Tuck Jagadish is the biggest Telugu direct OTT release of the year. Amazon Prime Video has bagged the direct to digital rights of the Nani starrer and not so long ago, it was reported that the film will be made available for streaming on the platform starting from 10th September. However, for some strange reason, Amazon Prime Video is not announcing the digital premieres date of Tuck Jagadish. The OTT giant is taking forever to drop an official update on the action drama. Well, there are several reasons behind the delay in the announcement of Tuck Jagadish’s OTT premieres date.
One of those reasons is the theatrical release of Love Story. The Naga Chaitanya and Sai Pallavi starrer is releasing in theaters on 10th September. Telangana Film Chamber raised objections over the OTT release plans of Tuck Jagadish, saying it is unethical to release the film on OTT on the same day as Love Story which is releasing in theaters. This might be lingering in the heads of the makers of Tuck Jagadish as they wouldn’t want to rub the distributors and exhibitors on the wrong side by releasing their film on OTT on the same day as Love Story.
Also, a pan-India film, Thalaivi is releasing on the same date. So, there are fair few factors resulting in uncertainty over Tuck Jagasish’s OTT premiers. It appears to be that Amazon Prime has not yet decided on the OTT premieres of Tuck Jagadish. 10th September is the plausible release date for now but nothing is for certain.
As for Nani, he is completely against OTT release, but he had to change his mind, given the plight of the producers who have invested big bucks on the film. So he hesitantly approved the OTT release proposal. “I am the biggest fan of theatres and Tuck Jagadish is a quintessential Telugu film which we would’ve loved watching in a theatre with a full house and it was always meant to be experienced on the big screen for a festival. I am quite torn between the pressures the producers are facing in these uncertain times with big stakes at risk. With the unpredictable conditions here and abroad and the unfortunate restrictions on theatres in Andhra, it has become a conflict in many ways. I have the utmost respect for the producers and I believe any call regarding the film they make, should be theirs. So here I am, at crossroads for the second time! Leaving the decision about Tuck Jagadish to SHINE SCREENS. No matter what, I will do my 100 percent till it reaches all of you in whatever way,” he wrote.
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Raakaasa Review: Sangeeth Sobhan Shines in a Routine Horror Comedy
After scoring a blockbuster with Committee Kurrollu in 2024 as a producer, Niharika Konidela teamed up with Sangeeth Sobhan and debut director Manasa Sharma for the fantasy comedy thriller Raakaasa. The film generated decent buzz during promotions, promising a fun theatrical experience. Released today, it raises several questions — does Sangeeth deliver another hit after Mad and Mad Square? Does Niharika continue her success streak as a producer? And does Manasa Sharma impress with her debut?
Story:
The film follows Eera Babu aka Veeru (Sangeeth Sobhan), who returns from the US to marry his childhood girlfriend, only to find out she’s set to marry someone else. After failed attempts to stop the wedding, a heartbroken Veeru gets drunk and ends up spending the night near a mysterious, abandoned fort. What secrets does the fort hold? Is there someone—or something—living inside? The rest of the story revolves around Veeru unraveling this mystery.
Performances:
Sangeeth Sobhan once again shines with his natural comic timing and energetic performance, especially in the early portions of the second half. However, he may need to explore diverse genres to avoid being typecast.
Nayan Sarika delivers an average performance, while Raadhya makes a brief appearance.
Comedians Getup Srinu and Vennela Kishore manage to evoke a few laughs despite over-the-top writing. Brahmaji is underutilized, while veterans Tanikella Bharani, Ashish Vidyarthi, and Annapurnamma make their presence felt.
Technical Aspects:
Music by Anudeep Dev is disappointing, with forgettable songs and an overly loud background score. Editing by Anwar Ali keeps the runtime crisp. The production design stands out, especially the fort set, which looks convincing despite budget limitations. Cinematography by Raju Edurolu is commendable, particularly in the second half.
Positives:
- A few effective comedy moments
- Sangeeth Sobhan’s performance
Negatives:
- Routine storyline
- Weak and predictable climax
- Loud background score
- Less engaging first half
Analysis:
The film had the potential to be an engaging fantasy comedy but falls short due to its lack of originality. The storyline feels outdated and heavily reminds of earlier films like Anji and even recent ones like Shambala.
While a few comedy scenes in the second half work well, especially during the adventure portions, the film overall suffers from predictable writing. The attempt to humanize the antagonist in the climax feels forced and unnecessary, weakening the impact.
The core concept—challenging blind beliefs—has been explored multiple times in Telugu cinema, and Raakaasa fails to present it in a fresh or engaging way. The first half struggles to entertain, with many jokes falling flat.
Verdict:
Raakaasa offers a handful of laugh-out-loud moments, mainly in the second half, but is weighed down by routine storytelling, weak execution, and lack of novelty. It may work in parts if you’re looking for light comedy, but overall, it leaves a strong sense of déjà vu.
Bottom Line: Routine fare with a few laughs.
