Star MAA is one of the dominant channels in Telugu. Since its origin, the popular entertainment channel has been acquiring the satellite rights of many big projects and entertaining its viewers. When it comes to fetching good TRPs, the channel is always given tough competition to other channels in Telugu.
This time, Star MAA is gearing up to glue the Telugu audience to Televisions as they have bagged the television rights of nearly all the upcoming Tollywood biggies.
As per reports, the channel bought the rights of SS Rajamouli’s magnum opus RRR, Mahesh Babu’s Sarkaru Vaari Paata, Naga Chaitanya’s Love Story, Akhil’s Most Eligible bachelor, Balakrishna’s Akhanda, Allu Arjun’s Pushpa, Nithiin’s Maestro, Ravi Teja’s Khiladi and Nani’s Tuck Jagadish.
This is not yet finished, the channel is in talks with other films as well and many more will join the list in the future. Seem like Star MAA is going to record some never before TRPs in the coming days.
Recent Random Post:
Tamil Nadu Politician’s Pen Fuels ‘Gamechanger’ Magic!
Within the domain of writing and legislative issues, S. Venkatesan rises as a bridge, interfacing with the dynamic world of Tamil narrating with the puzzling embroidered artwork of political talk. Like a gifted weaver, he intertwines his encounters as a lawmaker with his scholarly interests, creating accounts that reverberate profoundly with the social and social texture of Tamil Nadu.
As a part of the Communist Party of India (Marxist) and a celebrated essayist, Venkatesan is presently venturing into the cinematic highlight as he takes on the part of a film essayist for the up and coming extend Gamechanger.
Venkatesan’s travel into screenwriting started with an energizing collaboration with famous executive Shankar, who has obtained the rights to Venkatesan’s novel Velpari. The opportunity to contribute to a film script excited him, stamping a critical move from his built up career in legislative issues and writing to the energetic world of cinema.
His association with Gamechanger is especially essential as he has implanted the script with realness, particularly in depicting the character of an IAS officer played by Slam Charan. His visit visits to the film sets have permitted him to loan important experiences that upgrade the narrative’s political and authoritative authenticity.
This extension is interesting for director Shankar, who is collaborating for the first time with a youthful filmmaker, Karthik Subbaraj, who penned the story for this political thriller. The film is creating buzz not as it were for its star-studded cast but moreover for its opportune investigation of political subjects that reflect modern issues in India. Planned for discharge on January 10, 2025, Gamechanger guarantees to be a critical expansion to Tamil cinema, mixing amusement with thought-provoking commentary.
As Venkatesan navigates this unused chapter in his career, one can anticipate that his double personality as a lawmaker and essayist will enhance Gamechanger, possibly setting a point of reference for future collaborations between writing and film in Tamil Nadu.
With his one-of-a-kind viewpoint and narrating ability, Venkatesan is balanced to take off a permanent stamp on both the cinematic and political scenes, forming accounts that motivate and incite thought among groups of onlookers.
