The first single named ‘Ranjithame’ from Thalapathy Vijay’s ‘Varasudu’ was released before a few weeks and got 75 million views already. Vijay’s immense stardom and Thaman’s energetic beats paired with MM Manasi’s vocals made it a super hit. It was Vijay who gave the male vocals for the Tamil version and since the movie is getting dubbed as ‘Varasudu’ in Telugu, people were waiting for the Telugu version of this song.
The song is finally here and it was talented singer Anurag Kulkarni who replaced Vijay’s vocals in Telugu. Seasoned lyricist Ramajogayya Sastry’s lyrics suited the movie and synced appropriately with the Tamil flavored tune. Thaman delivered a typical mass number that caters to hardcore Vijay fans. The heavy beats worked well and MM Mansi who did the heavy lifting in the singing department. Jani Master who choreographed ‘Arabic Kuthu’ song has worked on this song too.
It’s always a treat to watch Vijay dancing to the steps choreographed by Jani master. The dances are trendy and graceful. Rashmika Mandanna looks stunning in the song. She has definitely upped her glamour dose in recent times and looked extremely appealing in various attires throughout this dance number. The setting and backdrops look vibrant and flamboyant.
Vamsi Paidipally is directing this out-and-out entertainer while Ace producers Dil Raju & Shirish are bankrolling the movie under Sri Venkateswara Creations banner. Prabhu, Sarath Kumar, Prakash Raj, Jayasudha, Srikanth, Shaam, Yogi Babu, Sangeetha and Samyuktha are the prominent cast of the movie. Vamshi Paidipally along with Hari and Ashishor Solomon wrote the story. Karthick Palani is taking care of the cinematography, wherein KL Praveen is the editor. Sri Harshith Reddy and Sri Hanshitha are the co-producers of the film. Sunil Babu & Vaishnavi Reddy are the production designers.
Recent Random Post:
Dhurandhar Reportedly Planned as 7.5-Hour Extended Director’s Cut
The makers of Dhurandhar are reportedly planning an unprecedented move in Indian cinema—a massive 7-hour-30-minute extended director’s cut. The development has already generated strong curiosity and debate within the industry, with an official announcement from Jio Studios expected soon.
This ambitious version is said to skip a traditional wide release and instead be showcased exclusively in premium formats such as IMAX, Dolby Cinema (DC), HDR, and EPIQ screens. The goal is to present the film in its most immersive and uncut form, offering audiences the filmmaker’s complete vision.
However, the biggest question being raised is whether audiences will be willing to sit through a film of such extraordinary length in theatres. While global cinema has experimented with extended runtimes, a 7.5-hour feature is virtually unheard of in Indian theatrical history. It also raises practical concerns around audience engagement, interval structure, and theatrical feasibility.
At the same time, the experiment signals a bold shift in storytelling, especially as long-form content continues to gain popularity through OTT platforms. If executed effectively, Dhurandhar could redefine the boundaries of cinematic experience in India.
Whether audiences embrace or resist it, the film is already being seen as a boundary-pushing experiment in modern filmmaking.
