South siren Samantha Akkineni has attained a top position in Telugu film industry. The star beauty manages to draw attention time and time again with her fashion outings and her cute & equally hot social media posts. From morning stretches to late-night parties, things she does always becomes the talk of the town very shortly.
On Thursday, Samantha posted one such picture on her Instagram story which didn’t go well with her fans and followers. Taking to Insta, Sam shared a picture with her stylist Preetham Jukalker to celebrate their 4 years of togetherness.
However, what went wrong in the picture is the actress is seen relaxing on a couch and stretched her legs on Preetham while he was seen resting his hands on her legs and having a conversation with her. As soon as she posted the picture, her fans couldn’t take it and the Oh Baby actress quickly deleted it.
Later, Preetham shared the story and wrote, “I Love You.” Although she deleted the picture, it made it to social media, and the Akkineni fans expressed their disappointment.
On the work front, Samantha Akkineni will next be seen in mythology film, Shakuntalam directed by Gunasekar of Rudhramadevi fame. The film will go on floors later this year.
Recent Random Post:
Dhurandhar Making Documentary Eyes Theatrical Release
April 22, 2026

Dhurandhar is gearing up for an interesting strategy, as its making-of documentary is reportedly being planned for a theatrical release. This move has instantly drawn comparisons with RRR, whose behind-the-scenes documentary also hit theatres before later arriving on OTT platforms.
While the RRR documentary managed to spark curiosity, its box office performance remained moderate despite the film’s massive global success. Now, the same question is being raised — will Dhurandhar follow a similar path and see a comparable response?
One of the biggest highlights surrounding Dhurandhar has been its grand scale and production design. The team reportedly recreated an elaborate artificial Pakistan setup in Bangkok, a detail that has impressed many within the industry. This aspect alone could attract audiences who are keen to explore the craftsmanship behind large-scale filmmaking.
Director Aditya Dhar, known for his technical precision, is expected to offer deeper insights into his vision through this documentary. However, trade analysts remain cautious. Unlike mainstream feature films, making-of documentaries generally have limited theatrical appeal and tend to attract a niche audience.
While curiosity and the film’s scale may bring some initial footfall, expectations suggest that the documentary might not deliver strong box office numbers — potentially mirroring the trend seen with RRR.