There was a time when Allari Naresh stood as one of the most reliable entertainers in Telugu cinema. After Rajendra Prasad’s iconic comedy era began to slow down, it was Naresh who revived the genre with his effortless timing and light-hearted charm. For nearly a decade, his films guaranteed quick laughs and clean entertainment. Movies like Allari, Thotti Gang, Kithakithalu, Bend Apparao RMP, and Sudigadu cemented a comedy space that only he could command.
However, the formula eventually began to wear thin. Sudigadu pushed spoof comedy to its peak, and the films that followed failed to recreate the same magic. Audience tastes shifted, the television comedy boom offered easier alternatives, and Naresh’s brand of humor started to lose steam. Gradually, the craze dipped, forcing him to rethink his path.
His comeback attempt with serious roles brought a fresh spark. Maharshi earned appreciation, but it was Naandi that truly repositioned him as a performer capable of depth and intensity. Many believed this was the beginning of a strong second innings. But the momentum didn’t last. Films like Itlu Maredumilli Prajaneekam, Ugram, Aa Okkati Adakku, and Bachhala Malli either received lukewarm responses or outright failed at the box office. Even his decent supporting act in Naa Saamiranga couldn’t shift his trajectory as a solo lead.
His latest film, 12 A Railway Colony, carried hopes of tapping into the thriller audience. While Naresh delivered an adequate performance, the film opened poorly and collapsed within the first weekend due to weak word of mouth. With another flop added to the stretch, Naresh is now in a challenging and uncertain phase.
Neither comedy nor serious dramas are consistently working for him. His market value has noticeably dipped, and opportunities may shrink further if he doesn’t land the right script soon. At this juncture, only a sharp reinvention or a strongly written character role can offer Naresh the stability and revival his career urgently needs.
Rajamouli’s Varanasi Outburst Sparks Big Debate
Today, it’s mostly the filmmaker grabbing attention with outrageous statements while churning out one B-grade film after another.
If there’s one thing RGV still masters, it’s publicity. He knows precisely how to stir controversy right before a release, ensuring free spotlight for his “assembly-line” projects.
SS Rajamouli, however, is a filmmaker of a different league. His movies naturally create massive hype — and, more importantly, they deliver on that hype every single time.
Which is why his recent outburst at the Varanasi event shocked everyone.
After a technical glitch disrupted the program, Rajamouli openly expressed frustration and even invoked “Lord Hanuman,” despite the issue clearly being caused by the sound team.
The reaction was instant and fierce: FIRs were lodged, debates flared up, and social media went into a meltdown.
But here’s the surprising twist — almost overnight, the entire country, and even audiences abroad, started talking about Varanasi.
This has sparked a new round of speculation:
Was Rajamouli intentionally creating noise, the way RGV often does?
If true, it would be completely out of character. Rajamouli’s promotions have always been detailed, disciplined, and strategically crafted — from Baahubali to RRR.
He has never resorted to low-effort gimmicks or manufactured controversies like RGV.