Sunny Deol’s latest Bollywood venture, Jaat, directed by Telugu filmmaker Gopichand Malineni, has garnered attention for both its commercial success and the controversy surrounding its portrayal of the Tamil militant organization, The Liberation Tigers of Tamil Eelam (LTTE). Released on April 10, the film has made a positive impact at the box office but is now facing backlash from various groups, particularly within the Tamil community.
A significant online movement has emerged, with the hashtag #BoycottJaatMovie trending on social media. The controversy centers around the depiction of the LTTE in the movie. Critics argue that Jaat misrepresents the organization, portraying it as a terrorist group rather than acknowledging its origins as a resistance movement. The LTTE was formed in the context of systemic oppression and violence against Tamils in Sri Lanka, fighting for the protection of Tamil rights and autonomy. Many Tamils view the portrayal in Jaat as a distortion of history and an attempt to demonize their struggle.
On social media platforms, several users have expressed their dissatisfaction, with one stating, “The LTTE was born out of systemic oppression and genocide against Tamils in Sri Lanka. Stop rewriting our history to suit your narrative.” Others have voiced similar sentiments, asserting that the group was not a terrorist organization but a liberation force seeking justice for the Tamil people. As one user wrote, “Tamils won’t stay silent when history is twisted. Jaat shamelessly demonizes a freedom struggle.”
In the film, Bollywood actor Randeep Hooda plays the role of Ranatunga, a Sri Lankan antagonist, adding to the tension surrounding the movie’s portrayal of Sri Lanka’s internal conflict.
As of now, the filmmakers behind Jaat, including Mythri Movie Makers and People Media Factory, have yet to address the growing controversy. The film’s music is composed by Thaman, and it continues to perform well in theatres despite the criticism. The ongoing debate reflects deeper concerns about the representation of sensitive political issues in cinema, particularly when it involves historical narratives tied to ongoing struggles for justice and recognition.
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