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‘Kalki’ Producers Reveal About Filming The 2nd Part!
We all are aware of the euphoria created by ‘Kalki 2898 AD’ back in June. The movie turned into a blockbuster and earned more than 1100 crores worldwide. Nag Ashwin’s vision and the sheer scale of the movie wowed the audience. At the end of ‘Kalki 2898 AD’, the director left us with a cliffhanger and announced ‘Kalki 2’.
There are high expectations on the second part as there are a lot of loose ends to be tied. Recently, film producers Swapna Dutt and Priyanka Dutt took part in the Moscow International Film Festival. Speaking to an English media house, they gave an update on ‘Kalki 2’. They stated that the shooting would start in either January or February. They said that more updates would be given once the shooting began.
Talking about ‘Kalki 2898 AD’, Priyanka Dutt revealed that they cannot forget the making of this film. She said that a lot of celebrities praised the film and they got messages from all over the world. We haven’t yet celebrated the success and it is only being done on WhatsApp. Previously, Kamal revealed that he will have a major role to play in the second part.
Even Ashwini Dutt said that a part of shooting for ‘Kalki 2’ has already been done and the rest will be done in the coming days. The idea of making it in two parts arrived during the initial days itself. With Amitabh Bachchan, Deepika Padukone, Kamal Haasan and Prabhas playing lead roles, the 2nd part is expected to be on another level.
“Coolie”: A Highly Anticipated Collaboration Between Rajinikanth and Lokesh Kanagaraj
The upcoming Tamil film “Coolie” has generated significant anticipation among fans due to its star-studded cast and renowned director. The collaboration between superstar Rajinikanth and acclaimed filmmaker Lokesh Kanagaraj promises a cinematic experience unlike any other.
The film’s production is currently underway, with Lokesh Kanagaraj aiming to create a grand and memorable project. The director’s strategic casting choices and focus on technical excellence have further heightened expectations.
While Rajinikanth leads the film, the addition of Soubin Saahir to the cast has already created excitement. Saahir, a prominent Malayalam actor, will be portraying the role of Dayal. The recent announcement of Nagarjuna joining the film as “Simon” has further elevated the anticipation, especially in the Telugu states where Nagarjuna enjoys a massive fan base.
The title reveal of “Coolie” included the word “Disco,” sparking a theory among fans. It is speculated that Lokesh Kanagaraj is unveiling the main characters through their names, which begin with the five letters in “Disco.” With Dayal and Simon revealed, the remaining three letters are expected to be announced soon.
The film’s technical crew is equally impressive, with Anirudh Ravichander composing the music, Girish handling cinematography, and Philomin Raj serving as the editor. “Coolie” is Rajinikanth’s 171st film and is scheduled for release in 2025. The film is being produced by Sun Pictures.
As the production of “Coolie” progresses, the anticipation among fans continues to grow. The combination of Rajinikanth, Lokesh Kanagaraj, and the talented supporting cast promises a cinematic spectacle that will leave a lasting impression on audiences.
“Mathu Vadalara 2”: A Sequel Packed with Humor and Pop Culture References
The highly anticipated sequel to the successful film “Mathu Vadalara” is set to hit theaters on September 13, 2024. The recently released teaser has generated significant buzz, promising another dose of crazy comedy and entertainment.
The teaser is filled with pop culture references, from Sandeep Reddy Vanga’s warning to the Bollywood press to the drug case, ensuring a fun and engaging experience for viewers. The comedic elements are abundant, with Satya once again taking center stage. Sri Simha reprises his role, and Faria Abdullah joins the cast as the female lead, showcasing her glamorous and confident persona.
The presence of the “HE” team and other elements adds to the film’s chaotic and entertaining atmosphere. Director Ritesh Rana, who faced a setback with “Happy Birthday,” is hoping to make a strong comeback with “Mathu Vadalara 2.” The film is produced jointly by Mythri Movie Makers and Clap Entertainment, with Kaala Bhairava composing the music and Suresh Sarangam handling the cinematography.
As the release date approaches, the anticipation for “Mathu Vadalara 2” continues to grow. Whether the sequel can replicate the success of its predecessor remains to be seen, but the teaser suggests that audiences are in for a wild and entertaining ride.
The Lackluster Re-release of “Mass”: A Case Study in Nostalgia vs. Box Office Performance
“Mass,” a 2004 film starring King Nagarjuna, has achieved iconic status in Telugu cinema. Its impact is evident in the numerous references and adaptations it has inspired. However, the recent 4K re-release of the film on Nagarjuna’s birthday failed to meet expectations.
Despite the film’s enduring popularity, the re-release faced challenges due to limited promotion and competition from other films. While “Mass” continues to hold a special place in the hearts of audiences, the box office numbers did not reflect its iconic status. The film’s first-day gross of 22 lakhs worldwide, with 17-18 lakhs coming from the Telugu states, was significantly lower than the record-breaking collections of other re-releases like Mahesh Babu’s “Murari” and “Indra 4K.”
The underperformance of “Mass 4K” can be attributed to several factors. The limited promotion may have hindered awareness and interest among potential viewers. Additionally, the film’s release date may have coincided with other popular releases, dividing the audience’s attention.
Despite the disappointing box office performance, “Mass” remains a beloved film among audiences. Those who revisited the film in theaters reportedly enjoyed the experience, highlighting the film’s enduring appeal. The upcoming re-release of “Gabbar Singh 4K” on Pawan Kalyan’s birthday has generated significant buzz, and with aggressive promotions, it may surpass the collections of “Mass 4K.”
The case of “Mass 4K” serves as a reminder that even iconic films can struggle to translate their nostalgic value into box office success. While the re-release may not have lived up to expectations, it reinforces the enduring legacy of “Mass” and its impact on Telugu cinema.
The Rise of Horror Comedy in Bollywood: A New Trend
Bollywood has witnessed a surge in the popularity of horror comedies, a genre that blends elements of horror and humor to create a unique viewing experience. Films like “Munjya” and “Stree 2” have achieved massive commercial success, demonstrating the audience’s appetite for this unconventional genre.
The latest addition to this trend is a forthcoming horror film starring Rashmika Mandanna. Titled “Vampires of Vijayanagara,” the movie is set to begin production in October. Directed by Aditya, the film will be shot in the iconic Hampi temple, a backdrop that promises to add to the atmospheric and suspenseful tone.
Rajkumar Rao is slated to play the male lead in the film, while Rashmika Mandanna’s character is said to have multiple dimensions and complexities. The story spans across various time periods, beginning from the Vijayanagara dynasty rule and extending to the present day. Given the film’s historical setting and ambitious scale, the budget is expected to be substantial.
Rashmika Mandanna has been strategically balancing her career between South and North Indian cinema. She is currently gearing up for the release of “Pushpa 2: The Rule” and “Chhaava” on December 6th. Additionally, she is working on Dhanush’s “Kubera” and a project with Salman Khan under the direction of Murugadoss. Her upcoming Telugu film, “Girlfriend,” further solidifies her position as a versatile and sought-after actress.
Nani Witnesses the Magic of “Saripodhaa Sanivaaram” with Son
Hyderabad, India – Natural star Nani, whose latest film “Saripodhaa Sanivaaram” has been garnering rave reviews, experienced the first-day first show magic of his own movie in a heartwarming gesture. Accompanied by his young son, Arjun, Nani made his way to a local theater to witness the film’s impact firsthand.
The sight of the father-son duo sitting together in the audience, Arjun’s eyes glued to the screen, filled fans with a sense of joy and nostalgia. Nani, wearing a customized cap adorned with the film’s title, seemed to be enjoying the experience as much as his son.
“Saripodhaa Sanivaaram,” directed by Vivek Athreya, is a vigilante action film that has been released in Telugu, Tamil, Malayalam, and Hindi. The film follows the story of Surya, a young man who struggles with anger management. His unconventional coping mechanism involves staying calm from Sunday to Friday, but on Saturdays, he transforms into a vigilante, seeking justice for the wronged.
The film’s release has been met with immense excitement and anticipation, and Nani’s decision to watch the film with his son has only added to the fervor surrounding the movie. As the film continues to make waves at the box office, Nani’s gesture serves as a testament to his connection with his fans and his unwavering passion for cinema.
‘Saripodhaa Sanivaaram’ Movie Review
After showing his versatility with a mass film like ‘Dasara’ and a class film like ‘Hi Nanna’ last year, Natural Star Nani has arrived with a mix of class and mass this time. He reunited with his ‘Ante Sundaraniki’ director Vivek Athreya and made ‘Saripodhaa Sanivaaram’ which is an action entertainer. The vigilante drama with good mass moments has shown a lot of promise through its promotional content. Let us dive into the review straightaway to find out if the movie reached its expectations or not.
Story:
Surya (Nani) is very angry since his childhood. His parents struggle to control it. But his mother takes a promise from Surya that he needs to show his anger only once a week. After that, she passes away. To keep that promise, Surya controls his anger throughout the week and takes out everything on Saturdays. In this process, he fights injustice and beats baddies on Saturdays. At one point, Surya gets angry with CI Dayanand (SJ Suryah). But Dayanand is a ruthless man and highly evil. Surya finds it tough to challenge him. What are those problems? How did Surya overcome them and bring justice? Answers to these questions form the rest of the story.
Analysis:
A new story and a commercial cinema are two different entities. They usually don’t mingle. When you take a new concept, it should be treated in a separate way. When you try to give a mass touch to it and narrate it in commercial fashion, the movie’s intensity may take a severe beating. There is a high chance of the movie getting backfired. Only a few exceptional directors manage to narrate a new concept in a commercial style and score super hits. Murugadoss did it with ‘Ghajini’. He took a unique concept and said it in a commercial meter with tight screenplay. Though ‘Saripodhaa Sanivaaram’ cannot be compared with ‘Ghajini’, it is also a commercial cinema with a fresh concept. Vivek Athreya succeeded in presenting a new idea in the most crowd-pleasing fashion.
We have seen a lot of characters where they deal with anger issues. ‘Naa Peru Surya’, ‘Arjun Reddy’, ‘Dear Comrade’ and others are just a few examples. Hero has a similar problem in ‘Saripodhaa Sanivaaram’ too. But he is entertaining than the others and his anger gets a twist attached to it which makes it quite special. It is the story of a guy who controls his anger due to the word given to his mother for six days and takes out everything in one Saturday. Though it sounds crazy, it is a huge challenge to make a 3-hour long film with it. Unlike other movies where the problem is shown in a funny way at the start and things get serious only in the second half, this movie managed to give us intense drama along with entertainment right from the start. Vivek Athreya did a wonderful job. He managed to prepare the audience right at the start regarding the reason for the hero having the ‘Saturday’ condition through an emotional touch. He engaged the audience quite well but the only flaw in the movie is that it gets dragged in a few instances. Zero songs and a runtime of 2 hours and 54 minutes is also a big reason for it.
We usually see the audience getting hyped up after the interval but things go South in the second half. But ‘Saripodhaa Sanivaaram’ doesn’t belong to that category. The movie runs in a gripping fashion for the initial 40 minutes in the second half. Hero’s sketch to beat the villain and the drama surrounding it is quite amazing. The curiosity levels of the audience go up. Hero gets in trouble in the process of trying to land the villain in trouble which makes things even more gripping. But the film suddenly becomes slow in the pre-climax portion. We get a feeling that the movie is getting deviated and the director seems to have spent some time unnecessarily on other aspects. Even the climax is a bit lengthy but it is well executed. Saikumar’s entry elevates the climax and things become interesting again. Despite having length issues and slow narration at places, there are more positives than flaws in ‘Saripodhaa Sanivaaram’. The film is a right mix of freshness and mass elements which will impress all sets of the audience.
Performances:
Nani is known for effortlessly essaying class roles but there were doubts about him doing mass entertainers. He tried to do it with films like ‘MCA’ and ‘Krishna Arjuna Yuddham’ but he was a bit unconvincing. But he lived in his raw mass character in ‘Dasara’ and cleared all the doubts. Though his role in ‘Saripodhaa Sanivaaram’ is not an oora mass one, he brings whistles during mass moments with a touch of class. Without a lot of overacting, Nani pulled off this role in a subtle manner. He looks very calm and shows his ferocity only when required. Nani’s style in Surya’s character is quite well portrayed.
But it is SJ Suryah who dominates everyone with his performance including Nani. He showed his specialty in portraying a borderline psycho character with eccentric behavior. Vivek Athreya gave him a perfect character and SJ Suryah excelled in it. More than the hero, it is SJ Suryah’s role and acting that stays with the audience. The viewers will get engaged whenever he appears on the screen and he did a fantastic job. Murali Sharma was wonderful too. Despite being seen in a few scenes, he did amazingly. Priyanka Mohan got a good role and she was good. She looked adorable on the screen as well. Sai Kumar as the father of Nani and Aditi Balan as his sister are perfect choices. Abhirami appeared as a mother only for a few minutes but she leaves a mark. Harshavardhan, Ali, Shivaji Raja and Vishnu along with others were adequate in their roles.
Technicians:
‘Saripodhaa Sanivaaram’ is a technically sound film. Jakes Bejoy was exceptional with his background scores. Though the music was a bit loud in places, he gave a racy feel to the movie through his pulsating music. His work during the action scenes and elevation scenes was exceptional. Though there are no full songs in the movie, the bit songs are quite decent too. Murali G’s cinematography is fantastic. He showed his creativity in many fight scenes including the one in the hero’s house as well as the climax sequence. They give a new visual experience to the viewers. The production values are amazing and the editing is decent too.
Coming to writer-director Vivek Athreya, he rediscovered himself with ‘Saripodhaa Sanivaaram’. Though his movies had new stories and good entertainment, the commercial factor was missing in his movies till date. But he converted a new idea into a wholesome film with the right mix of masala. The way he designed his character and ran the screenplay is quite interesting and engaging. The movie was a bit slow at places in the first half and during the pre-climax in the latter half but Vivek did a terrific job both as a writer and a director. This film will take him to the next level as a filmmaker.
Verdict: ‘Saripodhaa Sanivaaram’ – Delivers As Promised!
Allu Aravind Reveals Untold Story of Chiru-Surekha Wedding!
The recent revelations by Allu Aravind regarding the wedding of Chiranjeevi and Surekha have ignited discussions among fans, particularly in the context of the ongoing rivalry between the Allu and Mega families.In a talk show segment, Allu Aravind recounted the origins of the idea of marrying Chiranjeevi to his sister, Surekha. He humorously noted that the proposal came from a family member, Satyanarayana, who was present during a visit. This anecdote has gone viral, prompting fans to reflect on the intertwined legacies of these two prominent families in the Telugu film industry.
The discussions surrounding this wedding narrative have sparked contrasting opinions among fans. Some Mega fans have taken to social media to question the significance of Allu Aravind’s influence, suggesting that if Chiranjeevi were not related to him through marriage, Allu Arjun might not have achieved his current status as an icon. Conversely, Bunny fans assert that Chiranjeevi’s rise as a megastar was significantly bolstered by his connection to the Allu family, particularly through his marriage to Surekha. This back-and-forth has led to a deeper exploration of the historical context of their relationship and its impact on the film industry.
Chiranjeevi and Surekha’s wedding took place on February 20, 1980, amidst a backdrop of skepticism from some family members regarding Chiranjeevi’s burgeoning career in cinema. Initially, Allu Ramalingaiah, Surekha’s father, was hesitant about marrying his daughter to someone from the film industry. However, after discussions with influential figures, including producer DV Narasaraju, he was convinced of Chiranjeevi’s character and potential. This pivotal moment not only solidified the couple’s union but also marked the beginning of a significant partnership that would shape the future of their families.
As the Mega and Allu families continue to dominate the Telugu film landscape, the story of Chiranjeevi and Surekha serves as a testament to the power of familial bonds in the industry. Their successful marriage, now celebrated for over four decades, has produced notable figures, including their son Ram Charan, who has also made a mark in the film world. The ongoing discourse among fans highlights the enduring legacy of these families and the intricate dynamics that have contributed to their prominence in Indian cinema.
