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Funky Could End Vishwak Sen’s Flop Streak

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Talented actor Vishwak Sen is keen to put an end to his recent run of box-office disappointments and score a much-needed hit. Despite experimenting with unconventional scripts and portraying quirky characters, consistent success has eluded him due to lukewarm audience reception.

Hope now rests on his upcoming film Funky, which appears to have all the ingredients to deliver him a major breather. Directed by Anudeep, the film is slated for release on February 13 and has been generating strong buzz over the past few days. The lively promotional campaign and laugh-out-loud trailers have received an overwhelmingly positive response from audiences.

Funky is positioned as a youthful romantic entertainer blended with slapstick comedy. Known for his sharp sense of humor, director Anudeep has a knack for delivering razor-sharp one-liners that can trigger instant laughter in theatres. The teasers and trailer, packed with high-energy antics and quirky moments, have created healthy pre-release hype.

With last Friday’s releases failing to make any impact at the box office, Funky finds itself in a favorable position with a largely open run ahead, as no major films are scheduled for release in the coming weeks. The combination of Vishwak Sen and Anudeep, along with the presence of the popular Kayadu Lohar, is expected to attract younger audiences in good numbers.

A positive word of mouth during the Valentine’s Day weekend could prove crucial in setting the film up for a strong theatrical run. Adding to the positives are the backing of reputed banner Sitara Entertainments and the energetic music composed by chartbuster sensation Bheems Ceciroleo. If Funky manages encouraging reports from its first show itself, the opening weekend collections could be strong enough to push the film into the profit zone.

Janasena : The Case involving MLA Arava Sridhar is Taking a New Turn Every Day

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Janasena : The Case involving MLA Arava Sridhar is Taking a New Turn Every Day

Unchecked Power Puts Andhra Pradesh Democracy at Risk

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Power has always been the biggest attraction in politics. However, when power becomes unchecked and limitless, it turns dangerous. This is exactly what many believe is unfolding in Andhra Pradesh today.

Since coming to power, the ruling dispensation appears to have shifted its focus from governance to systematically targeting the opposition. Instead of healthy political debate and democratic engagement, the political landscape is increasingly marked by intimidation, attacks, and open displays of violence.

Recent incidents involving assaults on opposition leaders and damage to their properties have triggered serious concern among citizens. What is even more alarming is the apparent role of the system itself. Law enforcement agencies and authorities—meant to uphold law and order—are increasingly perceived as silent spectators. This perceived inaction has instilled fear among the public and eroded confidence in democratic institutions.

Democracy can function effectively only when power is balanced and the opposition is allowed to operate freely without fear. When those in power begin to behave like emperors, believing they are beyond accountability, society inevitably pays a heavy price.

The current situation in Andhra Pradesh serves as a clear warning sign. If unchecked power continues to dominate politics, violence will intensify, dissent will be crushed, and democracy itself will be pushed into dangerous territory.

విద్యార్థి నేతల కిడ్నాప్ కేసులో మంచు విష్ణు కు పోలీసుల నోటీసులు | Mohan Babu | Vishnu

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విద్యార్థి నేతల కిడ్నాప్ కేసులో మంచు విష్ణు కు పోలీసుల నోటీసులు | Mohan Babu | Vishnu

Prashanth Neel Breaks His Dark Formula with Dragon

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Prashanth Neel has carved a distinct identity in Indian cinema with his gritty, dark-toned visual storytelling. From KGF to Salaar, his films have consistently thrived on intense atmospheres, heavy shadows, and raw, brooding worlds. This signature style became a defining element of his brand, perfectly complementing his high-voltage narratives and larger-than-life drama.

However, in a surprising shift, Prashanth Neel is now stepping out of his comfort zone for the first time in his career. His upcoming film with NTR, tentatively titled Dragon, is being shot in full color with a conventional visual format, marking a clear departure from the dark aesthetic he is known for.

Industry insiders view this move as a conscious effort by the filmmaker to expand his creative range and break away from any sense of predictability. By embracing a brighter and more mainstream visual treatment, Neel appears keen on exploring a broader cinematic canvas while still retaining his trademark intensity in storytelling.

Naturally, fans are curious to see how Prashanth Neel blends his signature narrative aggression with a more colorful, commercial presentation. Dragon now stands as one of the most anticipated projects, not just for NTR’s presence, but also for what could be a defining evolution in Prashanth Neel’s filmmaking journey.

The Raja Saab Fallout: Fans Question Prabhas’ Choices

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The Raja Saab not only ended up as a massive box-office disappointment but also triggered an unprecedented wave of negativity toward Prabhas. Criticism poured in from all directions—mainstream media, social media platforms, and even sections of his own fan base. While the film’s theatrical run was cut short and quickly forgotten, the backlash surrounding it has refused to fade.

In fact, the trolling has intensified following the film’s OTT premiere. With a wider audience now accessing the movie on digital platforms, fresh rounds of online criticism have emerged, targeting both Prabhas and director Maruthi. Viewers are dissecting the film far more harshly, pointing out flaws that perhaps went unnoticed during its theatrical run.

A section of Prabhas’ fans has gone a step further, openly urging the star to stay away from similar projects and, more importantly, to stop collaborating with what they describe as “mediocre directors” like Maruthi. They are questioning what prompted Prabhas to place his trust in a filmmaker whose career has largely been defined by mid-range successes, with Bhale Bhale Magadivoy often cited as his most notable work.

Fans are also drawing comparisons with Allu Arjun, noting that despite starting their careers around the same time and sharing a long-standing friendship with Maruthi, the director has never helmed a film starring the Pushpa actor. This contrast has only fueled further debate about Prabhas’ decision-making.

Many believe that the failure of The Raja Saab—and the relentless trolling that followed—should serve as a wake-up call for Prabhas. According to them, it’s time for the actor to take this feedback seriously and reassess his choices, particularly when it comes to scripts and directors, to protect both his stardom and credibility going forward.

Rajamouli’s Varanasi Promises a Grand Visual Experience

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SS Rajamouli’s Varanasi is back in the spotlight, this time for its ambitious and innovative visual presentation. The filmmaker has confirmed that the movie will primarily be released in CinemaScope with a 1.90:1 aspect ratio, while select and crucial portions will expand into a wider 1.43:1 frame, offering audiences a truly immersive cinematic experience.

Following this clarification, several moviegoers raised concerns about possible black bars or blackouts during the aspect ratio shifts. Addressing this, Rajamouli made it clear that there will be no blackouts whatsoever. Instead of abrupt cuts, the screen will seamlessly expand and contract, ensuring a smooth and distraction-free viewing experience.

This technique, though rare, has been used earlier in select premium formats, where the frame gradually expands rather than switching suddenly. In Varanasi, the director plans to begin the film in scope and progressively widen the frame as the narrative builds toward the interval. The same visual pattern will continue in the second half, with the frame expanding and contracting based on the scale and emotional weight of the scenes, culminating in a grand climax.

For instance, in 70mm GT IMAX, transitions from 1.90:1 to 1.43:1 demand extreme precision. When executed perfectly, such transitions can feel majestic and elevate the theatrical experience. On non-GT IMAX screens, the film will be presented in a fully filled container format for both IMAX and CinemaScope, ensuring visual consistency across theatres.

With this bold visual experiment, Varanasi stands out as a rare and exciting cinematic endeavor, further reinforcing SS Rajamouli’s reputation for constantly pushing the boundaries of Indian filmmaking.

With Love Shines Big at Box Office

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Kollywood’s small-budget youthful drama With Love is making impressive waves at the box office during its opening weekend. Despite releasing without any festival advantage and facing stiff competition from multiple new films, the romantic coming-of-age drama has surprised the trade with strong early numbers.

According to trade estimates, With Love has collected ₹3.53 crore net in just two days and is poised for further growth on Sunday. The film, starring Tourist Family fame Abishan Jeevinth and Malayalam actress Answara Ranjan in the lead roles, opened to a decent ₹1.60 crore net on Friday.

Positive word of mouth from audiences and encouraging reviews from critics played a key role in boosting collections on Saturday. The film witnessed a notable jump, earning ₹1.93 crore net on Day 2, taking the total past the ₹3.5 crore mark. Viewers have particularly appreciated the charming performances of the lead pair and the heartfelt storytelling by debut director Madan.

While the film has a few underwhelming moments, its emotional connect and relatable narrative have resonated well with moviegoers. If the upward trend continues on Sunday, With Love is set to register an excellent opening weekend—especially impressive considering its modest budget and relatively new cast.

వీడిన విజయారెడ్డి ఆత్మహత్య మిస్టరీ.. రీజన్‌ ఇదే!

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వీడిన విజయారెడ్డి ఆత్మహత్య మిస్టరీ.. రీజన్‌ ఇదే!

Janasena : The Case involving MLA Arava Sridhar is Taking a New Turn Every Day

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Janasena : The Case involving MLA Arava Sridhar is Taking a New Turn Every Day

తెలుగు రాష్ట్రాలను హడలెత్తిస్తోన్న పెద్దపులులు

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తెలుగు రాష్ట్రాలను హడలెత్తిస్తోన్న పెద్దపులులు

India US Trade Deal A Game-changer For Make In India

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India US Trade Deal A Game-changer For Make In India

Amaravati Quantum Valley: అమరావతిలో ఘనంగా క్వాంటం వ్యాలీ టవర్స్ కు శంకుస్థాపన

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Amaravati Quantum Valley: అమరావతిలో ఘనంగా క్వాంటం వ్యాలీ టవర్స్ కు శంకుస్థాపన

Hyderabad : పోచారం ORRపై ఘోర ప్రమాదం

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Hyderabad : పోచారం ORRపై ఘోర ప్రమాదం

Sukumar Plans RC17 as a Two-Part Film? Buzz Grows

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Ram Charan is currently occupied with the shooting of Peddi, but the star has already officially announced his next project, tentatively titled #RC17, to be directed by Sukumar. The Pushpa filmmaker is said to have been working on the script for quite some time now.

The latest buzz on social media suggests that Sukumar is considering mounting RC17 as a two-part film, following the successful template he adopted with the Pushpa franchise. While Pushpa: The Rise turned out to be a major hit, Pushpa 2 went on to become a mega blockbuster, reportedly grossing close to ₹1700 crore worldwide and earning a place among the biggest Indian films of all time.

Industry chatter indicates that Sukumar may be keen to repeat this strategy with RC17, expanding the narrative across two films to enhance both scale and box-office potential. However, it is important to note that there has been no official confirmation from the makers regarding the two-part format.

According to reports, RC17 is expected to go on floors either next month or in April, with regular shooting likely to commence after the summer holidays. Ram Charan is also said to be undergoing yet another makeover for the role, further adding to the anticipation surrounding this much-awaited project.

Aamir Khan’s Theatre Screen Remark Triggers Industry Debate

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Bollywood top-league actor Aamir Khan often finds himself in the spotlight for his unconventional public statements, and his latest remarks on cinema halls have once again triggered a debate within film industry circles and among trade analysts.

Speaking to a leading Hollywood news agency, Aamir Khan expressed concern over the limited number of cinema screens in India. He stated that a country as vast as India needs far more theatres—on par with nations like China and the USA—so that films can achieve higher box-office revenues.

The Sitaare Zameen Par actor pointed out that India currently has around 9,000 screens, which he described as alarmingly low compared to China and the USA, where films often register massive collections due to wider theatrical reach. Citing the recent Bollywood blockbuster Dhurandhar as an example, Aamir said that Ranveer Singh’s spy thriller could have earned significantly more had it released on 15,000 screens instead of just 5,000.

While there is some logic in Aamir Khan’s argument from a theoretical perspective, many feel the idea is commercially impractical in the Indian context. Factors such as land acquisition challenges, soaring construction costs, high theatre rentals, maintenance expenses, and inconsistent occupancy rates make large-scale expansion difficult.

Adding to these challenges are declining theatre footfalls due to rampant piracy and the rapid rise of OTT platforms, which have already led to the closure of several single-screen theatres in recent years. Moreover, with the overall success rate of films being relatively low, sustaining single screens amid the dominance of multiplex culture has become increasingly unviable in today’s market.

In this backdrop, some industry observers are questioning why Aamir Khan remained silent when the single-screen ecosystem was steadily eroding over the years, and why concerns are being raised now—when many believe it may already be too late to reverse the trend.

OTT Release Reignites Trolling Against Maruthi Over Raja Saab

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Considering the scale of trolling unfolding on social media, the backlash now seems inevitable. After Raja Saab hit theatres, director Maruthi did not face immediate criticism. This was largely due to back-to-back Sankranti releases that kept audience attention diverted. It was only after a few days that criticism slowly began shifting in his direction.

However, the real storm erupted following the film’s OTT release. As soon as the movie began streaming, screenshots and video clips flooded social media platforms. While a section of users criticised Prabhas’ looks, the majority of the backlash was directed squarely at director Maruthi.

Many viewers felt that Prabhas’ performance in several scenes fell short of expectations. Some netizens even pointed out the alleged use of body doubles, while others highlighted weak graphics and noticeable visual flaws. Yet, the strongest criticism was aimed at Maruthi’s writing.

Fahadh Faasil’s ₹15 Crore Fee Buzz for Anil Ravipudi–Venkatesh Film

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Fahadh Faasil is no longer just a Malayalam star; he enjoys a strong following among Telugu audiences as well. Known for choosing his films with great care, Fahadh consistently delivers standout performances, making him a sought-after name for Telugu filmmakers.

After his impactful role in Pushpa, Fahadh is now expected to be part of the upcoming Anil Ravipudi–Venkatesh combination film. In this project, Venkatesh and Fahadh are likely to play brothers. However, the makers are yet to meet Fahadh in person, as discussions so far have been limited to a phone conversation. Key aspects such as remuneration and dates are still to be finalized.

Meanwhile, Fahadh’s reported fee has become a major topic of discussion in Tollywood circles. Industry insiders suggest that he may not accept anything less than ₹15 crore. Given his performance-driven reputation, strong screen presence, and pan-India appeal, many believe this demand is justified.

Interestingly, several mid-range Telugu heroes continue to command fees of ₹10 crore or more despite delivering consecutive flops and weak box-office openings. In comparison, many in the industry feel that a ₹15 crore remuneration for Fahadh Faasil is reasonable.

Pre-production work for the film has already begun. Once the casting and other formalities are locked, director Anil Ravipudi is expected to complete the script work while spending time in Visakhapatnam, Araku, and his native places in Prakasam district. With sufficient time on hand, the makers are in no hurry and are calmly progressing toward finalizing the project.

Task Force : జెంటిల్‌మ్యాన్‌ చోర్

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Task Force : జెంటిల్‌మ్యాన్‌ చోర్

9 PM | ETV Telugu News | 7th February” 2026

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9 PM | ETV Telugu News | 7th February” 2026

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