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Mowgli Marks a Turning Point for Roshan Kanakala
Sometimes, all it takes is one film to change an actor’s trajectory. Telugu cinema has seen it happen repeatedly — Vijay Deverakonda with Arjun Reddy, Siddu Jonnalagadda with DJ Tillu. Now, a similar conversation is beginning around Roshan Kanakala.
Roshan made his lead debut with Bubblegum, a film that brought him recognition. But Mowgli feels like a more defining moment. Released to encouraging word-of-mouth, the film is steadily finding its audience, with many believing it could be the breakthrough Roshan has been waiting for.
Directed by Sandeep Raj, Mowgli generated interest even before release due to its unusual forest backdrop and emotionally driven narrative. Speaking at a recent press meet in Hyderabad, Roshan described the film as a “very honest love story.” The plot revolves around a young man willing to cross boundaries for the woman he loves, with the central conflict arising from a character intriguingly named Christopher Nolan. That clash, Roshan said, propels the story forward.
The film blends forest visuals, action, emotion, and light humour in a natural flow. Roshan highlighted the pre-interval and interval sequences as particularly gripping, while noting that the climax leaves a lasting impact on audiences. Shooting in forest locations was challenging but transformative. He admitted that the rawness of that life affected him deeply, to the point where returning to the city felt unfamiliar. “For a while, it didn’t feel like my world anymore,” he said with a smile.
Cinema, Roshan added, has always been part of his upbringing, and he continues to seek guidance from his father whenever needed. With Mowgli gaining momentum, he has already moved on to his next phase. Roshan confirmed that he has signed two new projects — one an intense love story and the other a light-hearted romantic comedy. Official announcements are expected soon.
For Roshan Kanakala, Mowgli doesn’t feel like sudden noise or hype. It feels like a quiet shift — and often, that’s exactly how a new chapter truly begins.
Chiranjeevi–Anil Ravipudi’s Mana Shankara Vara Prasad Garu Locked for Sankranti Release
Megastar Chiranjeevi has ignited massive buzz with the chart-topping songs Meesala Pilla and Sasirekha from his much-anticipated mass-and-family entertainer, Mana Shankara Vara Prasad Garu. Presented by blockbuster director Anil Ravipudi, the film promises to showcase Chiranjeevi’s trademark swag, style, mass appeal, and comic timing in a refreshing, never-seen-before avatar.
Adding to the excitement, Victory Venkatesh will be seen in an extended cameo, making the film even more special. The second half is said to be a visual and massy feast, especially for fans of the two legendary stars.
The makers have officially announced that the film will hit theatres on January 12, perfectly timed to capitalise on the Sankranti festive season. With the entire shoot wrapped up, post-production work is currently progressing at full speed.
Chiranjeevi is particularly excited about the project, as it marks his return to the family entertainer genre after a brief gap. Director Anil Ravipudi has reportedly blended all the essential commercial elements—humour, emotion, mass moments, and style—in his signature storytelling format.
A newly released poster featuring a super-stylish and swag-filled Chiranjeevi has further amplified expectations. Fans are thrilled to see the Megastar in such a fresh and fashionable look, something that has been missing from his recent outings. Anil Ravipudi has once again proven his flair in presenting Chiru in a vibrant and youthful manner on the big screen.
Produced on a lavish scale by Sahu Garapati and Sushmita Konidela, the makers are highly confident that the film will emerge as a major blockbuster. Nayanthara plays the female lead in this complete entertainer.
With strong pre-release buzz, festive timing, and the combined star power of Chiranjeevi and Venkatesh, Mana Shankara Vara Prasad Garu looks poised to shatter box office records this Sankranti.
Ajith Kumar’s Malaysia Selfies Spark Fresh Buzz Around AK64
Ajith Kumar may be in Malaysia focused on his racing commitments, but that hasn’t stopped him from setting social media ablaze. At the Sepang International Circuit during the Asian Le Mans Series, where he is competing in the LMP3 category, the actor was spotted in a relaxed and cheerful mood—on and off the track.
The first moment that caught fans’ attention was a casual selfie Ajith clicked with Silambarasan TR (Simbu). The photo spread rapidly online, instantly shifting focus from lap times to star power. Simbu’s visible excitement mirrored the mood of fans, who couldn’t get enough of the unexpected crossover between racing and cinema.
Soon after, the buzz doubled when actress Sreeleela was also seen taking a selfie with Ajith at the circuit. What made the moment even more intriguing was the presence of director Aadhik Ravichandran, who is widely tipped to helm Ajith’s 64th film, tentatively titled AK64. For fans, the trio being spotted together didn’t feel coincidental—it felt like a quiet hint of things taking shape.
That single selfie was enough to reignite speculation around AK64’s casting. Sreeleela has already been linked to the project, and this meeting has only added fuel to the rumours. While no official announcements have been made, Aadhik Ravichandran has hinted that the film will be a full-scale action entertainer, leading many to believe that discussions may already be underway behind the scenes.
Screenshots, zoomed-in frames, and endless reposts continue to dominate timelines, with fans eagerly decoding every detail. Amid all the chatter, what stands out most is Ajith Kumar himself. Whether on a film set or a racing circuit, he remains remarkably grounded. Reports from Sepang suggest he patiently interacted with fans, posed for photos, shared smiles, and moved on without any fuss—once again proving why his off-screen persona is as admired as his on-screen presence.
From Zanjeer to Rajamouli: Priyanka Chopra’s Full-Circle Telugu Journey
Priyanka Chopra Jonas first stepped into Telugu cinema in 2013 with Zanjeer, starring Ram Charan. More than a decade later, she is set to return in a far grander avatar with Varanasi, a high-profile collaboration with superstar Mahesh Babu and master filmmaker SS Rajamouli, slated for a 2026 release. True to her global star status, Priyanka has already begun promoting the film, keeping fans buzzing with every appearance and update.
However, Priyanka’s influence extends well beyond acting. Since launching her production banner, Purple Pebble Pictures, in 2016, she has steadily built a reputation for backing content-driven cinema across languages and formats. The company has produced films, television projects, and advertisements, often spotlighting fresh talent and unconventional narratives. In 2025, she is co-producing English-language films The Bluff and Anuja, while her Hindi productions include acclaimed titles like The Sky Is Pink, known for its emotional depth and sincerity.
Reflecting on her journey during a recent interaction, Priyanka spoke candidly about the early years of her career. “When I started, I had no understanding of which films to choose. I said yes to everything because at 20, all I wanted was to work,” she shared. “I missed birthdays and precious time with my father during his last days. Twenty years of relentless hard work brought me here.”
Opening up about balancing her dual roles, she added, “Wearing two hats isn’t easy. Sometimes it feels like my brain is split in two. As an actress, I challenge myself with action, comedy, and drama. As a producer, my focus is on new directors and stories that truly move people. I want to give opportunities to voices that might otherwise go unheard.”
With Varanasi on the horizon and Purple Pebble Pictures continuing to champion meaningful storytelling, Priyanka Chopra Jonas is proving that her power in cinema is just as formidable behind the camera as it is on screen—across Hollywood, Bollywood, and Telugu cinema alike.
Faria Abdullah’s BTS Glimpse from Gurram Paapi Reddy Sparks Intrigue
Sometimes, a single behind-the-scenes image can create more impact than an entire teaser—and Faria Abdullah’s latest BTS glimpse from Gurram Paapi Reddy proves exactly that.
Unveiled from a special song sequence, the image is instantly arresting. At first glance, it may remind some of Faria’s ethereal Kalki vibe, but a closer look reveals something far more intense and layered. There’s weight in the mood, a quiet drama that lingers.
Positioned firmly at the centre of the frame, Faria exudes calm authority. Draped in a radiant gold ensemble that dominates the visual palette, she is crowned with an ornate, goddess-like headpiece that elevates the look from glamorous to commanding. Surrounding her, dancers lean in close, forming an almost ritualistic composition. There are no smiles or exaggerated poses—only restrained energy and controlled tension.
The background amplifies the atmosphere. Warm lighting, drifting smoke, and deep shadows work together to create a sense of anticipation, like the stillness before a storm. This doesn’t resemble a conventional special song designed purely for spectacle. There’s intent here—perhaps even a darker undercurrent waiting to surface once the music begins.
This BTS tease aligns seamlessly with Gurram Paapi Reddy’s offbeat sensibility. Promising a blend of crime, humour, and chaos, the film boasts a quirky narrative and a strong ensemble cast featuring Naresh Agastya, Brahmanandam, and Yogi Babu. If this glimpse is any indication, Faria Abdullah’s role is set to add both mystery and fire to the film—making the wait all the more compelling.
BJP-Led NDA Breaks 45-Year Left Hold in Thiruvananthapuram Corporation
For the first time in Kerala’s political history, the BJP-led National Democratic Alliance (NDA) has secured control of the Thiruvananthapuram Municipal Corporation, ending over four decades of uninterrupted Left Democratic Front (LDF) dominance in the state capital.
The NDA won 50 seats in the 101-member civic body, comfortably crossing the majority mark. The ruling CPI(M)-led LDF finished a distant second with 29 seats, while the Congress-led United Democratic Front (UDF) managed 19 seats. Two seats were won by Independents.
The result marks a major breakthrough for the BJP in Kerala, coming close on the heels of actor-turned-politician Suresh Gopi’s landmark Lok Sabha victory from Thrissur. Thiruvananthapuram has long been considered a stronghold of the Left, and the NDA’s success here signals a significant shift in urban voting patterns.
The victory is expected to strengthen the BJP’s momentum ahead of the upcoming Kerala Assembly elections. Party leaders are now turning their focus to urban constituencies such as Nemom, Vattiyoorkavu, and Kazhakkoottam, all of which fall within the Thiruvananthapuram Corporation limits.
In the 2024 Lok Sabha elections, Congress leader Shashi Tharoor retained the Thiruvananthapuram seat, defeating BJP candidate Rajeev Chandrasekhar by a notably narrow margin—an outcome that, in hindsight, hinted at the BJP’s growing urban support base.
However, despite its strong showing in the capital, the BJP failed to replicate similar success in other urban centres and rural regions during the ongoing local body elections across Kerala.
Political observers note that Thiruvananthapuram district’s comparatively higher Hindu population has historically made it a key area for the BJP’s expansion strategy. The party’s growth in the corporation has been steady: from just six councillors in 2010, it rose to 35 in 2015, dipped slightly to 34 in 2020, and has now peaked with the NDA clinching full control of the civic body—underscoring the changing political dynamics in Kerala’s capital.
Film Censorship Inconsistencies Raise Public Concern
Many people today no longer understand how film censor boards function or what criteria guide their certification decisions. Recent examples highlight the growing confusion and inconsistency in the process.
Akhanda 2, which features extreme violence, including repeated beheadings, was granted a UA 16+ certificate. In contrast, Mowgli, a film without comparable violent content, received an A certificate. Such contradictory classifications raise serious questions about the consistency, logic, and fairness of the certification system.
The irony is that these age restrictions are rarely enforced at theatres. Children well below sixteen are freely allowed into screenings of Akhanda 2, just as audiences enter Mowgli without any age verification. When rules are not implemented on the ground, the very purpose of certification becomes meaningless.
A regulatory system that exists only on paper fails both viewers and filmmakers. Over time, this disconnect steadily erodes public confidence in the censor board and in the authorities responsible for enforcing its decisions. When films with minimal violence face stricter restrictions while graphic content is diluted or overlooked, the board’s credibility inevitably suffers.
Unless certification standards are clearly defined and enforcement is made rigorous, trust in the entire regulatory framework will continue to decline.
Chiranjeevi Wishes Victory Venkatesh on His Birthday
Victory Venkatesh, who plays a pivotal role in Megastar Chiranjeevi’s much-awaited Sankranthi entertainer Mana Shankara Vara Prasad Garu, is celebrating his birthday today.
The two actors, who share a long-standing friendship and a strong on-screen rapport, will be seen together for nearly 20 minutes in this Anil Ravipudi directorial—making their combination one of the film’s biggest highlights.
Wishing his close friend on the special occasion, Chiranjeevi took to social media and wrote,
“You’ve always brought warmth and positivity wherever you go, and I cherish every moment we’ve shared during the shoot of #ManaShankaraVaraPrasadGaru. Have a truly joyful and blessed year ahead.”
Along with the heartfelt message, the Megastar shared a picture that beautifully captures their bond, seemingly from a song shoot. In the image, Chiranjeevi and Victory Venkatesh are seen watching the monitor, all smiles—perfectly reflecting the warmth and camaraderie they share both on and off screen.
Director Anil Ravipudi appears to have crafted engaging characterizations and crackling, memorable moments for the two stalwarts, further raising expectations for the film as one of the most anticipated Sankranthi releases.
Divi Vadthya’s Serene Beachside Moment
The photograph captures Divi Vadthya standing at the edge of the seashore as soft sunlight dissolves into the waves behind her. Her beachwear is simple yet elegant, radiating quiet confidence and perfectly complementing the calm, pastel hues of the horizon.
Divi’s poised stance and composed expression lend the frame a deep sense of serenity. A gentle breeze lifts her hair while the tide rolls in, creating a natural rhythm that enhances the visual harmony of the moment.
What stands out most is the seamless balance between grace and authenticity. Rather than dominating the scene, she blends effortlessly into it, embodying coastal ease and quiet strength. The image feels less like a posed photograph and more like a peaceful pause in motion—an understated celebration of nature, presence, and calm confidence.
“Dekh Lenge” Ignites Musical Buzz for Pawan Kalyan’s Ustaad Bhagat Singh
The musical promotions for Power Star Pawan Kalyan’s much-anticipated film Ustaad Bhagat Singh, directed by Harish Shankar and produced by Mythri Movie Makers, kick off on a high note with the release of the first single, “Dekh Lenge.”
Staying true to his trademark style, Rockstar Devi Sri Prasad delivers a high-voltage track that hooks listeners instantly. Packed with pulsating rhythms and infectious beats, the song gets the adrenaline pumping from the very first note.
From the catchy opening chant “Ram Pam Pam” to the explosive refrain “Step Esthe Bhookampam,” the number firmly establishes itself as a full-blown dance anthem. The energetic composition perfectly matches the mass appeal associated with Pawan Kalyan’s on-screen persona.
Shot on a lavish set, the song boasts sleek and stylish visuals. Dressed in a sharp black suit, Pawan Kalyan oozes charisma, showcasing his signature high-energy dance moves and commanding screen presence. Adding to the glamour, Sreeleela turns up the heat with her stunning saree look, making the song a visual treat alongside its foot-tapping beats.
Gurram Paapi Reddy Trailer Promises Dark Comedy and Courtroom Chaos
The upcoming Telugu film Gurram Paapi Reddy, starring Naresh Agastya and Faria Abdullah in the lead roles, is steadily building strong buzz ahead of its release. After attracting attention with an engaging promotional event, the makers have now unveiled the film’s trailer, which offers an intriguing mix of humour, dark comedy, suspense, and thrills.
The trailer introduces a vibrant ensemble cast and quickly sets the tone for an unconventional narrative. The story revolves around Naresh Agastya and his friends, whose ill-fated plan to steal a corpse spirals into a chain of chaotic and humorous consequences. What begins as a bizarre crime soon escalates into a series of comedic misadventures, eventually leading to a quirky courtroom drama that adds another entertaining layer to the plot.
The film is strengthened by an impressive supporting cast that includes Yogi Babu, Brahmanandam, Rajkumar Kasireddy, Vamshidhar Kosgi, Motta Rajendran, John Vijay, and others, each contributing to the film’s comic energy. The trailer also highlights strong technical values, polished visuals, and a brisk narrative style, suggesting a fun-filled entertainer in the vein of Jathi Rathnalu and similar new-age Telugu comedies.
Directed by Murali Manohar, Gurram Paapi Reddy promises a fresh cinematic experience with gripping moments, sharp humour, and engaging drama. The film is scheduled for a theatrical release on December 19, and expectations are high following the trailer’s positive reception.
Thaman Opens Up on Toxic Competition in Telugu Film Industry
S Thaman, currently one of the busiest music composers in Indian cinema, has spoken candidly about what he describes as increasing toxicity within the film industry, particularly in Telugu cinema. The composer, who has delivered eight releases this year alone—including Game Changer, Daaku Maharaaj, They Call Him OG, and the recently released Akhanda 2—shared his views during a promotional interview for Akhanda 2.
Reflecting on how success is perceived in the industry today, Thaman said genuine appreciation has largely disappeared. He observed that acknowledging others’ work has become rare and that backstabbing has become common practice. According to him, when he is approached for a project, another music director often intervenes by offering to do the same film for significantly lower remuneration, a trend he termed unhealthy and discouraging.
Thaman also pointed out that other film industries display a stronger sense of unity compared to Telugu cinema. Drawing a comparison, he noted that composers like Anirudh can easily work across industries, including Telugu films, whereas he finds it difficult to secure projects in Tamil cinema due to a preference for local talent. He added that Telugu cinema has consistently welcomed composers from other languages, a gesture he feels is not always reciprocated.
Clarifying that he is not complaining, Thaman said he enjoys working in a competitive environment. He named composers such as GV Prakash and Anirudh from Tamil Nadu, Ravi Basrur and Ajanesh Loknath from Karnataka, and Gopi Sundar and Jakes Bejoy from Kerala, all of whom are actively contributing to Telugu cinema. He said he is happy to be part of such a diverse creative space.
However, Thaman made a strong observation about remuneration practices, alleging that some composers who do not earn even lakhs in their home industries are being paid crores in Telugu cinema. He claimed that such individuals work purely for financial gain rather than out of passion for Telugu films, often using PR agencies to secure projects and sharing a portion of their fees with them.
Speaking about his own earnings, Thaman revealed that most of the budget allocated to him is spent on music production, including payments to singers and technical teams. He said he takes home very little from film projects and that his primary personal income comes from live performances. Thaman is currently working on The Raja Saab, Idhayam Murali, and NBK 111.