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A. R. Rahman continues to remain one of the most respected and influential music directors in Indian cinema. The Oscar-winning composer once ruled the industry with back-to-back iconic albums. Although his output slowed down in recent years, he now seems to be making a strong comeback, creating fresh buzz across film circles.

For the film Peddi, Rahman reportedly agreed to a remuneration of ₹6 crore, which is noticeably lower than his earlier fee. Many in the industry viewed this as a strategic move, showing his willingness to adapt to evolving market dynamics.

However, things took a different turn soon after. Following the massive success of the song Chikiri, which became a nationwide sensation, the same production house approached him again for a mid-range project with a budget of around ₹30 crore. Expecting a similar or slightly reduced fee, they were surprised when Rahman reportedly quoted ₹10 crore, prompting the makers to reconsider and eventually drop the idea.

In another instance, Ram Charan is said to have recommended Rahman for a project featuring Chiranjeevi, to be directed by Bobby Kolli. When approached, Rahman reportedly quoted ₹12 crore. After assessing the overall budget, the team decided to move forward with S. Thaman instead.

Rahman’s fluctuating remuneration, combined with his renewed demand, has now become a major talking point in the industry, reflecting both his enduring value and the shifting economics of film music.