Young beauty Hebah Patel, who rose to fame with Kumari 21 F, has decided to go de-glam for the first time in her career. Known for playing the glamorous bombshell on-screen, Hebah for the first time signed a challenging role in a crime thriller “Odela Railway Station”.
The Mister actress will be playing a young rural woman and can be seen without any makeup on. The shooting of the movie is progressing at the brisk pace.
On the occasion of Diwali, the makers of the film released the first look poster of Hebah Patel as Radha from Odela railway Station.
The film is being directed by debutant Ashok Teja, and it also stars Vasishta N Simha, Sai Ronak and Poojitha Ponnada in key roles. Odela Railway Station is bankrolled by KK Radhamohan under Sri Sathya Sai Arts banner
Recent Random Post:
Payal Radhakrishna Sparks Debate on Telugu Language Decline
Payal Radhakrishna’s recent interview has sparked an important conversation about the love for language—especially Telugu. The actress, who comes from a Konkani background, shared her thoughts while promoting her latest film Papam Pratap, leaving many surprised with her candid observations.
In India, people usually take pride in their mother tongue—learning it well, speaking it confidently, and passing it on to future generations. However, Payal pointed out that this connection appears to be weakening among some Telugu speakers, particularly the younger generation.
Payal began her journey in Telugu cinema with the web series Taragathi Gadhi Daati and later appeared in films like Prasanna Vadanam and Chaurya Paatham. During this time, she made a conscious effort to learn Telugu, along with Kannada and Tamil. Over time, she developed a strong appreciation for the language, especially its film music.
She expressed a special fondness for Telugu songs from the 1990s, praising their meaningful and poetic lyrics. “I really love Telugu songs, especially from the 90s. They carry great depth and emotion,” she said. However, when she tried to understand the meanings behind some of those lyrics, she encountered an unexpected challenge.
“When I asked people here to explain the meanings, many couldn’t give clear answers,” she revealed. She also noted that even some people who grew up in the 90s admitted they didn’t fully understand certain Telugu words.
Her remarks highlight a broader concern—the gradual disconnect from a rich and expressive language. Telugu boasts a long literary and cultural heritage, but without active effort to learn and use it, future generations risk losing touch with its depth and beauty.
