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Bhartha Mahasayulaki Wignyapthi Review: Fun in Parts, Falters Overall
After a prolonged dry spell at the box office, Ravi Teja arrives with Bhartha Mahasayulaki Wignyapthi at a crucial phase in his career. Since 2022, the Mass Maharaja has delivered eight consecutive flops, making a commercial success not just desirable but necessary. Following the blockbuster Krack (2021), Ravi Teja experimented across genres, but none managed to click. Banking on a Sankranthi family entertainer and teaming up with sensible filmmaker Kishore Tirumala appeared to be a well-thought-out comeback strategy.
Kishore Tirumala, known for blending simple narratives with emotional depth, collaborated with Ravi Teja for the first time with this film. The quirky title raised expectations of a fun-filled comedy entertainer. Shot in a brisk schedule of nearly five months, the film released today amidst decent pre-release buzz. The question remains — does this combination deliver the much-needed hit?
Story Overview
Ram Satyanarayana (Ravi Teja) and Balamani (Dimple Hayathi) are a happily married couple running a vineyard and a wine brand called Anarkali. Hoping to expand their business internationally, they approach a Spain-based spirits company with a proposal. When it gets rejected, Ram travels to Spain to convince the company’s executives in person.
During his stay, Ram meets Manasa Shetty (Ashika Ranganath). Concealing his marital status, he gets involved with her, setting off a chain of emotional conflicts. The narrative revolves around the repercussions of Ram’s choices — his confrontation with Manasa after she learns the truth, Balamani’s reaction to the betrayal, and the consequences that follow.
Performances
Ravi Teja appears relaxed and energetic in a role that leans heavily on humour, offering a welcome break from his recent serious outings. His comic timing works in parts, and his performance in the DJ mix song stands out.
Ashika Ranganath gets a role with emotional variation and performs convincingly, while Dimple Hayathi fits well as the wife. Among the supporting cast, Vennela Kishore and Muralidhar Goud emerge as the most effective, delivering consistent laughs. Satya’s first-half scenes and Ajay Ghosh’s portions feel stretched, though Satya recovers with better moments in the pre-climax.
Technical Merits
Bheems Ceciroleo contributes two catchy songs and a background score that suits the film’s tone. Prasad Murella’s cinematography is functional, while A. Sreekar Prasad’s editing keeps the film moving despite the rushed first half. Producer Sudhakar Cherukuri maintains decent production standards.
What Works
- Comedy portions in the second half
- Two engaging songs
- DJ mix and Dumb Charades sequences
What Doesn’t
- Weak and hurried first half
- Inconsistent screenplay
- Excessive reliance on meme-based humour
- Ineffective climax
Analysis
Kishore Tirumala’s forte has always been sensible writing, as seen in Nenu Sailaja and Chitralahari. However, with Bhartha Mahasayulaki Wignyapthi, he opts for a familiar “husband–wife–other woman” premise without adding a fresh emotional layer. Despite claims of novelty during promotions, the film’s confrontations and resolutions feel predictable. The climax, in particular, lacks emotional weight and fails to leave a lasting impression.
The director’s choice of genre and Sankranthi release works in the film’s favor, as this format has historically clicked with family audiences. While the second half delivers some effective comedy — especially the DJ mix song featuring popular TV serial tunes and the Dumb Charades episode — the first half and Spain portions feel underdeveloped. The overuse of social-media references further weakens the organic humour, and certain scenes appear forced.
Final Verdict
Bhartha Mahasayulaki Wignyapthi is a partly entertaining family entertainer that works in patches. While it offers a few genuine laughs and decent music, weak writing and a flat climax prevent it from becoming the comeback film Ravi Teja desperately needs. Still, for audiences seeking light, festive entertainment, the film can be considered a one-time watch.















