Young beauty Hebah Patel, who rose to fame with Kumari 21 F, has decided to go de-glam for the first time in her career. Known for playing the glamorous bombshell on-screen, Hebah for the first time signed a challenging role in a crime thriller “Odela Railway Station”.
The Mister actress will be playing a young rural woman and can be seen without any makeup on. The shooting of the movie is progressing at the brisk pace.
On the occasion of Diwali, the makers of the film released the first look poster of Hebah Patel as Radha from Odela railway Station.
The film is being directed by debutant Ashok Teja, and it also stars Vasishta N Simha, Sai Ronak and Poojitha Ponnada in key roles. Odela Railway Station is bankrolled by KK Radhamohan under Sri Sathya Sai Arts banner
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A.R. Rahman Makes a Strong Comeback in Telugu Cinema
For decades, A.R. Rahman has been one of India’s most celebrated composers, dominating Tamil and Hindi cinema while earning national honours and even Academy Awards. Yet, his direct involvement in Telugu cinema has been limited. While many of his dubbed songs became popular among Telugu audiences, original Telugu projects under his composition have been comparatively few.
Industry observers point to multiple reasons. Some feel Rahman preferred selective collaborations, while others note that Telugu filmmakers and the composer did not always find the right creative alignment. As a result, major Tollywood projects rarely featured him, with Rahman continuing to focus on ventures elsewhere and scaling new professional heights.
The scenario, however, appears to be changing. With Telugu cinema expanding nationally and globally, budget constraints are no longer a concern. Producers increasingly recognize the commercial value of strong music, including its streaming and promotional impact. The song “Chikiri…” from Peddi demonstrated how a single hit track could significantly boost pre-release buzz.
Filmmakers are now approaching Rahman again, but his approach remains consistent: remuneration alone does not decide his projects. He chooses ventures based on story strength, creative chemistry, and meaningful collaborations. Rahman also holds a strong position regarding the music rights; audio rights sold under his name can reportedly fetch over ₹15 crore, even without a major star cast. This makes collaborations highly lucrative, not only for him but also for brand-conscious filmmakers. After all, who wouldn’t want to work with A.R. Rahman?
