Supritha Naidu may not have stepped into the world of cinema yet, but she’s already making waves on Instagram with her stunning pictures. Recently, she dazzled her followers with images of herself wearing a beautiful white floral peasant dress, soaking up the sun on a beach vacation.
What caught everyone’s attention were the accessories she chose to complement her outfit. With delicate golden chains adorning her neck and intricate bracelets on her wrist, Supritha added a touch of elegance to her beach look. Her straight, parted hair framed her smiling face as she enjoyed the sunset with a glass of wine in hand.
Born to popular South Indian actress Surekha Vani, Supritha seems to have inherited her mother’s talent for capturing hearts. Surekha Vani is well-known for her roles in films like “Aaradugula Bullet” and “Dirty Hari,” where she has shared the screen with acclaimed actors like Gopichand, Nayanthara, Shravan Reddy, and Ruhani Sharma. While Supritha’s debut in the film industry is eagerly anticipated, for now, fans can’t get enough of her Instagram updates, where she continues to set the platform on fire with her charm and style.
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Ticket Price GO Row Puts Prabhas and Chiranjeevi Films Under Spotlight
The Telangana government’s approach to approving elevated ticket prices has sparked fresh debate within the Telugu film industry, following contrasting outcomes for films starring Prabhas and Chiranjeevi. The issue has drawn attention to how government permissions can significantly impact big-budget releases, irrespective of star power.
Prabhas’s upcoming film Raja Saab reportedly failed to receive the required Government Order (GO) from the Telangana government within the expected timeline. As a result, plans for paid premiere shows were affected, causing disappointment among distributors and exhibitors, especially given the film’s scale and high pre-release expectations.
In sharp contrast, Chiranjeevi’s Mana Shankara Vara Prasad Garu secured approval for elevated ticket prices smoothly, without any visible delays or hurdles. The disparity in treatment quickly became a talking point across trade circles, triggering speculation about the factors influencing the decision-making process.
According to industry chatter, the delay in Raja Saab’s approval may not have been purely procedural. One prevailing view suggests that Prabhas does not actively engage in personal lobbying or political outreach, which may have worked against the film. Another theory points to internal trade politics, with rival distribution interests possibly playing a role. There is also speculation that last-minute law and order concerns were cited by certain ministers to stall the approval.
On the other hand, Chiranjeevi’s film is believed to have benefited from strong political connections, enabling a faster clearance through official channels. Whether the contrasting outcomes were coincidental or indicative of deeper biases, the episode has once again highlighted the crucial role of government permissions in the film business.
The situation has reignited discussions around fairness, transparency, and consistency in policy implementation, leaving the Telugu film industry divided over whether star power alone is sufficient when administrative approvals come into play.
