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Vijay Deverakonda: A Strategic Resurgence
Vijay Deverakonda, a prominent figure in Telugu cinema, is embarking on a strategic career trajectory aimed at solidifying his position as a leading actor. The recent announcement of his upcoming film, #VD12, directed by Gowtham Tinnanuri, and its scheduled release on March 28, 2025, has generated considerable anticipation.
Following the relatively subdued performance of his last film, The Family Star, Deverakonda is determined to make a strong comeback. #VD12, in which he portrays a spy, is currently under production with filming taking place in Sri Lanka after an initial phase in Visakhapatnam. The actor is also actively pursuing multiple projects, demonstrating a keenness to explore diverse genres and characterizations.
Collaborations with directors Rahul Sankrithyan and Ravi Kiran Kola for #VD14 and #VD15, respectively, are indicative of Deverakonda’s ambition to experiment with different narrative styles. The period drama setting of #VD14 and the anticipated action-packed nature of #VD15 highlight his commitment to versatility. Moreover, the actor is in discussions for potential projects with renowned directors Sandeep Reddy Vanga and Tarun Bhaskar, further emphasizing his strategic approach to career growth.
Deverakonda’s focus on high-quality storytelling and his willingness to take on challenging roles suggest a deliberate effort to reestablish himself as a dependable box office draw. By engaging with a variety of directors and genres, he is positioning himself for a sustained and successful career in the Telugu film industry.
‘Shivam Bhaje’ Movie Review
Ashwin Babu who gained fame through ‘Raju Gaari Gadhi’ movie series has thrilled the audience last year with ‘Hidimbha’. He is now arriving with ‘Shivam Bhaje’. The trailer looked promising and we need to see if the promise has been fulfilled or not. Let us dive into the review straightaway.
Story:
Chandrasekhar alia Chandu (Ashwin Babu) is a load recovery agent. He loses his father in childhood which makes him not believe in god anymore. Apart from doing his job, he falls in love with a girl and gets ready to marry off his sister as well. At this time, a fight leads to him losing his eyes. The doctor operates on him and gives him new eyes but they bring a lot of troubles for Chandu. His life changes a lot and a lot of memories come to him unwillingly. What is the story of those eyes? What happens to Chandu? How are the murders happening in the city linked to these eyes? Answers to these questions form the rest of the story.
Analysis:
Though there is no written formula, the audience will love the movie if the screenplay is strong and the taking is quite strong. It is very necessary in thriller and one can’t do anything about it. While commercial cinema works if many elements are added, ‘Shivam Bhaje’ gets destroyed. It is a medical thriller that raises curiosity at the beginning. But the influence of some other movies including ‘Kantara’ can be seen. They even included the Pakistan-China border issue as well. In the middle of these, there is a romantic angle between hero and heroine, Aadi’s comedy and other silly scenes. ‘Shivam Bhaje’ ends up as a complete mess.
No one would have touched the ‘geno transplant’ issue of animal parts in a human body. Director Apsar tried to offer something new to the audience with this story backdrop. It is a surprise and even the scenes create a bit of curiosity. But the story needs a lot of time to settle. Though the story begins on a good note, the film tests your patience with routine scenes. The love and comedy scenes do not engage you at all. On top of that, there are elevation shots and mass fights that spoil the flow of the movie. The audience fail to get involved in the movie due to these. The director should have maintained the tempo but keeps the audience hooked with a lot of questions. The way he unties the knots in this film is okay.
But ‘Shivam Bhaje’ lacks the engaging factor that one expects in a thriller. The ‘Kantara’ treatment backfired here. The climax looked like an exact rip-off of ‘Kantara’ and we end up laughing unnoticingly. The other serious threads also did not sync with the movie. There is a lot of silliness and logic goes for a toss. The ‘Geno Transplant’ is the only thing that sustains interest to an extent. The director failed to present what he wanted to say in a convincing manner. The second half is slightly better than the first half but the movie is still not up to the mark.
Performances:
Ashwin Babu surprised everyone with ‘Hidimbha’ last year. Despite the film not working commercially, the story is quite different. Ashwin picked another interesting story in the form of ‘Shivam Bhaje’. But did not suit for the role or the story. His wish to become a big mass hero can be seen in the elevation scenes and mass fights he does onscreen. There is no scope for such scenes in these stories. Ashwin looks good but his acting is not great. We can see his acting skills here and there in ‘Hidimbha’ but it is not the case for ‘Shivam Bhaje’.
There is nothing to say about Digangana Suryavanshi. He neither offered glamour nor a good performance in this film. Arbaaz Khan played a role with different shades but his acting is quite artificial. Murali Sharma is okay but Brahmaji’s comedy did not work out at all. Hyper Aadi threw some typical punches whenever he was onscreen but they did not serve any purpose. Tulasi, Tanikella Bharani and Ayyappa Sharma are okay in their roles.
Technicians:
Vikas Badisa’s music fails to impress. The two songs are passable but he made ear drums bleed with his background score. The action scenes did not work out and his loud music makes it unbearable at places. It did not have thriller music that will enhance the movie. Shivendra Dasaradhi’s cinematography is just okay and the producers have spent more than Ashwin Babu’s market value. The production values are good and director Abdul Apsar’s story and attempt should not be faulted.
His efforts are visible but he failed to add curiosity to the proceedings. The narration is all over the place and the movie went off track trying to say too many things.
Verdict: Shivam Bhaje – Bad Narration & Execution!
Vijay Deverakonda’s Intense Transformation for VD12
Vijay Deverakonda, a prominent figure in Telugu cinema, is poised to captivate audiences once again with his upcoming film, VD12. Directed by Gowtam Tinnanuri and scheduled for release on March 28, 2025, the film has already generated significant anticipation.
The recently unveiled first-look poster presents a striking departure from Deverakonda’s previous on-screen personas. With a stark, blood-stained visage and a dramatic short hairstyle, the actor exudes an intensity that hints at a gritty, action-packed narrative. The poster, coupled with the film’s anticipated release date, has ignited a fervent wave of speculation and excitement among fans.
The collaboration between Deverakonda and Tinnanuri is a promising one, given the director’s reputation for crafting intense cinematic experiences. Furthermore, the inclusion of renowned music composer Anirudh Ravichander adds another layer of anticipation to the project.
VD12 marks a notable shift in Deverakonda’s career trajectory, showcasing his versatility as an actor. Following his performance in the more light-hearted The Family Star, the actor’s transformation into a rugged, intense character is a testament to his dedication to his craft.
As the release date approaches, the film’s potential to redefine Deverakonda’s on-screen image and set new standards for Telugu cinema is undeniable.
Sreeleela’s Bollywood Debut Rumors Quashed
Recent speculations linking Telugu actress Sreeleela to a Bollywood debut opposite Varun Dhawan in a David Dhawan directorial have been officially dismissed. Producer Ramesh Taurani categorically denied any offer being extended to the actress for the role, clarifying that the film’s first schedule has concluded without casting a female lead.
The clarification comes as a surprise given the earlier reports suggesting Sreeleela had turned down the opportunity. However, the actress remains focused on her thriving Telugu career, with prominent projects like “Ustad Bhagat Singh” alongside Pawan Kalyan and a reunion with Ravi Teja in “Ravi Teja 75” on her horizon.
While the Bollywood door remains potentially open, with rumors of a possible collaboration with Ibrahim Ali Khan, Sreeleela’s current trajectory in Tollywood indicates a strong commitment to her home industry. Her strategic approach to choosing roles suggests a deliberate career path focused on fulfilling artistic aspirations.
As the actress continues to garner attention for her vibrant performances, the entertainment industry awaits with anticipation to witness the next chapter in her promising career.
Nikhil’s Rising Stardom Continues with ‘The India House’
Actor Nikhil has steadily ascended the ranks of the Telugu film industry, establishing himself as a versatile and bankable star. Following the resounding success of ‘Karthikeya 2’, he has reunited with the production house Abhishek Agarwal Arts for his next ambitious project, ‘The India House’.
The film, a period drama set in 1905, promises to be a visually stunning cinematic experience. The addition of veteran actor Anupam Kher, whose previous collaboration in ‘Karthikeya 2’ was critically acclaimed, significantly elevates the project’s anticipation. Kher’s portrayal of a traditionally clad character in the film has already generated considerable buzz.
Under the direction of debutant Ram Vamsi Krishna and presented by megastar Ram Charan, ‘The India House’ aims to captivate audiences with its blend of love and revolution. Nikhil and Saiee Manjrekar are set to portray the lead roles, while Hollywood cinematographer Cameron Bryson brings his expertise to the project.
With principal photography underway, the film has already garnered significant attention, and the industry is eagerly awaiting its release.
Tharun Bhascker’s Divorce Case Takes the Internet by Storm
Acclaimed director-turned-actor Tharun Bhascker has employed an unconventional method to generate buzz for his upcoming film. By announcing a fictitious divorce through a legal-looking document, he has successfully captured the public’s attention and diverted focus from his personal life.
The film, a rural romantic comedy-drama, is a collaborative effort between Arrow Cinemas and Dolamukhi Subhultron Films. The production house is seeking fresh faces for the project, inviting actors aged 20 to 60 to audition. This initiative underscores the team’s commitment to discovering new talent and presenting authentic storytelling.
With renowned filmmaker Venu Udugula contributing to the project, expectations are high for this upcoming venture. The production is slated to commence in October, promising a cinematic experience that blends humor, romance, and drama. As the project progresses, the unveiling of the technical crew and other key cast members is eagerly anticipated by fans.
Tharun Bhascker’s innovative promotional strategy has undoubtedly created a stir, and the film’s unique premise coupled with the search for fresh talent has generated significant interest.
A Defining Moment in Rajinikanth’s Career
The journey of Rajinikanth, from an aspiring actor to a cinematic icon, is a tale of resilience and determination. A pivotal moment in his early career, marked by humiliation and rejection, ultimately served as a catalyst for his meteoric rise.
In a candid revelation during the audio launch of his film Darbar, Rajinikanth recounted a distressing incident involving a film producer. Despite being promised an advance payment for a role, the actor was met with disrespect and dismissal on the set. The producer’s condescending behavior and subsequent expulsion of Rajinikanth from the film set were a stark contrast to the superstar status he would eventually attain.
The humiliation, far from deterring him, ignited a fierce determination within Rajinikanth. Recognizing the public’s growing recognition, he resolved to transform the adversity into a driving force for success. With a clear goal to surpass his former tormentor, he embarked on a relentless pursuit of stardom. His subsequent acquisition of a foreign car, a symbol of his newfound prosperity, marked a triumphant return to the studio where he had once been humiliated.
This narrative underscores the significance of adversity in shaping an individual’s character. Rajinikanth’s ability to channel his negative experiences into a positive outcome is a testament to his resilience and unwavering ambition. His journey from a rejected actor to a cinematic legend serves as an inspiring example of how overcoming challenges can lead to extraordinary achievements.
The incident not only shaped Rajinikanth’s career but also became a defining moment in the annals of Indian cinema, showcasing the power of human spirit in the face of adversity.
Nora Fatehi: The Rising Star of Item Songs
Nora Fatehi has emerged as a dominant force in the Indian film industry, particularly renowned for her electrifying performances in item songs. Her recent fee hike to approximately ₹2 crore per song is a testament to her growing star power and the significant impact her performances have on a film’s commercial success.
Fatehi’s journey to this level of remuneration has been marked by consistent dedication and exceptional talent. Her breakthrough came with chart-topping numbers like “Dilbar” and “Saki Saki,” which catapulted her into the limelight. As her popularity surged, so did her demand, allowing her to command higher fees and establish herself as a leading figure in the genre.
The escalating costs associated with item songs reflect a broader industry trend. These performances are now considered essential components of a film’s promotional strategy, capable of generating significant buzz and driving box office numbers. The competition for top talent in this domain is fierce, with actresses like Samantha Ruth Prabhu commanding even higher fees for their performances.
While Fatehi’s fee places her among the industry’s elite, it also highlights the evolving dynamics of the entertainment landscape. As item songs continue to play a pivotal role in film marketing, it is likely that the remuneration for such performances will continue to rise. Nora Fatehi’s journey serves as a prime example of the rewards that come with exceptional talent and strategic career management.
