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Sushmitha Konidela Expands Gold Box Entertainment After Mana Shankara Varaprasad Garu Success
Despite producing a few small-budget films and OTT projects in the past, Megastar Chiranjeevi’s elder daughter Sushmitha Konidela had largely remained away from the mainstream spotlight. However, her collaboration with her father for Mana Shankara Varaprasad Garu has turned out to be a major turning point in her career, both financially and in terms of recognition.
Following the massive success of the film, Sushmitha has reportedly earned significant returns and emerged as a producer to watch out for in Tollywood. Capitalising on this momentum, she has now taken a major step forward by inaugurating a new office for her production house, Gold Box Entertainment, in Hyderabad.
Sharing a glimpse of the new workspace on social media, Sushmitha hinted at fresh beginnings and ambitious plans ahead. Industry reports suggest that she has already signed a major deal with a leading OTT platform to produce multiple projects back-to-back, indicating an aggressive expansion strategy.
Interestingly, this milestone coincides with another special moment in the Konidela family. Sushmitha’s cousin, Niharika Konidela — daughter of Nagababu — recently completed ten years as a film producer. Both cousins congratulated each other, highlighting the growing presence of women producers within the family.
With Gold Box Entertainment entering a new phase, it remains to be seen whether Sushmitha will continue focusing on budget-conscious content-driven films or scale up to produce big-ticket projects featuring top stars in the industry.
Mana Shankar Vara Prasad Garu Becomes Tollywood’s Highest Regional Grosser
Tollywood has witnessed a rare and historic box office moment, with Mana Shankar Vara Prasad Garu, starring Megastar Chiranjeevi, emerging as the highest-grossing regional Telugu film of all time. The film has officially surpassed the long-standing record held by Ala Vaikunthapurramuloo, marking a significant shift in the industry’s box office hierarchy.
This ranking specifically considers films that enjoyed a dominant theatrical run within the Telugu states without a simultaneous Hindi release. As a result, major blockbusters such as OG have been excluded from the list due to their pan-India release strategy. Within this clearly defined bracket, Mana Shankar Vara Prasad Garu has now set a new benchmark.
As per the latest figures, the film has crossed the ₹255 crore mark and continues to perform strongly at the box office. Its sustained momentum has been driven by positive word of mouth, repeat viewership, and steady collections across urban and mass centres alike. The film’s consistency over successive weeks has reinforced its status as a true regional phenomenon.
For several years, Ala Vaikunthapurramuloo stood as an industry yardstick, amassing approximately ₹250 crore and redefining the potential of festive family entertainers. Its cultural impact and commercial success remain significant even today. However, Mana Shankar Vara Prasad Garu has now rewritten that narrative, not only surpassing the record but also demonstrating the enduring box office pull of star-driven regional cinema.
With its historic run still ongoing, Mana Shankar Vara Prasad Garu has firmly positioned itself as a landmark release in Tollywood’s box office history, setting new standards for regional films without a Hindi theatrical debut.
Revanth Reddy Clarifies: T-Hub to Remain Exclusive Startup Incubator
Recent media reports suggesting the possible relocation of the Begumpet divisional revenue office to the T-Hub building in Gachibowli triggered widespread debate and mixed reactions. The proposal drew criticism from startup founders and industry stakeholders, who argued that converting a premier startup incubator into a government office would undermine its original purpose.
Responding swiftly to the reports, Telangana Chief Minister Revanth Reddy issued a clear clarification, putting an end to the speculation. While on an official visit to the United States, the Chief Minister spoke with Chief Secretary Ramakrishna Rao and directed officials to immediately halt any plans involving the use of T-Hub for government offices.
Revanth Reddy instructed that government departments currently operating from rented premises should instead be relocated to other available government-owned buildings. He strongly emphasized that T-Hub must remain a dedicated startup ecosystem and should not accommodate any administrative or revenue offices.
Reiterating the vision behind T-Hub, the Chief Minister stated that the facility was established solely to function as a startup incubator and innovation catalyst. Following his directive, authorities have decided not to proceed with the proposal to repurpose the T-Hub building. The facility will continue to operate as a startup incubation and innovation center in the foreseeable future.
Nara Lokesh’s Davos Push Signals a New Investment Momentum for Andhra Pradesh
Andhra Pradesh IT Minister Nara Lokesh emerged as a key dealmaker during the recent World Economic Forum (WEF) summit in Davos, Switzerland, demonstrating a notably proactive and hands-on approach to global investor engagement. Over the course of four intensive days, Lokesh participated in 45 programmes and held 25 one-on-one meetings with top business leaders, underscoring the state’s renewed focus on accelerating investment inflows.
The highlight of the visit was a major commitment from RMZ Real Estate and Infrastructure, which confirmed an investment of approximately ₹90,000 crore in Andhra Pradesh as part of a broader $10 billion plan. This adds to the ₹2.5 lakh crore worth of investments secured during the previous Davos engagement—projects that have since moved into the execution phase, with further materialisation expected in the near term.
What set this Davos visit apart was Lokesh’s emphasis on the “speed of doing business.” Rather than prioritising headline-grabbing MoUs, he focused on deeper conceptual alignment with companies, laying the groundwork for long-term, executable investments. This strategy mirrors the trajectory of earlier engagements, where companies such as Google and Accenture translated discussions into tangible projects following the 2025 Davos summit.
With expectations that the current outreach could potentially double the investment tally achieved at Davos 2025, Andhra Pradesh appears poised for a significant economic push. The contrast with the past—when the state had an IT minister hesitant to participate in global platforms like Davos—highlights a clear shift in approach. Lokesh’s assertive global outreach signals a new phase in Andhra Pradesh’s investment narrative, one driven by execution, credibility, and sustained engagement.
Krithi Shetty Stuns Fans With Effortless Style Amid Career Transition
Krithi Shetty, the 22-year-old South Indian actress, continues to command immense popularity with nearly 10 million followers across social media platforms. Regardless of her recent box-office outcomes, the actress has remained firmly in the spotlight, consistently engaging fans through her striking online presence. Her fashion-forward photoshoots and candid moments regularly draw attention, reinforcing her status as a youth icon.
In her latest set of pictures, Krithi exudes confidence and understated glamour in an earthy-toned ensemble. Seated casually on a staircase, her relaxed yet poised posture adds a natural charm to the frame. The strapless patterned jumpsuit complements her silhouette, while the shrug slipping gently off her shoulders introduces a subtle sensuality. Styled with loose wavy hair, minimal makeup, and a barefoot look, the overall aesthetic feels contemporary, bold, and effortlessly elegant.
On the professional front, 2025 proved to be a challenging year for the actress, with Vaa Vaathiyaar failing to make a strong impact at the box office. Despite this setback, Krithi remains optimistic about her career trajectory. With two promising projects—Love Insurance Kompany and Genie—lined up, she is hopeful of staging a solid comeback and reconnecting with audiences on the big screen.
Naveen Polishetty’s Hands-On Promotion Sets Him Apart at the Box Office
Naveen Polishetty has steadily carved a unique space for himself in Telugu cinema, emerging as one of the few actors who consistently prioritise delivering a wholesome theatrical experience. Currently riding high on the success of Anaganaga Oka Raju, Naveen’s approach to filmmaking once again underlines why his films often translate into strong box-office performances.
Known for his meticulous script selection, Naveen is also recognised for taking longer than most contemporaries to complete a project. However, that patience tends to pay off, as his releases usually arrive with clarity of vision, strong content, and clear audience connect.
What truly sets Naveen apart, however, is his involvement beyond the shooting phase. Industry discussions increasingly point to his hands-on role in packaging, marketing, and releasing his films. Unlike many actors who step back once production wraps up, Naveen remains actively associated with the film until the end of its theatrical run. Through continuous promotions, interviews, and public appearances, he ensures that audience awareness and interest remain high.
This commitment was particularly evident during the highly competitive Sankranthi season, which saw multiple releases hitting theatres simultaneously. While promotional activities for several films slowed down after release, Naveen continued to aggressively push Anaganaga Oka Raju. He has even travelled to the United States, where he is personally touring various cities, attending special screenings, and interacting with Telugu audiences. His direct engagement has played a key role in boosting the film’s overseas collections, especially in the US market.
Such dedication is rare in today’s industry, with Nani being one of the few actors known for a similar approach. Naveen Polishetty now firmly joins that league. If more actors adopt this end-to-end involvement, it could significantly improve a film’s theatrical longevity and overall box-office performance across markets.
Superstar Fans Harass Telugu Director After Film Flop
A peculiar and troubling situation has emerged involving a Telugu filmmaker, who is reportedly facing sustained harassment from fans of a superstar following the failure of their recent film at the box office.
According to sources, the filmmaker has been subjected to relentless trolling and nuisance tactics after fans redirected their dissatisfaction with the hero and the film’s outcome toward the director. The situation escalated after the filmmaker inadvertently revealed his residential address during a promotional event.
Since then, a series of prank activities have reportedly targeted his residence at Kolla Luxuria Villas in Kondapur. Multiple food delivery orders from platforms such as Zomato and Swiggy, along with bulk orders for medical equipment from various pharmacies, were placed in his name and sent to his house. The repeated deliveries caused significant distress to the villa’s security staff, who were forced to verify each order at the security checkpoint.
In an unusual incident, when security personnel contacted the director to confirm one such delivery, he initially responded affirmatively instead of denying the order. However, matters spiralled out of control when more than 100 food delivery items reportedly arrived at his residence in a single day, overwhelming both the household and the security team.
Left with no alternative, the filmmaker reportedly instructed the security staff to block all deliveries sent in his name, a move that brought temporary relief to the villa management.
Meanwhile, sources also reveal that the director visited the cybercrime unit along with his lawyer to file a formal complaint. The complaint reportedly pertains to fake alternate social media accounts that are allegedly trolling the superstar’s fans on Twitter while impersonating the film’s creative producer.
The incident once again highlights how extreme fandom and online hostility in the film industry are increasingly turning directors and producers into easy targets, often bearing the brunt of audience anger when films fail to meet expectations.
Telangana HC Seeks GST Data on Ticket Hike for Chiranjeevi’s Mana Shankara Varaprasad Garu
The ticket price hike controversy surrounding Megastar Chiranjeevi’s blockbuster Mana Shankara Varaprasad Garu is threatening to snowball into a major legal and reputational setback.
The Telangana High Court has already expressed concern over the state government issuing a special memo permitting ticket price hikes, despite an earlier HC judgment that restricts the government from granting special hikes for individual films. Now, the issue has taken a sharper turn.
Advocate Paduri Srinivasa Reddy has filed a writ petition alleging that the special memo enabled the film’s producers to earn nearly ₹48 crore in excess revenue. The petitioner has urged the court to order recovery of this amount from the producers, arguing that the memo was issued in clear violation of the court’s earlier orders.
During the hearing, the Telangana High Court directed GST officials to submit detailed revenue data related to the ticket sales. The matter is scheduled for further hearing on February 3, and legal experts say the court could potentially order recovery of the excess collections if violations are established.
According to the petitioner, the disputed memo allowed ticket prices to go up to ₹600 (including GST) for special shows, along with hikes of ₹50 in single screens and ₹100 in multiplexes for a week. This allegedly resulted in ₹42 crore in excess collections within Telangana alone.
Ticketing platform BookMyShow and prominent distributor Dil Raju have been named as respondents in the petition.
With Mana Shankara Varaprasad Garu expected to finish its theatrical run slightly above ₹300 crore, it now remains to be seen whether the Telangana High Court will deduct the alleged excess ₹42 crore from the film’s final box-office tally.
Box Office Pressure Mounts on Balakrishna as Peers Race Ahead
Last year, senior star Venkatesh Daggubati delivered a massive box office success with Sankranthiki Vastunnam, which went on to gross around ₹260 crores worldwide. This year, Megastar Chiranjeevi has taken things a step further, with Mana Shankara Varaprasad Garu crossing the ₹300-crore mark globally. These back-to-back successes by senior actors have significantly raised the bar, inevitably putting pressure on their contemporaries in Tollywood.
Among those feeling the heat are Nagarjuna Akkineni and Nandamuri Balakrishna. While Nagarjuna has been making conscious efforts to stay relevant in the pan-India space by aligning himself with large-scale projects like Kubera and Coolie, Balakrishna appears to be lagging behind in this race. Fondly called Balayya by his fans, the senior star was expected to make a strong pan-India statement with Akhanda 2. However, the film failed to live up to expectations, with the North Indian audience largely rejecting it despite aggressive promotions and the proven combination of Balakrishna and director Boyapati Srinu.
With expectations mounting, the pressure is now firmly on Balakrishna to deliver a big-scale commercial success. His upcoming project with director Gopichand Malineni is seen as a crucial film in this regard. Reports suggest that the director is currently reworking the script to ensure the film opens to phenomenal numbers and achieves mammoth box office collections. Even Balakrishna’s loyal fan base is hoping that their favourite star will quickly turn the tide and reassert his dominance at the box office with a blockbuster success.
Gunasekhar Bets on ‘Euphoria’ for a Career Revival
Once regarded as one of the most sought-after directors in Telugu cinema, Gunasekhar built a strong reputation for blending creativity with commercial appeal. His ability to deliver stylish, emotionally driven films once made him a favorite among top stars and producers. However, a series of box office disappointments—including Varudu, Nippu, Rudhramadevi, and Shaakuntalam—gradually impacted his standing in the industry.
Gunasekhar’s ambitious dream project Hiranya Kashyapa, which he worked on for nearly three years, was eventually shelved due to unforeseen challenges, further adding to his difficult phase. Acknowledging the realities of the film industry, the director has candidly admitted that success alone commands attention, and that he must re-establish himself through results.
Now, Gunasekhar is attempting a fresh start with Euphoria, a modestly scaled film featuring newcomers and minimal hype—marking a sharp contrast to his earlier grand productions. Scheduled for a February release, the film has been made on a budget of approximately ₹20 crore, a bold gamble without star power. Despite the risks, Gunasekhar remains confident that strong content will resonate with audiences and help him reclaim his position, viewing Euphoria not as a setback-driven choice, but as a determined step toward reinvention.
Dil Raju Eyes Bollywood Comeback with Akshay Kumar, Vidya Balan
Looks like Dil Raju is making a calculated comeback! Even after recent setbacks in Tollywood with Game Changer and Tammudu, he’s clearly not slowing down—he’s just shifting gears. His strategy seems twofold: consolidate success in Telugu cinema with projects like Yellamma (DSP onboard, Venu Yeldandi directing), and aggressively expand into Bollywood, where he’s had a patchy history with remakes like HIT and Jersey.
The big move is Sankranthiki Vastunnam being remade with Akshay Kumar in Venkatesh’s role, Vidya Balan as the wife, and Raashi Khanna in the ex-GF role. Bringing in Anees Bazmi—who’s known for comedy-action hits—indicates they’re aiming for a mainstream, mass-appeal Bollywood entertainer rather than a direct Tollywood transplant.
Meanwhile, Vamshi Paidipally trying to rope in Salman Khan for a separate project could mark Dil Raju’s first pure Hindi production, not a remake. If both projects succeed, it could finally cement his Bollywood presence.
Essentially, Dil Raju is playing it smart: mitigate past failures, leverage proven Tollywood hits, and bring Bollywood stars to anchor the projects. If both films click, he could become one of the rare Telugu producers with a strong footing in both industries.
If you want, I can break down how these casting choices and directors might affect the Bollywood reception compared to the original Telugu films—it’s actually fascinating. Do you want me to do that?
US Signals Possible Tariff Relief for Indian Exports
The United States has indicated a possible easing of tariffs on Indian goods, signaling a potential improvement in trade relations between the two countries. Previously, the US had imposed steep duties, with tariffs on certain Indian products reaching as high as 50%, primarily due to concerns over India’s oil imports from Russia. Recent developments suggest that India’s purchases of Russian oil have declined significantly, opening the door for potential tariff relief.
Officials from both nations continue ongoing discussions at various levels, with expectations that any reduction in duties would form part of a broader trade framework aimed at promoting fair and balanced economic cooperation. A rollback of tariffs could benefit multiple Indian sectors, including manufacturing and exports, which were adversely affected by the previous high duties. In India, government sources are observing the developments with cautious optimism, noting that such a move could strengthen bilateral trade and boost economic confidence between the two strategic partners.
‘మన శంకర వరప్రసాద్ గారు’ హిట్ తర్వాత ‘విశ్వంభర’కు పరీక్ష సమయం
మెగాస్టార్ చిరంజీవి రీఎంట్రీ తర్వాత అత్యంత ఆసక్తి రేకెత్తించిన ప్రాజెక్టుల్లో ‘విశ్వంభర’ ఒకటి. ‘బింబిసార’ వంటి బ్లాక్బస్టర్తో దర్శకుడిగా తన ప్రతిభను నిరూపించుకున్న వశిష్ఠ ఈ సినిమాను తెరకెక్కిస్తుండటంతో అంచనాలు మరింత పెరిగాయి. పైగా ‘జగదేక వీరుడు అతిలోక సుందరి’ తరహా ఫాంటసీ విజువల్ వండర్గా ఈ చిత్రం రూపుదిద్దుకుంటుందనే ప్రచారం మెగా అభిమానుల్లో భారీ ఉత్సాహాన్ని తీసుకొచ్చింది.
అయితే సినిమా ప్రారంభ దశలో ఏర్పడిన ఆ భారీ అంచనాలకు టీజర్ మాత్రం పూర్తి స్థాయిలో న్యాయం చేయలేకపోయింది. ముఖ్యంగా విజువల్ ఎఫెక్ట్స్, గ్రాఫిక్స్ క్వాలిటీపై తీవ్ర విమర్శలు వచ్చాయి. ఇంత పెద్ద బడ్జెట్, ఇంత పెద్ద హీరో ఉన్న ప్రాజెక్ట్కు ఇవేనా విజువల్స్ అన్న ప్రశ్నలు సోషల్ మీడియాలో హల్చల్ చేశాయి. దాంతో సినిమాపై ఉన్న హైప్ కొంత మేర తగ్గిపోయింది.
టీజర్పై వచ్చిన నెగటివ్ ఫీడ్బ్యాక్ను సీరియస్గా తీసుకున్న ‘విశ్వంభర’ టీం వెంటనే విజువల్ ఎఫెక్ట్స్పై మళ్లీ పని ప్రారంభించింది. భారీగా రీవర్క్ చేయాల్సి రావడంతో గత ఏడాది సంక్రాంతికి అనుకున్న రిలీజ్ వాయిదా పడింది. ఈసారి కూడా పండక్కి కాకుండా, వేసవి విడుదల లక్ష్యంగా ప్లాన్ చేస్తున్నారు.
ఈ మధ్యలో చిరంజీవి నటించిన మరో చిత్రం ‘మన శంకర వరప్రసాద్ గారు’ విడుదలై భారీ విజయం సాధించింది. సంక్రాంతి సీజన్లో బాక్సాఫీస్ను షేక్ చేసిన ఈ సినిమా ఇండస్ట్రీ హిట్ దిశగా దూసుకుపోతుండటంతో మెగా ఫ్యాన్స్ ఆనందం హద్దులు దాటింది. దీంతో చిరంజీవి టీం ఫోకస్ మళ్లీ ‘విశ్వంభర’ వైపు మళ్లాల్సిన సమయం వచ్చిందనే అభిప్రాయం వ్యక్తమవుతోంది.
మెగా అభిమానులు ఈ స్థాయిలో ఊపుమీద ఉన్న సమయంలోనే ‘విశ్వంభర’ నుంచి ఒక బలమైన అప్డేట్ రావాల్సిన అవసరం స్పష్టంగా కనిపిస్తోంది. గతంలో విమర్శలు ఎదుర్కొన్న విజువల్స్నే ఇప్పుడు ప్రధాన బలంగా మార్చి చూపించగలిగితేనే సినిమాకు తిరిగి హైప్ వచ్చే అవకాశముంది. చాలా కాలంగా విజువల్స్, వీఎఫ్ఎక్స్పై కష్టపడ్డ వశిష్ఠ టీం తాము చేసిన మార్పులను ఒక పవర్ఫుల్ గ్లింప్స్ ద్వారా చూపిస్తే, సినిమాపై నమ్మకం తిరిగి ఏర్పడుతుంది. అదే జరిగితే వేసవి రిలీజ్కు గ్రౌండ్ లెవెల్ హైప్ సెట్ అవుతుంది.
అంజి డైరెక్షన్లో నితిన్ కమ్బ్యాక్? అభిమానుల్లో కొత్త ఆశలు
వరస పరాజయాలతో హీరో నితిన్ ప్రస్తుతం కెరీర్లో అత్యంత క్లిష్టమైన దశను ఎదుర్కొంటున్నాడన్న మాట ఇండస్ట్రీ వర్గాల్లో బలంగా వినిపిస్తోంది. ఒకవైపు ఎన్నో ఆశలు పెట్టుకున్న తమ్ముడు ఆశించిన స్థాయిలో రాణించలేకపోవడం, మరోవైపు భారీ బడ్జెట్తో ప్లాన్ చేసిన ‘ఎల్లమ్మ’ ప్రాజెక్ట్ నుంచి నిర్మాత దిల్ రాజు వెనక్కి తగ్గి దేవిశ్రీ ప్రసాద్ను హీరోగా ఫిక్స్ చేయడం—ఇవన్నీ కలిపి నితిన్ అభిమానుల్లో ఒక మంచి సినిమా చేజారిపోయిందనే ఫీలింగ్ను పెంచేశాయి.
ఇదిలా ఉండగా, హ్యాట్రిక్ ఫ్లాపులతో ఇప్పటికే రిస్క్ జోన్లోకి వెళ్లిన నితిన్, విక్రమ్ కె కుమార్ దర్శకత్వంలో ‘స్వారీ’ అనే ప్రాజెక్ట్ చేయబోతున్నాడంటూ కొంతకాలం బలమైన ప్రచారం సాగింది. యువి క్రియేషన్స్ నిర్మాణంలో ఈ సినిమా ఉంటుందన్న వార్తలు కూడా వినిపించాయి. కానీ అనూహ్యంగా ఆ ప్రాజెక్ట్ కార్యరూపం దాల్చలేదు.
ఇక్కడితో ఆగలేదు. ప్రస్తుతం ఆనంద్ దేవరకొండతో సితార ఎంటర్టైన్మెంట్స్ నిర్మిస్తున్న ‘కల్ట్’ మూవీ మొదట నితిన్ దగ్గరకే వచ్చిందని ఇండస్ట్రీ టాక్. అయితే ఏమైందో తెలియదు కానీ దర్శకుడు ఆదిత్య హాసన్ చివరకు తన ఛాయిస్ మార్చుకున్నాడు. వరుసగా అవకాశాలు చేజారుతుండటంతో, ఒక్క పెద్ద హిట్ పడితే మళ్లీ ట్రాక్లోకి రావచ్చన్న ఆశతో నితిన్ ఫ్యాన్స్ ఎదురు చూస్తూ వచ్చారు.
ఆ నిరీక్షణకు ఇప్పుడు కొంత ఊరట లభించేలా ఉంది. 2024లో ‘ఆయ్’ సినిమాతో సర్ప్రైజ్ సూపర్ హిట్ అందుకున్న దర్శకుడు అంజి కె మణిపుత్రకు నితిన్ గ్రీన్ సిగ్నల్ ఇచ్చినట్లు ఇన్సైడ్ టాక్. అధికారిక ప్రకటన ఇంకా రాలేదు కానీ, ఈ సినిమాను నితిన్ స్వంత బ్యానర్ ‘శ్రేష్ట్ మూవీస్’లోనే నిర్మించేందుకు ప్లాన్ సిద్ధమైందని సమాచారం.
అన్నీ అనుకున్నట్టుగా జరిగితే త్వరలోనే అధికారిక అనౌన్స్మెంట్ వచ్చే అవకాశముంది. ఇదే సమయంలో ‘తెలుసు కదా’ ఫేమ్ నీరజ కోనతో ఒక సినిమా లాక్ చేసుకునే ఆలోచనలో కూడా నితిన్ ఉన్నాడు. అయితే ఆ ప్రాజెక్ట్ను లేట్ చేస్తాడా లేక షూటింగ్ క్రమాన్ని మార్చుతాడా అన్నది ఇంకా స్పష్టత రావాల్సి ఉంది.
ఒకప్పుడు ప్రామిసింగ్ మార్కెట్తో దూసుకెళ్లిన స్థాయి నుంచి ఇప్పుడు అవకాశాలు, కాంబినేషన్లు జాగ్రత్తగా ఎంచుకునే దశకు వచ్చిన నితిన్, అంజి లాంటి ట్రెండ్ సెన్స్ ఉన్న దర్శకుడితో చేయి కలపడం సరైన నిర్ణయమేనని ట్రేడ్ విశ్లేషకులు భావిస్తున్నారు. ఎందుకంటే తక్కువ బడ్జెట్లోనూ కంటెంట్ + ఎంటర్టైన్మెంట్ సరైన మిశ్రమం ఉంటే బ్లాక్బస్టర్లు సాధ్యమని గత ఏడాది సినిమాలు రుజువు చేశాయి. అదే కోవలో నితిన్ కూడా బలమైన కమ్బ్యాక్ ఇవ్వాలని అభిమానుల కోరిక.
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