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Aamir–Vamshi Combo in the Making?

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After the underwhelming response to Laal Singh Chaddha, Aamir Khan appears to be turning increasingly toward South Indian filmmakers for his next moves. As part of this shift, he has already agreed to a special appearance in Rajinikanth’s Coolie, and rumors are hot that he’s planning a full-fledged feature with Lokesh Kanagaraj.

Buzz from Chennai hints at a superhero concept in discussion between Aamir and Lokesh. However, with Lokesh tied up with Coolie and Kaithi 2 next, the project is likely a while away.

But here’s the real twist: Tollywood director Vamshi Paidipally is quietly working on a script tailored for Aamir Khan.

Vamshi, who last directed Vijay’s Varisu in 2023, has been off the radar despite its commercial success. While Varisu made money, critics panned it for its melodramatic and predictable storytelling—possibly contributing to the delay in locking a new big star.

Now, according to industry buzz, Aamir is interested but cautious—he’ll only commit if Vamshi’s script hits the mark.

If this collaboration clicks, it could be a major breakthrough for Vamshi in the pan-India space. Known for consistent hits like Brindavanam, Yevadu, Oopiri, and Maharshi, Vamshi has a strong track record. In fact, it was his narration that quickly convinced Vijay to sign on for Varisu.

Reportedly, Mythri Movie Makers is working behind the scenes to make this powerful combination happen. Given Vamshi’s experience, his prolonged silence is curious—but if he’s scripting for Aamir, the wait might just be worth it.

ఇక జైలుకే..? AP Govt Appointed Muppalla Subbarao As Special Advocate In MLC Ananta Babu Driver Case

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ఇక జైలుకే..? AP Govt Appointed Muppalla Subbarao As Special Advocate In MLC Ananta Babu Driver Case

జగన్ అక్రమాస్తుల కేసులో Dalmia Cement Assets Seized In YS Jagan Illigal Assets Case

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జగన్ అక్రమాస్తుల కేసులో Dalmia Cement Assets Seized In YS Jagan Illigal Assets Case

Jaat Sequel Confirmed: Bold Move by Mythri

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The announcement of a sequel to Jaat has taken many by surprise, especially given the film’s modest performance. While it managed to cross the ₹100 crore mark, it didn’t shatter records like Gadar 2 or achieve the blockbuster status of Jawan or Pathaan. So why are Mythri Movie Makers betting big on a follow-up?

According to industry sources, director Gopichand Malineni has penned a more powerful and compelling story for the sequel. Reportedly, this new script impressed Sunny Deol enough to give the greenlight. That said, several intriguing questions remain.

Malineni is already juggling a massive project with Balakrishna, especially after the success of Veera Simha Reddy, which has raised expectations among fans. So, will Jaat 2 begin production anytime soon? Unlikely.

Sunny Deol’s calendar is packed—he’s committed to Border 2, Lahore 1947 (under Aamir Khan’s production), and a major role as Lord Hanuman in Ranbir Kapoor’s Ramayana. He’s also signed on for another film titled Safar. With these lined up, any serious progress on Jaat 2 may not begin until well into 2026, giving Malineni enough breathing space to fine-tune the project.

Despite not being a critical darling, Jaat fared well in B and C centers across North India, with strong collections in those belts. The film, however, faced criticism for its formulaic narrative—a South-style masala treatment blended with a predictable plot. Still, some high-impact sequences resonated with audiences and helped drive decent returns.

Now, fans are hoping Jaat 2 will shed its Southern flavor in favor of a more Bollywood-centric approach, both in casting and treatment. And while comparisons to A.R. Murugadoss’ misfire Sikandar (with Salman Khan) are inevitable, it’s worth noting that Malineni still managed to deliver a respectable success with Jaat.

Whether the sequel can build on this momentum and rise above the original is the big question—but the potential is definitely there.

Bangladesh Seeks $4.32 Billion, Apology from Pakistan in Landmark Talks

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In a significant diplomatic development, Bangladesh formally raised longstanding unresolved issues with Pakistan during the Foreign Secretary-level Foreign Office Consultations (FOC) held in Dhaka on Thursday—the first such meeting in 15 years between the two nations.

The Bangladeshi delegation, led by Foreign Secretary Masud Bin Momen, pressed for a financial claim of USD 4.32 billion as Dhaka’s fair share from the assets of undivided Pakistan prior to 1971. Bangladesh also reiterated its demand for a formal apology from Pakistan for the genocide committed by the Pakistani armed forces during the 1971 Liberation War.

In addition, Bangladesh sought the return of USD 200 million in foreign aid provided to East Pakistan following the devastating Bhola cyclone in 1970. The issue has remained a point of contention in bilateral relations for decades.

“We emphasized that these historical issues must be resolved to build a strong, welfare-oriented, and forward-looking relationship between the two countries,” said Foreign Secretary Momen during a press briefing at the Ministry of Foreign Affairs. “These unresolved matters are essential to laying a solid foundation for our future relations.”

The Pakistani delegation was led by Foreign Secretary Amna Baloch, who also held separate meetings with Bangladesh’s Interim Government Chief Advisor Muhammad Yunus and Foreign Affairs Advisor Touhid Hossain. Discussions during these meetings focused on enhancing mutual cooperation and exploring trade and business opportunities.

“There are certain hurdles. We have to find ways to overcome those and move forward,” said Chief Advisor Yunus following his meeting with Baloch at the State Guest House Jamuna.

Baloch acknowledged the need to move beyond past challenges and focus on regional opportunities, stating, “We have huge intra-regional markets in our own right. We should use them. We can’t miss the bus every time.”

Notably, the Pakistani side refrained from making any official comment regarding the outcomes of the FOC.

During the consultation, it was also confirmed that Pakistan’s Deputy Prime Minister and Foreign Minister Ishaq Dar will pay an official visit to Dhaka on April 27–28. His visit will mark the first by a Pakistani Foreign Minister to Bangladesh since 2012.

To prepare for this high-level visit, the interim government has formed a working group in coordination with the Pakistan High Commission in Dhaka to finalize agreements expected to be signed during Dar’s visit.

This renewed engagement signals a cautious but noteworthy step toward addressing historical grievances and fostering regional cooperation.

Rethinking the American Dream: Rising Costs Deter Indian Professionals

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The long-cherished aspiration of moving to the United States for better career prospects is now under serious scrutiny among Indian professionals, especially those in the IT and finance sectors. With the cost of living — particularly housing — surging to unsustainable levels, the economic feasibility of migration is being questioned like never before.

Chartered Accountant Nitin Kaushik summarizes the prevailing sentiment: “It’s more investment and less returns when someone wants to migrate to the US. That thing is not for everyone.” His view reflects a growing shift in perception, as the American dream begins to look increasingly out of reach for many.

At the core of this shift is the rising burden of housing expenses. Financial analyst Sourav Dutta puts the numbers into perspective: “Average rent is $2,000 in America and you’re supposed to make three times that to qualify — that’s $6,000 a month, or $72,000 a year. But the average U.S. salary is just $51,000. Average Americans can’t rent an average house.”

According to Zillow’s December 2024 data, the national average rent for single-family homes reached $2,174, while multifamily units averaged $1,812. In tech-centric urban hubs like San Francisco, New York, and Seattle — where most Indian tech migrants initially settle — these figures are even higher.

Beyond housing, essentials such as healthcare, childcare, and transportation further strain monthly budgets. The ongoing slowdown in apartment construction, driven in part by trade tariffs on materials from Canada and China, has exacerbated the housing crunch. This limited supply continues to drive up prices, making affordability a serious concern.

For professionals entering the U.S. through the H-1B visa program, the picture is equally complex. While the program mandates a minimum annual salary of $60,000, this often proves insufficient to cover even basic living costs in high-cost metro areas.

The shift isn’t just limited to perceptions of life abroad. Financial caution is now extending to domestic investments as well. Kaushik advises prospective Indian homebuyers to take a comprehensive view of property investments: “These are big commitments. Don’t just look at the emotional side — do the math. Factor in costs like stamp duty, maintenance, and long-term obligations.”

In an era marked by inflation, wage disparities, and limited housing supply, Indian professionals are re-evaluating the once-glamorous path of migration. The promise of higher pay and a better lifestyle overseas now carries more caveats than ever — prompting many to reconsider whether the dream is worth the price.

Google Unifies Search Under Single Domain: google.com

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April 2025 — In a move aimed at streamlining its user experience, Google has announced that it is phasing out country-specific domains such as google.co.in, google.co.jp, and google.ae, in favour of a single, unified domain: google.com. This global transition began rolling out on April 15 and will continue over the coming weeks.

Under the new system, the domain entered will no longer dictate the regional version of Google Search a user receives. Instead, search results will be automatically localised based on the user’s real-time physical location. For instance, a user in the United States will receive US-relevant results even if they enter google.com, and once back in India, results will reflect Indian local context without any manual domain changes.

Google has relied on location-based customisation since 2017 to provide geographically relevant results, regardless of the domain used. This change merely aligns the web address with how the system has already been functioning behind the scenes for years.

Once fully implemented, regional domains such as google.co.uk or google.ca will automatically redirect to google.com. While the core functionality of Search will remain unchanged, users with specific language or regional settings are advised to review their preferences, as the update may require adjustments.

Google has clarified that this domain unification will not impact its compliance with country-specific legal requirements or content policies. Local laws and content restrictions will continue to apply based on the user’s location.

By standardising its domain structure, Google aims to offer a more seamless and consistent search experience, particularly as Search continues to evolve with mobile-first usage patterns and AI-driven personalisation. With location data now central to customisation, the domain name has become largely symbolic — and soon, universally so.

9 PM | ETV Telugu News | 17th April 2025

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9 PM | ETV Telugu News | 17th April 2025

Maro Netram : మార్క్ జోలికొస్తే మటాషే! | YSRCP Roja Comments on Pawan Kalyan’s Son

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Maro Netram : మార్క్ జోలికొస్తే మటాషే! | YSRCP Roja Comments on Pawan Kalyan’s Son

BJP Leader Yamini Sharma Sadineni Strong Counter to Roja Comments | BIG News

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BJP Leader Yamini Sharma Sadineni Strong Counter to Roja Comments | BIG News

Arjun S/O Vyjayanthi Gears Up for Grand Worldwide Release

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Arjun S/O Vyjayanthi, the much-anticipated family drama and action entertainer starring Nandamuri Kalyan Ram, is all set for a worldwide theatrical release on April 18, 2025, with US Premieres scheduled for today.

Directed by Pradeep Chilukuri and jointly produced by Ashok Vardhan Muppa and Sunil Balusu under the banners of Ashoka Creations and NTR Arts, the film promises a powerful blend of heartfelt emotion and adrenaline-pumping action.

Marking a grand comeback, Lady Superstar Vijayashanthi plays a central role as Kalyan Ram’s mother, delivering a performance that is expected to resonate deeply with audiences. Bollywood actress Saiee Manjrekar stars as the female lead, adding freshness and charm to the narrative.

For overseas audiences, especially in the USA, the film is being released on a massive scale by the renowned Prathyangira Cinemas, a distribution house that has previously handled blockbusters like Kalki, Devara, and Pushpa 2. With their expertise, Arjun S/O Vyjayanthi is poised for an expansive and impactful release in international markets.

The film has already created a strong buzz through its teaser, trailer, chartbuster songs, and an extensive promotional campaign. The excitement reached new heights following Jr. NTR’s impactful speech at the pre-release event, where he praised the film’s emotionally gripping pre-climax and climax segments.

Touted as an emotional rollercoaster, Arjun S/O Vyjayanthi explores the profound bond between a mother and her son—an ever-popular theme among family audiences. The narrative is thoughtfully packaged with compelling action sequences, rich sentiment, and strong character arcs, promising a wholesome cinematic experience.

With high expectations and a wide release, Arjun S/O Vyjayanthi is ready to make a strong emotional and commercial impact, both in India and overseas.

Samantha Eyes Tollywood Comeback After Citadel Setback

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Samantha Ruth Prabhu, who was last seen in the 2023 romantic drama Kushi and the high-profile web series Citadel: Honey Bunny, had pinned high hopes on the latter to mark her significant presence in the streaming space. Despite being backed by acclaimed creators Raj & DK—known for the success of The Family Man—Citadel: Honey Bunny failed to resonate with audiences and critics alike.

The series, which featured Samantha alongside Bollywood actor Varun Dhawan, struggled with pacing issues and lacked emotionally compelling storytelling, which diluted its overall impact. While the show was initially expected to be renewed for another season, recent industry buzz suggests that Prime Video has opted to cancel future installments due to underwhelming reception and viewership.

Samantha had invested considerable effort in the project, undertaking extensive travel for filming and promotional activities, and performing demanding action sequences. However, the series’ lukewarm response appears to have been a disappointment for both lead actors, including Varun Dhawan, who was reportedly dissatisfied with the outcome.

This development comes at a time when audience interest in long-form web content seems to be waning. With growing viewer fatigue and an increasingly selective streaming audience, even well-mounted projects are finding it difficult to sustain engagement.

Despite the setback, Samantha is actively reviewing new scripts and is reportedly preparing for a strong comeback in Tollywood. Her resilience and commitment to versatile roles continue to make her one of the most anticipated actors in the South Indian film industry.

Fire Breaks Out From Private Travels Bus At Vijayawada

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Fire Breaks Out From Private Travels Bus At Vijayawada

Delhi Politics : ఆసక్తికరంగా ఢిల్లీ రాజకీయాలు | PM Narendra Modi | BJP Leaders

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Delhi Politics : ఆసక్తికరంగా ఢిల్లీ రాజకీయాలు | PM Narendra Modi | BJP Leaders

Balakrishna Next Movie Muhurtham Date Fix | Gopichand Mallineni | #NBK111

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Balakrishna Next Movie Muhurtham Date Fix | Gopichand Mallineni | #NBK111

ఇష్టమొచ్చినట్టు మాట్లాడితే | BJP MLA Parthasarathy Powerful Counter to RK Roja | YSRCP

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ఇష్టమొచ్చినట్టు మాట్లాడితే | BJP MLA Parthasarathy Powerful Counter to RK Roja | YSRCP

Jabardasth Kiraak RP Strong Reaction on YSRCP RK Roja Comments Over Pawan Kalyan Son

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Jabardasth Kiraak RP Strong Reaction on YSRCP RK Roja Comments Over Pawan Kalyan Son

Priyanka Chopra Becomes Highest-Paid Actress in Indian Cinema for Rajamouli’s SSMB29

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SS Rajamouli, renowned for his exceptional ability to bring together the biggest names in cinema, has once again raised the bar with his upcoming film SSMB29 starring Mahesh Babu. In a significant development, Hollywood actress Priyanka Chopra has been roped in for the project, and her remuneration has set a new industry record. According to reports, Priyanka Chopra has become the highest-paid actress in Indian cinema, commanding an impressive ₹30 crore for her role in the action-adventure film.

This substantial fee surpasses the earnings of some of Bollywood’s leading actresses, including Deepika Padukone, Alia Bhatt, and Kareena Kapoor Khan, who typically earn between ₹15–20 crore per film. Priyanka’s new remuneration underscores a notable shift in the industry, highlighting the evolving dynamics of gender parity and star power. The unprecedented pay reflects a growing recognition of female actors, now being compensated on par with their male counterparts, signaling a positive change in the industry’s approach to female talent.

At the forefront of this change is Rajamouli, whose influence and vision continue to attract top-tier talent to his projects. His willingness to offer Priyanka Chopra such a significant fee demonstrates his commitment to assembling a stellar cast, further amplifying the anticipation surrounding SSMB29. The collaboration between Priyanka and Rajamouli, combined with Mahesh Babu’s star power, promises to deliver a cinematic experience that will captivate audiences both in India and globally, marking yet another milestone in the evolution of Indian cinema.

Sandeep Reddy Vanga and Ram Charan Collaboration Not Likely Soon

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Following the massive success of Animal, there has been considerable buzz surrounding director Sandeep Reddy Vanga and the projects he is expected to helm in the future. Among the many speculated collaborations, one of the most talked-about potential pairings was with global star Ram Charan. Initial media reports suggested that Charan might set aside his upcoming project with director Sukumar to work with Sandeep Reddy Vanga. This sparked widespread excitement and anticipation among fans.

However, the latest developments indicate that this much-hyped collaboration is not likely to materialize in the immediate future. Sources close to the matter have clarified that while a Sandeep Reddy Vanga–Ram Charan project is not off the table entirely, it is unlikely to take shape anytime soon. The pairing might evolve at a later stage, depending on several factors.

At present, Sandeep Reddy Vanga is fully engaged with Spirit, a high-profile film starring Prabhas, which is currently in the production phase. The film is expected to occupy the director for at least the next six months. On the other hand, Ram Charan is busy with his ongoing sports drama directed by Buchi Babu Sana.

Given the tight schedules of both the filmmaker and the actor, the possibility of their collaboration hinges entirely on the alignment of their timelines. As things stand, the project is not part of their immediate plans. However, should their calendars permit, this much-anticipated combination may come to fruition at a more opportune time in the future.

Telugu Cinema’s Theatre Crisis: A Wake-Up Call from Within

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For quite some time now, there has been ongoing debate and speculation surrounding the theatrical returns of Telugu films. While big-budget productions featuring leading stars continue to perform reasonably well at the box office, it is the mid- and lower-budget films that are facing an increasingly uphill battle. This growing disparity is raising serious concerns within the industry about the sustainability of theatrical revenue models, particularly for small and medium filmmakers.

Adding weight to the concern is a recent and candid statement by senior director Trinadha Rao Nakkina. During a promotional tour across various regions of Andhra Pradesh, the filmmaker shed light on the sobering ground realities of theatrical footfalls. According to Nakkina, audiences are no longer coming to theatres in significant numbers — a trend that is steadily worsening. His observations point to a growing reluctance among the public to step out for film screenings, even those featuring well-known heroes.

One of the more alarming revelations made by the director is that many theatres across the Telugu states have begun cancelling their second shows due to insufficient turnout. This situation underscores the diminishing appeal of the theatrical experience among general audiences, many of whom seem to prefer waiting for OTT releases and other convenient alternatives.

What makes this commentary particularly noteworthy is that it comes from an industry insider who has long been part of the commercial cinema ecosystem. Nakkina’s remarks have sparked discussions among industry stakeholders, with many acknowledging that the issue can no longer be ignored or brushed aside.

The declining footfalls represent more than just a temporary slump; they signal a potential structural shift in the way audiences consume cinema. As such, the Telugu film industry may need to re-evaluate its strategies — from content creation and marketing to release models and distribution — in order to adapt to evolving viewer behavior.

This wake-up call from within the industry should prompt serious introspection and dialogue. If the current trajectory continues unchecked, it could have long-term implications not just for filmmakers and exhibitors, but for the cultural and economic fabric of Telugu cinema as a whole.

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