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A Cinematic Tribute: “Modern Masters: S.S. Rajamouli”
Netflix’s latest documentary, “Modern Masters: S.S. Rajamouli,” delves into the world of the renowned Indian filmmaker, known for his epic blockbusters such as “Baahubali” and “RRR.” The film offers a comprehensive look at Rajamouli’s career, featuring insights from industry luminaries including NTR, Ram Charan, Prabhas, Karan Johar, and James Cameron.
While the documentary primarily focuses on celebrating Rajamouli’s achievements and the immense impact of his work, it also offers glimpses into his creative process and personality. The film portrays him as a visionary director with a childlike enthusiasm for filmmaking, coupled with a relentless pursuit of perfection. The documentary provides behind-the-scenes footage, showcasing Rajamouli’s dynamic interactions with his team and his unwavering commitment to his artistic vision.
However, some critics have noted that the film could have delved deeper into the complexities of Rajamouli’s personality and filmmaking style. While it offers a celebratory portrait, it might have benefited from exploring the challenges, failures, and personal struggles that have shaped the director’s career. Nevertheless, “Modern Masters: S.S. Rajamouli” remains a captivating watch for fans and aspiring filmmakers alike, providing a unique opportunity to understand the mind behind some of Indian cinema’s most iconic films.
Harish Shankar’s Return to the Director’s Chair with Mr. Bachchan
Director Harish Shankar, known for his commercial successes such as Gaddalakonda Ganesh, is poised to make a significant return to the Telugu film industry with Mr. Bachchan, a remake of the Hindi film Raid. After a five-year hiatus and a previously stalled project with Pawan Kalyan, Shankar is eager to reassert his directorial prowess.
The director has openly discussed the challenges he faced with his previous film, Ramayya Vastavaiya, acknowledging a critical narrative flaw that contributed to its underperformance. He has attributed the film’s failure to a premature climax, which weakened the second half of the story. This candid self-reflection demonstrates a willingness to learn from past mistakes and apply these lessons to future projects.
Despite the setback, Shankar remains optimistic about future collaborations with Jr. NTR and is determined to deliver a blockbuster film that surpasses audience expectations. As Mr. Bachchan nears its release, the director faces the pressure of delivering a successful film, particularly in a competitive market with multiple releases on the same date.
The anticipation surrounding Mr. Bachchan is high, with audiences eager to see if Shankar can recapture the magic of his previous successes. The film’s release will serve as a crucial test of the director’s ability to adapt and evolve while maintaining his signature commercial flair.
Harish Shankar’s journey from the highs of Gaddalakonda Ganesh to the lows of Ramayya Vastavaiya and his subsequent return with Mr. Bachchan is a testament to the challenges and rewards of filmmaking. The director’s determination to learn from past experiences and deliver a winning film is a narrative as compelling as any on the silver screen.
Kiara Advani: A Rising Star of Bollywood
Kiara Advani has rapidly ascended to prominence in the Indian film industry, captivating audiences with her versatile performances and undeniable charm. Her journey from her debut in the comedy film “Fugly” to becoming a leading lady in blockbuster hits like “Kabir Singh” and “Good Newwz” is a testament to her talent and dedication.
Advani’s ability to effortlessly transition between diverse roles, from the supportive wife in “M.S. Dhoni: The Untold Story” to the complex character in “Lust Stories,” showcases her range as an actress. Her performances in films like “Shershaah” and “Satyaprem Ki Katha” have garnered critical acclaim and established her as a versatile and bankable star.
Beyond her acting prowess, Kiara has also made a significant impact in the fashion world. Her recent Instagram post, featuring her in a stunning blue gown, is a testament to her impeccable style and ability to captivate audiences both on and off the screen.
With her talent, beauty, and growing popularity, Kiara Advani is undoubtedly a force to be reckoned with in the Indian film industry.
Vijay Deverakonda: A Strategic Resurgence
Vijay Deverakonda, a prominent figure in Telugu cinema, is embarking on a strategic career trajectory aimed at solidifying his position as a leading actor. The recent announcement of his upcoming film, #VD12, directed by Gowtham Tinnanuri, and its scheduled release on March 28, 2025, has generated considerable anticipation.
Following the relatively subdued performance of his last film, The Family Star, Deverakonda is determined to make a strong comeback. #VD12, in which he portrays a spy, is currently under production with filming taking place in Sri Lanka after an initial phase in Visakhapatnam. The actor is also actively pursuing multiple projects, demonstrating a keenness to explore diverse genres and characterizations.
Collaborations with directors Rahul Sankrithyan and Ravi Kiran Kola for #VD14 and #VD15, respectively, are indicative of Deverakonda’s ambition to experiment with different narrative styles. The period drama setting of #VD14 and the anticipated action-packed nature of #VD15 highlight his commitment to versatility. Moreover, the actor is in discussions for potential projects with renowned directors Sandeep Reddy Vanga and Tarun Bhaskar, further emphasizing his strategic approach to career growth.
Deverakonda’s focus on high-quality storytelling and his willingness to take on challenging roles suggest a deliberate effort to reestablish himself as a dependable box office draw. By engaging with a variety of directors and genres, he is positioning himself for a sustained and successful career in the Telugu film industry.
‘Shivam Bhaje’ Movie Review
Ashwin Babu who gained fame through ‘Raju Gaari Gadhi’ movie series has thrilled the audience last year with ‘Hidimbha’. He is now arriving with ‘Shivam Bhaje’. The trailer looked promising and we need to see if the promise has been fulfilled or not. Let us dive into the review straightaway.
Story:
Chandrasekhar alia Chandu (Ashwin Babu) is a load recovery agent. He loses his father in childhood which makes him not believe in god anymore. Apart from doing his job, he falls in love with a girl and gets ready to marry off his sister as well. At this time, a fight leads to him losing his eyes. The doctor operates on him and gives him new eyes but they bring a lot of troubles for Chandu. His life changes a lot and a lot of memories come to him unwillingly. What is the story of those eyes? What happens to Chandu? How are the murders happening in the city linked to these eyes? Answers to these questions form the rest of the story.
Analysis:
Though there is no written formula, the audience will love the movie if the screenplay is strong and the taking is quite strong. It is very necessary in thriller and one can’t do anything about it. While commercial cinema works if many elements are added, ‘Shivam Bhaje’ gets destroyed. It is a medical thriller that raises curiosity at the beginning. But the influence of some other movies including ‘Kantara’ can be seen. They even included the Pakistan-China border issue as well. In the middle of these, there is a romantic angle between hero and heroine, Aadi’s comedy and other silly scenes. ‘Shivam Bhaje’ ends up as a complete mess.
No one would have touched the ‘geno transplant’ issue of animal parts in a human body. Director Apsar tried to offer something new to the audience with this story backdrop. It is a surprise and even the scenes create a bit of curiosity. But the story needs a lot of time to settle. Though the story begins on a good note, the film tests your patience with routine scenes. The love and comedy scenes do not engage you at all. On top of that, there are elevation shots and mass fights that spoil the flow of the movie. The audience fail to get involved in the movie due to these. The director should have maintained the tempo but keeps the audience hooked with a lot of questions. The way he unties the knots in this film is okay.
But ‘Shivam Bhaje’ lacks the engaging factor that one expects in a thriller. The ‘Kantara’ treatment backfired here. The climax looked like an exact rip-off of ‘Kantara’ and we end up laughing unnoticingly. The other serious threads also did not sync with the movie. There is a lot of silliness and logic goes for a toss. The ‘Geno Transplant’ is the only thing that sustains interest to an extent. The director failed to present what he wanted to say in a convincing manner. The second half is slightly better than the first half but the movie is still not up to the mark.
Performances:
Ashwin Babu surprised everyone with ‘Hidimbha’ last year. Despite the film not working commercially, the story is quite different. Ashwin picked another interesting story in the form of ‘Shivam Bhaje’. But did not suit for the role or the story. His wish to become a big mass hero can be seen in the elevation scenes and mass fights he does onscreen. There is no scope for such scenes in these stories. Ashwin looks good but his acting is not great. We can see his acting skills here and there in ‘Hidimbha’ but it is not the case for ‘Shivam Bhaje’.
There is nothing to say about Digangana Suryavanshi. He neither offered glamour nor a good performance in this film. Arbaaz Khan played a role with different shades but his acting is quite artificial. Murali Sharma is okay but Brahmaji’s comedy did not work out at all. Hyper Aadi threw some typical punches whenever he was onscreen but they did not serve any purpose. Tulasi, Tanikella Bharani and Ayyappa Sharma are okay in their roles.
Technicians:
Vikas Badisa’s music fails to impress. The two songs are passable but he made ear drums bleed with his background score. The action scenes did not work out and his loud music makes it unbearable at places. It did not have thriller music that will enhance the movie. Shivendra Dasaradhi’s cinematography is just okay and the producers have spent more than Ashwin Babu’s market value. The production values are good and director Abdul Apsar’s story and attempt should not be faulted.
His efforts are visible but he failed to add curiosity to the proceedings. The narration is all over the place and the movie went off track trying to say too many things.
Verdict: Shivam Bhaje – Bad Narration & Execution!
Vijay Deverakonda’s Intense Transformation for VD12
Vijay Deverakonda, a prominent figure in Telugu cinema, is poised to captivate audiences once again with his upcoming film, VD12. Directed by Gowtam Tinnanuri and scheduled for release on March 28, 2025, the film has already generated significant anticipation.
The recently unveiled first-look poster presents a striking departure from Deverakonda’s previous on-screen personas. With a stark, blood-stained visage and a dramatic short hairstyle, the actor exudes an intensity that hints at a gritty, action-packed narrative. The poster, coupled with the film’s anticipated release date, has ignited a fervent wave of speculation and excitement among fans.
The collaboration between Deverakonda and Tinnanuri is a promising one, given the director’s reputation for crafting intense cinematic experiences. Furthermore, the inclusion of renowned music composer Anirudh Ravichander adds another layer of anticipation to the project.
VD12 marks a notable shift in Deverakonda’s career trajectory, showcasing his versatility as an actor. Following his performance in the more light-hearted The Family Star, the actor’s transformation into a rugged, intense character is a testament to his dedication to his craft.
As the release date approaches, the film’s potential to redefine Deverakonda’s on-screen image and set new standards for Telugu cinema is undeniable.
Sreeleela’s Bollywood Debut Rumors Quashed
Recent speculations linking Telugu actress Sreeleela to a Bollywood debut opposite Varun Dhawan in a David Dhawan directorial have been officially dismissed. Producer Ramesh Taurani categorically denied any offer being extended to the actress for the role, clarifying that the film’s first schedule has concluded without casting a female lead.
The clarification comes as a surprise given the earlier reports suggesting Sreeleela had turned down the opportunity. However, the actress remains focused on her thriving Telugu career, with prominent projects like “Ustad Bhagat Singh” alongside Pawan Kalyan and a reunion with Ravi Teja in “Ravi Teja 75” on her horizon.
While the Bollywood door remains potentially open, with rumors of a possible collaboration with Ibrahim Ali Khan, Sreeleela’s current trajectory in Tollywood indicates a strong commitment to her home industry. Her strategic approach to choosing roles suggests a deliberate career path focused on fulfilling artistic aspirations.
As the actress continues to garner attention for her vibrant performances, the entertainment industry awaits with anticipation to witness the next chapter in her promising career.
Nikhil’s Rising Stardom Continues with ‘The India House’
Actor Nikhil has steadily ascended the ranks of the Telugu film industry, establishing himself as a versatile and bankable star. Following the resounding success of ‘Karthikeya 2’, he has reunited with the production house Abhishek Agarwal Arts for his next ambitious project, ‘The India House’.
The film, a period drama set in 1905, promises to be a visually stunning cinematic experience. The addition of veteran actor Anupam Kher, whose previous collaboration in ‘Karthikeya 2’ was critically acclaimed, significantly elevates the project’s anticipation. Kher’s portrayal of a traditionally clad character in the film has already generated considerable buzz.
Under the direction of debutant Ram Vamsi Krishna and presented by megastar Ram Charan, ‘The India House’ aims to captivate audiences with its blend of love and revolution. Nikhil and Saiee Manjrekar are set to portray the lead roles, while Hollywood cinematographer Cameron Bryson brings his expertise to the project.
With principal photography underway, the film has already garnered significant attention, and the industry is eagerly awaiting its release.
Tharun Bhascker’s Divorce Case Takes the Internet by Storm
Acclaimed director-turned-actor Tharun Bhascker has employed an unconventional method to generate buzz for his upcoming film. By announcing a fictitious divorce through a legal-looking document, he has successfully captured the public’s attention and diverted focus from his personal life.
The film, a rural romantic comedy-drama, is a collaborative effort between Arrow Cinemas and Dolamukhi Subhultron Films. The production house is seeking fresh faces for the project, inviting actors aged 20 to 60 to audition. This initiative underscores the team’s commitment to discovering new talent and presenting authentic storytelling.
With renowned filmmaker Venu Udugula contributing to the project, expectations are high for this upcoming venture. The production is slated to commence in October, promising a cinematic experience that blends humor, romance, and drama. As the project progresses, the unveiling of the technical crew and other key cast members is eagerly anticipated by fans.
Tharun Bhascker’s innovative promotional strategy has undoubtedly created a stir, and the film’s unique premise coupled with the search for fresh talent has generated significant interest.
