In the film industry, the discovery of fresh talent often finds encouragement from visionary filmmakers who value originality and innovation. Renowned director Trivikram Srinivas stands out as one such mentor who consistently supports new-age storytelling.
After watching the trailer of Patang and closely reviewing its promotional content and core idea, Trivikram was thoroughly impressed by the film’s concept. He invited the team to meet him personally, lauded their efforts, and extended his heartfelt best wishes. Trivikram noted that Patang represents a first-of-its-kind attempt in South Indian cinema, with its narrative uniquely revolving around kite-flying competitions — a sport rarely explored on screen.
Expressing strong confidence in the project, Trivikram remarked, “I somehow feel this film will do well,” a statement that significantly boosted the morale of the young team and reaffirmed their belief in the film.
The delegation that met Trivikram included lead actors Vamsi Pujit and Pranav Kaushik, director Praneeth Prattipati, costume designer Meghana Seshavapuri, producer and Rishan Cinemas head Santap Maka, and VFX supervisor and executive producer Nikhil Koduru.
Presented by veteran producer D. Suresh Babu, Patang is being mounted as a prestigious collaboration between Cinematic Elements, Rishan Cinemas, and Monsoon Tales. The sports drama is produced by Vijay Shekhar Anne, Sampath Maka, Suresh Kothinti, and Nani Bandreddi. Adding further strength to the cast, acclaimed filmmaker-actor Gautham Vasudev Menon and popular singer-actor S.P. Charan will be seen in key roles, raising expectations for this unique and ambitious project.
Ram Gopal Varma Hails ‘Dhurandhar’ as a Gamechanger in Indian Cinema
Filmmaker Ram Gopal Varma has described the blockbuster “Dhurandhar” as a gamechanger that the Indian film industry cannot ignore. According to him, the film challenges the traditional “VFX-heavy, expensive sets, item song-filled, star-centric” formula and sets a new benchmark for filmmakers.
Taking to X (formerly Twitter), RGV wrote:
“Whenever a path-breaking and massive hit like #Dhurandhar comes along, industry insiders tend to ignore it because they feel threatened by their inability to match its standards. They think of it as a nightmare, which disappears only when they return to their own films.”
He added that this is particularly true for the so-called Pan-India biggies currently in production. Many of these projects were conceptualized based on older templates, which are the exact opposite of what Dhurandhar has achieved. RGV emphasized that the film has become one of the most-discussed films in the last 50 years, making it impossible to overlook.
Comparing the film to a “large, scary dog,” RGV said:
“Even if you try to ignore it, you can’t help noticing it. Every production office working on upcoming big films will feel its presence. They may avoid mentioning its name, but it keeps lingering in their minds.”
Unlike formulaic, star-driven masala films, Dhurandhar has earned acclaim for its storytelling and craftsmanship, rather than just its star power. RGV described it as a “horror film” for filmmakers still clinging to the old hero-worship template:
“With the film being celebrated instead of the star, makers stuck in masala traditions will feel crucified in their own creations. No matter how much they wish it away, the impact of #Dhurandhar will be felt whenever their next film releases.”
Varma concludes that Aditya Dhar Films has held up a mirror to the industry, compelling filmmakers to rethink their approach and measure their work against the high cinematic standards set by Dhurandhar.