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During the promotions of Hari Hara Veera Mallu, Pawan Kalyan openly admitted that he stepped out to promote the film after witnessing the unwavering dedication of Nidhhi Agerwal, who almost single-handedly led the publicity campaigns. His words stood as a strong testimony to Nidhhi’s relentless pursuit of a major breakthrough in her career.

Nidhhi made her Telugu debut in 2018 with Naga Chaitanya’s Savyasachi and tasted her first success with her third film, iSmart Shankar. Unfortunately, she couldn’t build on that momentum over the next six years. Despite her consistent hard work and determination to establish herself in Tollywood, success continued to elude her post iSmart Shankar.

Now, all eyes are on The Raja Saab, a horror romantic comedy that could prove to be a defining moment in her career. The film’s result is expected to have a significant impact on Nidhhi’s future, as she truly deserves a major hit after the commitment she has shown over the years, especially while working on two demanding big-budget projects simultaneously.

Among the three female leads in The Raja Saab, Nidhhi Agerwal is the most familiar face to Telugu audiences. If she manages to impress with her performance and the film turns out to be a festival-season blockbuster, it could mark a much-needed turning point in her journey.

When she signed back-to-back big-ticket films like Hari Hara Veera Mallu and The Raja Saab, many believed these projects would revive her career. However, the disappointing outcome of Hari Hara Veera Mallu dented those hopes, particularly because Nidhhi dedicated over four years to the period drama and actively participated in its promotions.

What stands out is her extraordinary commitment. With both Pawan Kalyan and Prabhas juggling multiple commitments, Nidhhi adjusted her schedules without taking breaks to complete both films. There were days when she reportedly took quick naps in her car while travelling between Hyderabad and Vijayawada, ensuring that the shoots progressed without delays. Such dedication underlines why The Raja Saab feels like her most crucial film yet.