran maintained a dignified tone, earning widespread praise for championing substantive roles for women—regardless of age. Her comments have since gone viral, sparking discussions about how the industry perceives aging actresses and the importance of meaningful representation on screen.
Further reaffirming her enduring appeal, Simran recently made a surprise cameo in Ajith Kumar’s film Good Bad Ugly, a move that underscores her continued relevance and dynamic presence in the evolving cinematic landscape.
With her elegant demeanor and powerful words, Simran once again proves why she remains one of the most respected voices in Indian cinema.