‘Bheemla Nayak’ Controversy Comes Into Limelight!

‘Bheemla Nayak’ is one film for which everyone is eagerly waiting for. Pawan Kalyan and Rana will be seen sharing screen space for the first time and it is the remake of ‘Ayyappanum Koshiyum’. The promotional content which came out till now raised a lot of expectations on this movie and if things go as planned, ‘Bheemla Nayak’ will be hitting the screens on 25th February.

Recently, a controversy regarding this movie is making headlines. As we know, Thaman’s songs have become chartbusters. People who matched the original Malayalam film may know that Thaman took a few tunes from the Malayalam version and used it as it is. The issue with this is that the original music’s composer Jakes Bejoy is hurt by this as he did not get any credit till date and Thaman never thanked him too.

The news is that Jakes Bejoy is planning to take this to the notice of IPRS and we need to wait for a few more days to find the truth behind this. It is mandatory for any composer to give credit for the original music director in case he uses it in remake too. We need to see if Jakes Bejoy gets the credit for ‘Bheemla Nayak’ or not.

As we know, Jakes Bejoy composed for Telugu films like ‘Taxiwaala’, ‘Chaavu Kaburu Challaga’ and others. He is working currently on ‘Oke Oka Jeevitham’ and Gopichand’s ‘Pakka Commercial’ too.

Nithya Menen will be seen as the wife of Pawan while Samyuktha Menon plays the role of Rana’s heroine. Apart from them, the film also features Ramesh, Murali Sharma, Samuthirakani, Raghubabu, Narra Srinu, Kadambari Kiran, Chitti and Pammi Sai playing key roles. Produced by Sithara Entertainments, Trivikram penned the dialogues and made changes in the script to suit the taste of the Telugu audience. Suryadevara Naga Vamsi bankrolled the film while Ravi K Chandran (ISC) is the director of photography. Saagar K Chandra is directing this film while Navin Nooli is the editor. Pawan will be seen as police officer Bheemla Nayak while Rana plays the role of Daniel Shekar who is the second lead.


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