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Censorship in Indian cinema has long been a subject of debate—often inconsistent and unpredictable. Films that push boundaries frequently face hurdles, despite garnering global praise. And now, another bold contender is preparing to test the waters: Sister Midnight, led by acclaimed Bollywood actress Radhika Apte.

Directed by Karan Kandhari, Sister Midnight is a dark, surreal comedy set in the vibrant chaos of a Mumbai slum. The film follows Uma, a fiercely independent woman trapped in an oppressive arranged marriage. As she struggles against rigid societal norms, her world unravels into a hallucinatory journey filled with rebellion, symbolism, and even goats.

Radhika Apte delivers a powerful, almost entirely non-verbal performance shaped through intense rehearsals—her physicality and emotional depth forming the core of the narrative.

Having premiered at the Cannes Film Festival and earned a BAFTA nomination, Sister Midnight has already received international acclaim for its bold visual style and hard-hitting commentary on gender and class dynamics. With its Indian theatrical release set for May 23, 2025, the question remains: Will the Indian censor board allow its full, unfiltered message to reach audiences?

As Sister Midnight edges closer to release, all eyes are on how India will receive this daring film—one that blends artistic risk with raw societal critique.