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Ram Charan’s Peddi wraps crucial Delhi schedule near Rashtrapati Bhavan

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As the release date draws closer, the makers of Peddi, starring Ram Charan and Janhvi Kapoor, have stepped up the film’s production pace. Directed by Buchi Babu Sana, the film is scheduled to hit theatres on March 27, 2026, and is now in its final stages of shooting.

A key portion of the film was planned to be shot in Delhi, covering prominent locations such as Rashtrapati Bhavan and Agrasen ki Baoli. However, this schedule was pushed by a few months due to multiple factors. Reports suggest that the Delhi shoot spans four to five days and includes several crucial sequences. With the exception of the climax and a special song, the rest of the film has already been wrapped up.

Recently, Ram Charan and the team travelled to Delhi to complete this pending schedule. According to Delhi Times, the shoot, which was rescheduled to November following a bomb blast near the Red Fort, began on Saturday morning near Rashtrapati Bhavan. Heavy fog reportedly delayed filming by nearly three hours, but the team resumed shooting later in the day. By evening, the unit shifted to Agrasen ki Baoli to film additional scenes. The entire Delhi schedule is planned across four days.

Director Buchi Babu Sana has chosen real locations to enhance the film’s authenticity, aligning with Peddi’s raw and rustic village-based narrative. Shooting at Rashtrapati Bhavan was said to be particularly challenging, with the team waiting for months to secure permission. Their persistence eventually paid off, allowing them to film at the iconic site without compromising on their vision.

Following the completion of the Delhi schedule, the team will move on to film the climax sequence, after which a special song will be shot, marking the end of the film’s production. While there have been rumours about Kajal Aggarwal featuring in the special song, no official confirmation has been made so far.

Peddi is produced by Venkata Satish Kilaru under Vriddhi Cinemas, in association with Mythri Movie Makers and Sukumar Writings. The film’s music is composed by AR Rahman, adding further buzz to this highly anticipated Ram Charan project.

Mankatha Re-Release: Can Ajith Match Vijay’s Record?

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The re-release trend, which began in Tollywood and turned theatres into celebration zones for fans, is now steadily making its way into Kollywood. Telugu audiences earlier flocked to cinemas to relive iconic films—from Mahesh Babu blockbusters to popular dubbed classics—and the same nostalgia-driven phenomenon is now being embraced by Tamil cinema lovers.

After the successful re-release of Padayappa to mark Superstar Rajinikanth’s birthday, Ajith Kumar’s fans are gearing up for a grand re-release of Mankatha. Widely regarded as one of the finest films of Ajith’s career, Mankatha played a crucial role in cementing his position at the top of the commercial ladder, thanks to its stylish treatment and the actor’s iconic portrayal.

However, the big question remains whether Mankatha can challenge Thalapathy Vijay’s all-time re-release record. Vijay currently holds the top spot, with his film’s re-release minting close to ₹30 crore—a benchmark that even Rajinikanth’s Padayappa could not surpass. While breaking that record appears unlikely, expectations are still high among Ajith’s fanbase.

Despite the stiff competition, enthusiasm around Mankatha’s return is palpable. The film is scheduled for a grand theatrical re-release next month, promising packed theatres, fan shows, and a full-blown celebration of one of Ajith’s most iconic outings.

World of Parashakthi: Sivakarthikeyan’s Film Takes Fans on a Time-Travel Ride

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Sivakarthikeyan is currently busy promoting his upcoming film Parashakthi, and the makers have adopted a refreshing and unconventional strategy to build buzz around the project. Moving away from routine promotional events, the team has unveiled a grand exhibition titled World of Parashakthi at Valluvar Kottam in Chennai, offering audiences an immersive time-travel experience.

Designed to transport visitors back to the 1960s, the exhibition showcases several period sets and props created for the film. Many of these have been recreated or rescaled as installations, allowing fans to closely experience the film’s visual world even before its release. Key highlights include a vintage radio station setup, a classic car, a steam locomotive, and other meticulously crafted elements that reflect the era portrayed in the film.

Adding further excitement, the team also released a special behind-the-scenes video at the venue, detailing the creative process behind the looks and costumes of the lead characters. The video offers insight into the effort and research that went into designing the film’s multiple period-specific appearances.

With this innovative approach, the makers aim to engage mainstream audiences in a more meaningful way rather than relying on conventional promotions often perceived as repetitive. If successful, Parashakthi’s promotional model could inspire more filmmakers to explore experiential marketing strategies.

The World of Parashakthi exhibition is open to the public until December 21.

Avatar 3 Gets Mixed Response, Cameron Unsure About Part 4

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James Cameron’s ambitious tentpole franchise Avatar has returned to theatres with its third installment, Avatar: Fire and Ash, which released worldwide this Friday. While the first two films emerged as historic box office juggernauts, the latest chapter has opened to mixed reactions from audiences and critics, with its final box office fate expected to become clearer in the coming days.

In Fire and Ash, Cameron expands the world of Pandora further by introducing the Mangkwan, a brutal and aggressive clan that inhabits the volcanic regions of the planet. The new faction adds a darker and more violent layer to the narrative, moving away from the aquatic setting explored in Avatar: The Way of Water.

James Cameron has long maintained that the Avatar saga is designed as a five-film series. The fourth installment is already partially filmed, and production is expected to resume now that the third film has reached theatres—three years after the release of the second part.

However, Cameron himself appears unsure about when Avatar 4 will be ready for release. When asked about its timeline in a recent interview with a leading Hollywood publication, the filmmaker responded with a sarcastic metaphor:

“I’m gonna pose a metaphor to you: when a woman is in labour, she’s just crowning, would you ask her about her next child? Okay, I just delivered this thing.”

The comment has since gone viral on social media, reflecting both the massive anticipation surrounding the franchise and the pressure Cameron faces to sustain momentum. Despite the mixed word-of-mouth for Fire and Ash, industry observers believe that strong worldwide collections are still possible, driven by audiences who continue to admire the franchise’s visual spectacle and technical innovation.

That said, planning a five-film saga remains a significant creative and commercial risk, even for a filmmaker of Cameron’s stature. Concerns are growing among sections of the audience about franchise fatigue, with repeated themes, settings, and narrative structures potentially reducing excitement rather than building it. The fact that major portions of future sequels have already been filmed has only intensified these debates.

Looking ahead, Cameron faces two major choices: reinvent the franchise by exploring an entirely new world or narrative direction, or potentially conclude the saga earlier than planned and move on to other projects. While it is too early to judge the long-term future of Avatar, the reception to Fire and Ash may prove crucial in determining the path forward for one of cinema’s most ambitious franchises.

Anil Ravipudi’s Biggest Sankranti Challenge Yet With Chiranjeevi’s MSVPG

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Anil Ravipudi has firmly established himself as one of Tollywood’s most prolific Sankranti directors in recent years. Delivering back-to-back festival blockbusters with F2, Sarileru Neekevvaru and Sankranti Ki Vastunnam, Ravipudi proved his mettle by consistently presenting crowd-pleasing entertainers despite stiff competition. All three films emerged as unanimous hits, reinforcing his reputation as a director who understands the festive pulse of the audience.

This Sankranti, Ravipudi is gearing up to continue his winning streak with Megastar Chiranjeevi’s Mana Shankar Vara Prasad Garu (MSVPG). Marketed as a full-fledged entertainer in the director’s trademark style, the film carries high expectations among fans and trade circles alike. However, the road ahead looks far more challenging than in previous years.

The competition this time is intense and multi-layered. Prabhas’ The Raja Saab is expected to be a major box-office force, while Thalapathy Vijay’s farewell film Jana Nayagan adds further pressure as a high-profile release. Both films are scheduled to arrive in theatres three days ahead of MSVPG, which could significantly impact opening-weekend dynamics.

The festive lineup also includes strong mid-budget contenders such as Ravi Teja’s Bhartha Mahasayalaku Wignyapthi and Naveen Polishetty’s Ananaganaga Oka Raju. With teasers receiving positive responses and content-driven buzz building steadily, these films have already struck a chord with audiences. Sharwanand’s family drama Nari Nari Naduma Murari is another release expected to attract viewers, thanks to its relatable genre and emotional appeal.

Interestingly, despite the crowded Sankranti race, Anil Ravipudi is yet to fully roll out his trademark aggressive promotional campaign. Unlike previous festival seasons, rival films are expected to go all out with marketing, making the competition even tougher.

With just about 20 days left for Tollywood’s biggest box-office festival, the onus is now on Ravipudi to step up promotions for MSVPG. So far, only two songs and a title teaser have been unveiled. To convert expectations into box-office success and secure yet another Sankranti hit, a strong promotional blitz in the coming days will be crucial.

Loss ఐంది కానీ Happy అనిపించింది | మా వారు తీర్చిన మరో కోరిక | web series Direction |Sushma Kiron

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Loss ఐంది కానీ Happy అనిపించింది | మా వారు తీర్చిన మరో కోరిక | web series Direction |Sushma Kiron

వైఎస్ జగన్ జన్మదిన వేడుకలు LIVE: YS Jagan Birthday Celebrations at Tadepalle

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వైఎస్ జగన్ జన్మదిన వేడుకలు LIVE: YS Jagan Birthday Celebrations at Tadepalle

Telangana : కేసీఆర్ అధ్యక్షతన మరో ఉద్యమానికి సిద్ధమవుతున్న BRS..! | BRSLP Meeting

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Telangana : కేసీఆర్ అధ్యక్షతన మరో ఉద్యమానికి సిద్ధమవుతున్న BRS..! | BRSLP Meeting

Manair River: మానేరు నదిపై వరుసగా కూలిపోతున్న చెక్ డ్యామ్‌లు

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Manair River: మానేరు నదిపై వరుసగా కూలిపోతున్న చెక్ డ్యామ్‌లు

Pawan Kalyan Straight Warning to YSRCP | Pitapuram Students Caste Controversy

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Pawan Kalyan Straight Warning to YSRCP | Pitapuram Students Caste Controversy

Video : Newly Married Couple Fight Before Train Incident in Yadadri

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Video : Newly Married Couple Fight Before Train Incident in Yadadri

Nora Fatehi Injured in Mumbai Accident, Makes Sunburn 2025 Appearance

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Nora Fatehi, the acclaimed dancer and actor, was involved in a minor accident in Mumbai while en route to the Sunburn Festival 2025. Reports indicate that a drunk driver collided with her car during her journey to the venue.

Her team immediately rushed her to the nearest hospital, where doctors conducted a CT scan to rule out any internal injuries or haemorrhagic complications. Following a thorough check-up, medical professionals confirmed that Nora Fatehi had sustained a slight concussion from the impact.

Despite medical advice to take rest, Nora showed remarkable determination and made her scheduled appearance at Sunburn 2025 later that evening.

On the professional front, Nora Fatehi is gearing up for her upcoming film “Jailer 2”, starring Superstar Rajinikanth, which has already generated significant excitement among fans.

Super Prime Time : ఉస్మాన్ హాది హ**త్యతో మరో సంక్షోభంలో బంగ్లాదేశ్

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Super Prime Time : ఉస్మాన్ హాది హ**త్యతో మరో సంక్షోభంలో బంగ్లాదేశ్

Super Prime Time : ట్రంప్ ని వెంటాడుతున్న ఎప్ స్టీన్ ఫైల్స్ | Epstein files

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Super Prime Time : ట్రంప్ ని వెంటాడుతున్న ఎప్ స్టీన్ ఫైల్స్ | Epstein files

Why Prabhas Prefers Private Jets Over Commercial Flights

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It is no secret that Prabhas is among the highest-paid actors in Indian cinema and enjoys an exceptionally lavish lifestyle. His travel preferences, especially his frequent use of private jets, often become a topic of discussion among fans and industry circles. While it is common knowledge that film stars—from Bollywood to Tollywood—lead luxurious lives, Prabhas’ approach stands out for more than just its grandeur.

Several leading actors such as Chiranjeevi, Nagarjuna, Allu Arjun, and Nayanthara are known to own private jets, yet they occasionally opt for commercial flights. Prabhas, however, largely avoids commercial airlines, and there are specific reasons behind this conscious choice.

One of the primary reasons is his strong sense of self-reliance. Prabhas prefers not to depend on others for his personal needs and willingly bears travel expenses when the journey is personal. When travel is related to film schedules, he considers it the producer’s responsibility, but those close to him reveal that he never insists on unnecessary expenditure. This professional integrity and respect for producers have earned him immense goodwill within the industry.

Another crucial factor is the need for maintaining secrecy around his on-screen looks. Prabhas is currently involved in multiple high-profile projects such as Spirit, The Raja Saab, Salaar 2, and Kalki 2, each demanding a distinctly different appearance. Filmmakers are keen to prevent these looks from being revealed prematurely. In the past, images of Prabhas taken at public places went viral, leading to unwanted attention and trolling. To avoid such situations and protect the creative process, private travel has become his preferred option.

Despite his superstar status, Prabhas’ lifestyle is often described as refreshingly different. He is widely known for his generosity, simplicity, and deep bond with his friends and team. Many believe that he truly lives like a king—not just because of his wealth, but because of his values. Fittingly, the name Prabhas itself signifies royalty, a trait he continues to embody both on and off screen.

Sivakarthikeyan Safe After Minor Car Accident in Chennai

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Star actor Sivakarthikeyan met with a minor car accident in Chennai on Saturday. The incident occurred near Madhya Kailash, where the actor’s vehicle was reportedly involved in a low-impact collision.

According to initial reports, Sivakarthikeyan escaped with minor injuries and is currently safe. Visuals from the accident site have surfaced online, showing the actor standing outside his car, dressed in a black T-shirt, while the situation was being assessed.

Sources have confirmed that there is no cause for major concern, though further details regarding the circumstances of the accident are awaited.

On the professional front, Sivakarthikeyan is presently busy with “Parashakthi”, an upcoming project directed by Sudha Kongara, which has already generated strong buzz among fans and industry circles.

9 PM | ETV Telugu News | 20th December “2025

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9 PM | ETV Telugu News | 20th December “2025

Amarajeevi Jaladhara: Pawan Kalyan’s Push Brings Safe Drinking Water to Godavari Districts

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For decades, access to safe drinking water has remained a major concern for the people of East and West Godavari districts. Ironically, despite being home to the Godavari—one of India’s largest rivers—several villages continued to depend on unsafe groundwater sources and tanker supplies, exposing residents to serious health risks.

This long-pending issue is now set to be addressed through the Amarajeevi Jaladhara Drinking Water Mission, a flagship initiative envisioned and driven by Andhra Pradesh Deputy Chief Minister and Pithapuram MLA Pawan Kalyan. The project was a key promise he made to the people during the election campaign, and it now stands as a reflection of his governance priorities.

While the project involves massive infrastructure development, its significance goes beyond construction alone. For nearly five years, central government funds earmarked for drinking water projects remained largely unutilized during the previous YSRCP government led by Jagan Mohan Reddy. With deadlines repeatedly missed, there was even a risk that the Centre would withdraw the sanctioned funds altogether.

Following the formation of the new NDA government in the state, Pawan Kalyan moved swiftly. Recognizing the urgency of the situation, he personally took up the matter with the Centre and sought an extension for the pending funds. His efforts paid off. Not only was the extension granted, but thousands of crores were cleared, enabling the project to move forward without further delay. Remarkably, the groundwork and execution were completed within a year of the new government assuming office.

The Amarajeevi Jaladhara Drinking Water Mission aims to supply clean, piped drinking water to lakhs of households across East and West Godavari districts. The initiative is expected to significantly reduce waterborne diseases, lower medical expenses, and ease the daily burden on women, who often spend hours fetching water for their families.

More importantly, the project highlights Pawan Kalyan’s governance approach—identifying long-neglected public issues, acting decisively, and ensuring that allocated public funds translate into real benefits on the ground. A similar approach was evident in his earlier initiatives, including the 100-day action plan focused on repairing roads and improving infrastructure in tribal areas.

For these reasons, many believe that the Amarajeevi Jaladhara Drinking Water Mission stands as a defining achievement of Pawan Kalyan’s leadership, earning him full credit for turning a long-standing promise into a tangible reality.

Age Gap Debate: Ashika Ranganath Says Role Matters More Than Co-Star’s Age

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The age gap between actors and actresses has emerged as one of the most debated topics among film audiences in recent times. In the early decades of cinema, especially during the early 20th century, significant age differences between leading men and women were widely accepted. Actresses were often much younger than their male counterparts, and such casting choices rarely faced criticism due to the social norms and cinematic conventions of that era.

However, audience sensibilities have evolved over time. With changing mindsets and greater awareness, large age gaps in on-screen pairings—particularly involving senior stars and much younger actresses—have begun to draw criticism from certain sections of viewers, who find such combinations unrelatable or visually unappealing. Within the film industry itself, opinions remain divided. While some artistes view casting purely as a professional decision driven by storytelling, others have openly expressed discomfort with pronounced age differences.

Kannada actress Ashika Ranganath, who is steadily making her mark in Telugu cinema, recently addressed this issue. Ashika has shared screen space with senior stars like Kalyan Ram, Nagarjuna, Chiranjeevi, and Ravi Teja—actors significantly older than her. Her upcoming Telugu film Bhartha Mahasayulaku Wignyapthi, which stars Ravi Teja, brought the topic back into discussion during a press meet held on Saturday.

Responding to a question on age-gap criticism, Ashika shared her perspective, stating that she approaches her work purely from an actor’s point of view. She emphasized her focus on versatility rather than the age of her co-stars. According to her, while she portrayed a young and modern character in Bhartha Mahasayulaku Wignyapthi, her role in Naa Saami Ranga alongside Nagarjuna demanded a more mature portrayal. Ashika stressed that her primary concern is how well a character fits her and how effectively she can contribute to the story, irrespective of whether the film stars a young or senior hero.

Actress Dimple Hayathi, who was also present at the event, echoed similar sentiments. She stated that age differences do not influence her choices, adding that working with experienced actors offers valuable learning opportunities. Such views are not new in the industry. Several actresses have previously expressed comparable opinions, emphasizing performance and storytelling over age considerations. More recently, actor Karthi, who was paired with Kriti Shetty in Vaa Vaathiyaar, also remarked that he prioritizes characters and narrative depth rather than age while selecting his roles.

Radhika Apte’s Remarks Spark Fresh Controversy in South Cinema

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Talented actress Radhika Apte, who often finds herself in the headlines more for her outspoken and controversial remarks than her acting prowess, has once again stirred debate—this time targeting her experience in a South Indian film.

While promoting her upcoming film “Saali Mohabbat”, Radhika participated in an informal chat alongside her co-star, during which she made some striking comments. Although she acknowledged that South cinema is currently producing strong and meaningful content, she also shared an unpleasant experience from a film she worked on with a relatively small crew.

Radhika said she felt uncomfortable and intimidated on set due to the absence of women in the crew. She pointed out that the production house provided an all-male technical team, which left her shocked. According to her, the situation worsened when the team allegedly insisted that she wear extra padding around her hips and chest to enhance her appearance on screen.

Expressing her frustration, Radhika remarked that she was irritated by the demand and questioned how much “roundness” was expected of her. She added that she strongly objected to the suggestion and made it clear that she would not agree to wearing any padding.

These comments did not go down well with sections of South Indian cinema audiences and fans. Many felt that Radhika unfairly generalized and mocked the industry, accusing her of making such remarks strategically ahead of her film releases to stay in the limelight. Some also countered her statements by pointing out that cosmetic enhancements are far more common and openly discussed in Bollywood.

As expected, her remarks have once again ignited a debate on gender sensitivity, body image, and double standards across film industries.

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