
Renu Desai has returned to the big screen after a long hiatus, officially launching her new film Padaharu Rojula Pandaga. The project began with a traditional pooja ceremony, where she was spotted interacting warmly with renowned choreographer Jani Master. Their light-hearted exchange has now become a major highlight on social media.
Jani Master, who has previously collaborated with Renu’s ex-husband Powerstar Pawan Kalyan on films such as Kushi, Gudumba Shankar, and Panjaa, greeted Renu by playfully calling her “Vadina.” Responding with a charming mix of seriousness and humor, Renu said, “How many times should I tell you? Don’t call me Vadina, call me Akka.” The moment drew smiles from everyone present, including actress Anasuya Bharadwaj, whom Jani Master greeted immediately after.
The viral clip has added extra buzz to the film’s launch. Padaharu Rojula Pandaga features Sai Krishna Dammalapati and Udyan in the lead roles, directed by Sai Kiran Adivi. The cast also includes Anasuya Bharadwaj, Vennela Kishore, Krishnadu, Vishnu, and others. The film is being produced by Suresh Kumar Devata, Haritha Duddukur, and Pratibha under the Prada Pictures and Sai Cine Banner.
Meanwhile, Jani Master is enjoying professional success as his latest choreography, the chart-topping song Chikiri Chikiri from Peddi, has surpassed 100 million views across languages within just two weeks.




























Raashi Khanna Responds to ‘Commercial Cinema’ Debate
Actress Raashi Khanna has sparked discussion with her recent remarks on the balance between commercial and content-driven cinema. After facing a series of setbacks in Telugu, including her latest release Telusu Kada, the actress opened up in an interview about why she is gravitating more toward Hindi projects and what influences her choice of roles.
Raashi explained that she has acted in numerous commercial films in the South and now seeks strong, story-focused scripts in Hindi. While she clarified that she does enjoy commercial cinema, her comfort level plays a crucial role in selecting projects. “I like commercial films, but only up to a point. I need to feel comfortable with the role. If something crosses my personal limits or makes me feel odd, I’ll say no. Everyone has a comfort zone, so don’t judge anyone,” she said.
Her comments quickly gained traction on social media, leading to varied interpretations. Observers pointed out the irony that Tollywood has delivered some of India’s most acclaimed story-driven blockbusters—such as RRR and Baahubali—yet the criticism of “too commercial” often resurfaces whenever a film underperforms.
Raashi’s recent Hindi outing, 120 Bahadur, a serious war drama, also failed to make an impact at the box office. She now awaits the release of Ustad Bhagat Singh in Telugu. Whether this film marks a turning point in her career or adds to her string of disappointments remains to be seen.