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Dear Uma: A Fresh Quality Debut
Telugu audiences have recently shown a strong affinity for quality films, even welcoming medium-budget projects if they deliver engaging content. In line with this trend, the upcoming film Dear Uma stands out as an intriguing new release.
Set to hit theaters on April 18, Dear Uma marks a significant debut for Sumaya Reddy, who steps into multiple roles as the heroine, producer, and writer. Alongside her, Pruthvi Ambaar stars as the lead. The recently released trailer offers a glimpse into a narrative centered on two ambitious individuals—a man with dreams of becoming a singer and a woman determined to excel in medicine. Their paths intersect in a way that exposes critical flaws within the medical system.
The trailer is a blend of gripping scenes, emotive sequences, dynamic action, and a compelling dialogue delivered by the hero. This dialogue underscores a powerful call to rescue the medical field from growing corporate dominance, hinting at the film’s strong social message.
Sumaya Reddy has openly expressed her gratitude toward her team and credited her mother’s unwavering support in her journey. Her evident passion for music—particularly her admiration for Radhan’s work—shines through. Along with Sumaya, the film boasts endorsements from key figures like Pruthvi Ambaar, Radhan, Kamal Kamaraju, Sai Rajesh, and others, all of whom recognize the sincerity and commitment behind her debut.
Supporting this promising project are industry professionals like Nagesh, who serves as the line producer, and Nithin Reddy, the executive producer. Under the creative direction of Sai Rajesh Mahadev, who is also responsible for the screenplay and dialogues, the film features the technical expertise of ace cinematographer Raj Thota and acclaimed music director Radhan—known for his blockbuster compositions.
The trailer, which launched last Friday, has already sparked conversations among film enthusiasts. With its rich narrative and strong message, Dear Uma is poised to captivate audiences on April 18, reinforcing a renewed faith in small, content-driven films.