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The ongoing debate surrounding Ramayana has unexpectedly brought Kalki 2898 AD back into the spotlight. After the teaser of Ramayana received mixed responses, particularly criticism aimed at certain VFX shots, audiences—especially in the South—began drawing comparisons with other large-scale Indian spectacles.

Many cinephiles pointed to S. S. Rajamouli’s filmmaking approach, emphasizing that beyond massive budgets, it is clarity of vision and conviction in execution that truly define a visual epic. His Varanasi pre-visualization glimpse was widely praised for its precision and impact, facing minimal criticism and reinforcing the importance of strong planning and execution.

Amid this larger conversation, Kalki 2898 AD has re-emerged as a modern benchmark for Indian VFX-driven cinema. Mounted on an ambitious scale, the film received widespread appreciation for its visual effects, world-building, and production quality, with relatively limited criticism regarding its execution.

Interestingly, this renewed comparison has also resulted in indirect publicity for Kalki 2898 AD, keeping it relevant in ongoing discussions about Indian cinematic spectacle. With its sequel already in production, the film continues to stay in the spotlight.

The current debate, in many ways, has further strengthened Kalki 2898 AD’s position as a successful example of large-scale visual storytelling done right, while anticipation builds for what director Nag Ashwin has in store next.