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Anurag Kashyap on the Decline of Theatrical Cinema
Renowned filmmaker Anurag Kashyap, known for his candid views on Bollywood, has voiced his disappointment with the current state of movie-going in multiplexes and theatres. According to the director of Gangs of Wasseypur, the excessive advertisements and commercialization have “destroyed” the essence of watching films on the big screen. As a result, he now prefers attending film festivals, where the cinematic experience remains undisturbed by ad breaks.
Kashyap, whose love for cinema was initially ignited by the magic of theatres, has grown disillusioned with the way films are currently showcased. The overwhelming influx of commercials before screenings has diminished his enjoyment, making him question the future of independent cinema. While he remains uncertain about what lies ahead, he is focused on navigating the immediate challenges that filmmakers like him face in an ever-evolving industry.
His criticism also touches on the broader impact of Over The Top (OTT) platforms. While these platforms provide a convenient and personal viewing experience, Kashyap believes they have contributed to the isolation of audiences. The communal joy of watching films in theatres—laughing, crying, and reacting alongside strangers—has been lost in the shift towards digital consumption.
This transformation in audience behavior is further compounded by the financial struggles of theatre chains, which have resorted to increasing ticket prices and selling overpriced food to stay afloat. A significant concern among moviegoers is the excessive pre-film advertisements, which often stretch for 20-25 minutes before the movie even begins. A recent incident in Bengaluru underscored this frustration when a viewer filed a lawsuit against PVR-INOX over prolonged ad breaks before a screening.
Despite these obstacles, Kashyap finds solace in film festivals, where movies can be experienced without the interference of commercials. However, this is not a feasible solution for mainstream cinema, which heavily depends on advertising revenue. The industry faces a pressing dilemma: balancing financial sustainability with preserving the purity of the cinematic experience. While there are no immediate solutions, Kashyap and many others in the film fraternity remain hopeful that a middle ground can be found to restore the magic of movie-watching in theatres.