I KNOW WHO IS TARGETING ME ” || Nikhil Vijayendra Simha || Shekar Master

One noticeable trend in Nani’s recent filmography is becoming increasingly evident: while his films consistently open on a strong note at the box office, they often struggle to maintain that momentum and fall short of achieving blockbuster success.

This pattern has been seen with his recent films like Dasara, Sripodhaa Sanivaram, and the latest, HIT 3. Each of these films had impressive openings, signaling strong initial interest and fan support. However, despite crossing the ₹100 crore mark, they have struggled to push past the ₹150 crore milestone.

A key factor contributing to this stagnation could be the underwhelming music in these films. While they possess solid storylines and production values that are enough to attract audiences to theaters initially, they seem to lack a powerful and memorable soundtrack—something that often plays a crucial role in sustaining hype and building a wider emotional connection with the audience.

In an industry where a strong audio album can significantly enhance a film’s appeal, this missing element is worth serious attention. Nani might need to collaborate with top-tier music directors to ensure his films have the kind of audio presence that lingers and draws audiences back.

Moreover, stepping into grander, more ambitious projects could help Nani tap into wider markets beyond his established fan base. With his acting prowess already well-recognized, it might be time for him to align with larger-than-life scripts and soundtracks that elevate his films into the blockbuster zone.