Amazon Prime Not Decided About Tuck Jagadish

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Tuck Jagadish is the biggest Telugu direct OTT release of the year. Amazon Prime Video has bagged the direct to digital rights of the Nani starrer and not so long ago, it was reported that the film will be made available for streaming on the platform starting from 10th September. However, for some strange reason, Amazon Prime Video is not announcing the digital premieres date of Tuck Jagadish. The OTT giant is taking forever to drop an official update on the action drama. Well, there are several reasons behind the delay in the announcement of Tuck Jagadish’s OTT premieres date.

One of those reasons is the theatrical release of Love Story. The Naga Chaitanya and Sai Pallavi starrer is releasing in theaters on 10th September. Telangana Film Chamber raised objections over the OTT release plans of Tuck Jagadish, saying it is unethical to release the film on OTT on the same day as Love Story which is releasing in theaters. This might be lingering in the heads of the makers of Tuck Jagadish as they wouldn’t want to rub the distributors and exhibitors on the wrong side by releasing their film on OTT on the same day as Love Story.

Also, a pan-India film, Thalaivi is releasing on the same date. So, there are fair few factors resulting in uncertainty over Tuck Jagasish’s OTT premiers. It appears to be that Amazon Prime has not yet decided on the OTT premieres of Tuck Jagadish. 10th September is the plausible release date for now but nothing is for certain.

As for Nani, he is completely against OTT release, but he had to change his mind, given the plight of the producers who have invested big bucks on the film. So he hesitantly approved the OTT release proposal. “I am the biggest fan of theatres and Tuck Jagadish is a quintessential Telugu film which we would’ve loved watching in a theatre with a full house and it was always meant to be experienced on the big screen for a festival. I am quite torn between the pressures the producers are facing in these uncertain times with big stakes at risk. With the unpredictable conditions here and abroad and the unfortunate restrictions on theatres in Andhra, it has become a conflict in many ways. I have the utmost respect for the producers and I believe any call regarding the film they make, should be theirs. So here I am, at crossroads for the second time! Leaving the decision about Tuck Jagadish to SHINE SCREENS. No matter what, I will do my 100 percent till it reaches all of you in whatever way,” he wrote.


Recent Random Post:

Anaganaga Oka Raju Review: Naveen’s One-Man Show

January 14, 2026

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After almost three years since the massive success of Ms Shetty Mr Polishetty, Naveen Polishetty makes his much-awaited return with Anaganaga Oka Raju. Backed by Sithara Entertainments and paired opposite Meenakshi Chaudhary, the film arrives with solid buzz. With expectations high around Naveen’s ‘Star Entertainer’ image, let’s see how this rural-flavoured entertainer fares.

Story & Premise:

Raju (Naveen Polishetty) belongs to the once-glorious Gouravapuram Zamindar family. Though the riches are gone, the pride remains intact. A humiliating incident at a relative’s wedding becomes a turning point in Raju’s life, pushing him to marry into wealth and reclaim his lost respect.

His journey leads him to Charulatha (Meenakshi Chaudhary), the daughter of influential Bhupatiraju from Peddapalem. Raju falls for her at first sight and cleverly orchestrates a series of plans to win her heart. Love blossoms, marriage follows, and Raju believes all his problems are solved. But destiny has other plans. What unfolds in Peddapalem and how Raju navigates unexpected challenges forms the rest of the story.

Technical Departments:

Cinematographer Yuvraj delivers neat visuals, though the picturesque Godavari backdrop deserved more natural and aesthetic framing. The film visually looks pleasant but misses a chance to stand out.

Vamsi Atluri’s editing is serviceable, but the first 20–25 minutes could have been trimmed for better impact. Some comedy bits take time to land. Mickey J Meyer’s music does the job. Bhimavaram Balma and Rajugari Pelliro are well-shot and appealing, while the special number Andhra to Telangana feels forced and unnecessary. The background score remains safe and routine.

Sithara Entertainments ensures decent production values, especially in songs and set pieces. The story, co-written by Naveen Polishetty and Chinmayi, is fairly predictable, but debut director Maari compensates with a breezy screenplay and steady narration, extracting laughs at regular intervals.

Performances:

Naveen Polishetty is the soul of the film. He once again proves his unmatched comic timing and screen presence. From witty one-liners and situational humour to romance, dance, and emotional moments, Naveen handles everything with remarkable ease. His transition in the latter half adds depth to an otherwise light-hearted role.

Meenakshi Chaudhary looks fresh and charming, especially in the first half, and adapts well to the more mature and grounded role in the second half. Rao Ramesh, despite his talent, remains underutilised. Supporting actors like Bulliraju, Revanth, Mahesh, and Chammak Chandra add support but revolve largely around Naveen’s character.

What Works:

  • Naveen Polishetty’s effortless humour and charisma
  • Comedy-driven first half with consistent laughs
  • Well-mounted songs with rich visuals
  • Emotional connect in the final act

What Doesn’t:

  • Routine storyline and predictable twists
  • Slightly stretched initial setup
  • Forgettable special song and safe background score

Final Analysis:

With only a handful of films, Naveen Polishetty has built a reputation where audiences expect laughter and entertainment throughout. Anaganaga Oka Raju largely lives up to that promise. The first half banks heavily on humour, featuring several enjoyable moments, including a standout dog-rescue sequence. Once the setup settles, the narrative moves at a brisk pace.

The second half introduces mild political humour that mostly works and gradually shifts into an emotional zone. The last 30 minutes bring an effective dramatic turn, showcasing Naveen in a more responsible and serious avatar, which adds freshness to the character.

While the film doesn’t offer novelty in its storyline, its consistent entertainment value makes up for the shortcomings.

Verdict:

Anaganaga Oka Raju is a complete Naveen Polishetty show. It may not break new ground, but it delivers enough fun, humour, and emotion to make it a satisfying festive watch.

Final Verdict: Entertaining and dependable