ఎన్ఆర్ఐ భర్త వేధింపులు భరించలేక భార్య ఆత్మహత్య

Indian cinema is currently witnessing the phenomenal success of Dhurandhar, with both parts of the film reportedly grossing over ₹3000 crore at the global box office. However, discussions around the film’s success have sparked an interesting debate about who the real driving force behind the project is.

Kareena Kapoor recently clarified that Dhurandhar should not be seen as a star-driven vehicle for Ranveer Singh. Instead, she emphasized that the film belongs entirely to its director’s vision.

According to her, even within the industry, the project is widely referred to as Aditya Dhar’s film rather than a conventional hero-centric blockbuster. “Dhurandhar is not a Ranveer Singh film in any way. It is very much a director’s film. Even today, it is being called Aditya Dhar’s Dhurandhar,” she reportedly stated.

Her remarks highlight the strong creative ownership of Aditya Dhar, suggesting that the storytelling, narrative style, and execution are what truly define the film, rather than star power alone.

Coming from a leading Bollywood actress, this perspective adds weight to the ongoing conversation around modern filmmaking, where the distinction between star-driven and director-driven cinema is becoming increasingly significant. At the same time, it also reinforces the idea that every successful film is ultimately a collaborative effort of actors, technicians, and storytellers working together to create a cinematic experience.