
Hero Nikhil’s highly ambitious project, Swayambhu, has completed shooting and is set for a grand release on February 13th, coinciding with the auspicious occasion of Maha Shivaratri. The recently unveiled poster and the making-of video, Rise of Swayambhu, have offered audiences a glimpse into the immense effort and dedication of the cast and crew, instantly generating excitement among cinegoers.
The film has already created a strong buzz, with its overseas rights sold to Phars Films for a record-breaking ₹7 crore—the highest-ever overseas deal for Nikhil. Films of such scale traditionally perform exceptionally well in international markets, and Swayambhu is expected to continue this trend, highlighting Nikhil’s growing global appeal.
Starring Samyuktha and Nabha Natesh as the leading ladies, the film is directed by Bharat Krishnamachari and produced by Bhuvan and Sreekar of Pixel Studios, with Tagore Madhu presenting. Crafted with a high budget and top-notch technical finesse, Swayambhu promises to be a cinematic spectacle that reflects the grandeur and ambition of its makers.






























Raashi Khanna Responds to ‘Commercial Cinema’ Debate
Actress Raashi Khanna has sparked discussion with her recent remarks on the balance between commercial and content-driven cinema. After facing a series of setbacks in Telugu, including her latest release Telusu Kada, the actress opened up in an interview about why she is gravitating more toward Hindi projects and what influences her choice of roles.
Raashi explained that she has acted in numerous commercial films in the South and now seeks strong, story-focused scripts in Hindi. While she clarified that she does enjoy commercial cinema, her comfort level plays a crucial role in selecting projects. “I like commercial films, but only up to a point. I need to feel comfortable with the role. If something crosses my personal limits or makes me feel odd, I’ll say no. Everyone has a comfort zone, so don’t judge anyone,” she said.
Her comments quickly gained traction on social media, leading to varied interpretations. Observers pointed out the irony that Tollywood has delivered some of India’s most acclaimed story-driven blockbusters—such as RRR and Baahubali—yet the criticism of “too commercial” often resurfaces whenever a film underperforms.
Raashi’s recent Hindi outing, 120 Bahadur, a serious war drama, also failed to make an impact at the box office. She now awaits the release of Ustad Bhagat Singh in Telugu. Whether this film marks a turning point in her career or adds to her string of disappointments remains to be seen.