Nag Ashwin, the director behind the record-breaking sci-fi epic “Kalki 2898 AD,” is basking in the film’s immense success. The movie, currently nearing the ₹1000 crore mark, has captivated audiences with its stunning visuals and compelling story. However, in a recent interview, Ashwin displayed remarkable honesty by acknowledging and addressing some of the film’s shortcomings.
One of the criticisms Ashwin addressed was the pacing of the first half, which some viewers found slow or lacking in action. He attributed this partially to the extensive VFX work and the challenges of releasing the film in multiple languages. This transparency regarding production hurdles allows fans to understand the filmmaking process.
Another point of discussion was Disha Patani’s character and the inclusion of a song in the first half, which some felt disrupted the narrative flow. Ashwin’s willingness to acknowledge these criticisms suggests a growth mindset and a desire to improve in future projects.
The interview also touched upon the dynamic between the film’s lead actors, Prabhas and Amitabh Bachchan. While Prabhas received slightly less screen time than Bachchan, Ashwin emphasized that this was a deliberate creative choice, not a reflection of hierarchy. He lauded Prabhas’ commitment to the story, highlighting his willingness to be overshadowed for the greater good of the film. This anecdote not only speaks volumes about Prabhas’ professionalism but also sheds light on the collaborative spirit on set.
Finally, Ashwin addressed the highly anticipated sequel. He clarified that while some filming has taken place (approximately 20-30 days), the majority of the production remains ahead. This transparency regarding the film’s development stage manages expectations and assures fans that the team is dedicated to delivering a high-quality sequel.
Nag Ashwin’s willingness to engage in self-criticism and address audience feedback showcases a refreshing level of humility and a commitment to artistic growth. By acknowledging the shortcomings of “Kalki 2898 AD” while emphasizing the dedication of his team, Ashwin positions himself as a director who prioritizes both artistic integrity and audience satisfaction. This bodes well for the future of the “Kalki” franchise and for Ashwin’s trajectory as a filmmaker.
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