The sci-fi epic “Kalki 2898 AD,” starring Prabhas, Amitabh Bachchan, Kamal Haasan, and Deepika Padukone, has become a box office behemoth. The film’s grand visuals, ambitious scale, and stellar performances have captivated audiences, propelling it past the ₹700 crore mark with a projected climb towards ₹1,000 crore. However, amidst the laudatory chorus, veteran actor Mukesh Khanna has expressed reservations about the film’s handling of Hindu mythology.
While Khanna acknowledges the film’s technical prowess and acting caliber, he critiques its creative liberties with the Mahabharata narrative. He specifically points out a scene where Lord Krishna removes a jewel from Ashwatthama’s forehead, supposedly anointing him as a future savior. Khanna contends that this contradicts established mythology, stating, “Lord Krishna never said this… How could you presume to know more than the Vyas muni?”
Further elaborating, Khanna clarifies that Draupadi, not Krishna, ordered the removal of Ashwatthama’s jewel as retribution for her slain sons. He questions the film’s logic, stating the absurdity of a powerful Krishna seeking protection from Ashwatthama. Khanna concludes by expressing disappointment with the creative choices, particularly from South Indian filmmakers who, he believes, traditionally hold greater reverence for cultural traditions.
Khanna advocates for the formation of a government committee to oversee films based on Hindu scriptures like Ramayana and Gita. This committee, he proposes, would have the authority to scrutinize and potentially alter scripts to ensure adherence to mythological accuracy.
The critical acclaim for “Kalki 2898 AD” is undeniable, but Mukesh Khanna’s concerns highlight the potential tension between creative license and adherence to established narratives in mythological films. The debate surrounding the film underscores the enduring importance of these epics in Indian culture and the complexities of translating them to the modern screen.
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