While superstar Mahesh Babu’s immediate movie is with Trivikram Srinivas, a lot of people are eager to find out about Rajamouli’s project. As we know, a movie under Rajamouli’s direction has been luring fans for years. With the ‘RRR’ director confirming that his next project is going to be with Mahesh, everyone is going gaga over it.
Whilst Rajamouli completes the script work, Mahesh will be taking part in Trivikram’s film. Since #SSMB28 is releasing in the summer, one can expect the Mahesh-Rajamouli project to start after that. As we know, #SSMB will be coming out on 28th April next year and the shooting is expected to finish by February. The latest we hear is that Mahesh-Rajamouli project will be launched grandly on 26th January 2023.
The ‘RRR’ director is known for taking a lot of time for script and pre-production works. He will be completing them by the beginning of next year and the shooting is going to begin after that. As we know, Rajamouli takes years to complete his films but the output he delivers does justice to all the hard work anyone has to endure. Rajamouli’s film is going to be Mahesh’s maiden pan-Indian venture and it will be made on a grand canvas as expected. More details regarding this project are awaited.
Coming back to Trivikram’s film, Pooja Hegde is going to be the heroine in this flick which is produced by Haarika & Hassine Creations. This movie will feature a stellar cast and the details will be coming out soon. PS Vinod will be cranking the camera while Naveen Nooli is the editor. AS Prakash is the art director. Thaman is the music composer. Let us see whether they score a hattrick with this film or not.
Recent Random Post:
Biker Movie Review: Engaging Sports Drama That Misses Top Gear
A section of the audience consistently gravitates toward sports dramas, and Biker taps into that space by positioning itself as India’s first motocross-based film. Backed by strong promotional buzz, the film stars Sharwanand and is directed by Abhilash Reddy, arriving with clear ambition. The key question is whether it truly delivers on its promise.
Story:
Set in Coimbatore, Tamil Nadu, the narrative follows former motocross racer Sunil Narayan (Rajasekhar), who is determined to put India on the global motocross map. He raises his son Vikas Narayan (Sharwanand) to achieve this dream.
Vikas grows into a talented and disciplined racer, fully shaped by his father’s vision. However, a severe accident and emotional pressure from his love interest (Malavika Nair) push him away from the sport. The story then explores his internal conflict—whether he will return to racing and whether his father will accept his decision.
Performances:
Sharwanand perfectly suits the role of Vikas, delivering a sincere and grounded performance. His physical transformation and controlled body language bring authenticity to the character, especially in the racing sequences and emotional moments.
Rajasekhar, as Sunil Narayan (aka Bullet Sunil), delivers a restrained yet impactful performance. His character’s unwavering belief that sport comes before everything is portrayed convincingly. The father-son emotional scenes in the latter half are particularly effective.
Malavika Nair, Brahmaji, Tulasi, Atul Kulkarni, and others do justice to their roles, though most of them are limited in scope.
Technical Aspects:
The film scores well on the technical front.
J. Yuvraj’s cinematography stands out as a major highlight, especially in the racing sequences, which are captured with energy and precision. Anil Pasala’s editing is decent, and while the non-linear narration keeps things interesting, a few portions feel slightly complex and could have been simpler.
Ghibran’s music works better as background support than in standalone songs. However, the background score significantly elevates key moments. UV Creations’ production values are solid, giving the film a rich and polished visual appeal.
Positives:
- Racing sequences
- Cinematography
- Background score
- Performances
Negatives:
- Weak emotional conflicts
- Predictable drama
- Underwhelming songs
Analysis:
Sincere sports dramas are rare in Telugu cinema, and Biker attempts to fill that gap with a motocross backdrop. Director Abhilash Reddy blends racing with a father-son emotional thread, ensuring strong technical output and sincere performances drive the film.
The racing portions, especially in the first half, are visually gripping and stand out as the film’s biggest strength. Sharwanand’s dedication to the role and the attention to detail in staging the motocross sequences enhance the overall impact.
However, despite its strong premise, the film often falls into predictable storytelling patterns. The emotional depth, while present, lacks freshness and edge-of-the-seat intensity. A more innovative approach to drama and tighter writing—especially in Malavika Nair’s track—could have significantly elevated the film.
Verdict:
Biker is a well-intentioned and technically strong sports drama that offers engaging racing sequences and solid performances. While it doesn’t break new ground narratively, it remains a decent theatrical watch for its visuals and genre appeal.
Bottom Line: Engaging, but never fully shifts into top gear.
