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Peddi Shoot Moves Ahead Without Delays
Mega Power Star Ram Charan’s Peddi is progressing swiftly with its shoot. Directed by Buchi Babu Sana, the film is set to begin a fresh schedule tomorrow in Hyderabad. As part of this leg, the team will also head to Delhi to film a few crucial sequences. This schedule will run until the end of January.
There is absolutely no delay in the production. Post-production is happening in parallel, and with the completion of this schedule, the entire talkie portion will be wrapped up. So, the rumours about a postponement are completely baseless. Peddi is firmly locked for its release on March 27, 2026, coinciding with Ram Charan’s birthday.
Produced by Venkata Satish Kilaru under Vriddhi Cinemas, with Mythri Movie Makers and Sukumar Writings presenting it, the film features Janhvi Kapoor as the female lead and Kannada star Shiva Rajkumar in a key role.
The music is composed by Oscar-winner A.R. Rahman, and the first single “Chikiri Chikiri” is already topping the charts, adding to the buzz around the film.
Akhanda 2 Review: Grand Vision, Weak Execution
After clearing financial hurdles and legal delays, Akhanda 2: Thaandavam finally arrives as the final major release of 2025. The hype surrounding the sequel has been massive since its announcement, but the film struggles to carry the weight of expectations placed on it.
Story
The narrative picks up in the aftermath of the Galwan clash. A Chinese general (Sangay Tsheltrim), enraged by his son’s death, teams up with a strategist (Saswata Chatterjee) to weaken India from within. Their dangerous plan involves poisoning the Ganga during the Kumbh Mela, triggering national panic and a crisis of faith.
At the same time, Janani (Harshaali Malhotra), a gifted DRDO scientist, develops a life-saving vaccine. While she is transported to Ladakh for mass production, the Chinese forces target her mission. With danger looming over the nation, Akhanda (Nandamuri Balakrishna) returns in an older, more intense avatar to protect Janani and reestablish Sanatana Dharma.
Performances
Balakrishna appears in three shades — Balamurali Krishna, a young Aghora, and an aged Aghora. Despite his signature ferocity in select action and dialogue scenes, the overall performance doesn’t match the impact of the first film. The freshness and mystique of the original Aghora characterization are noticeably missing.
Aadhi Pinishetty and Sangay Tsheltrim make little impression because of poorly developed antagonist roles. Samyuktha’s character feels redundant, and her romantic track with Balakrishna is awkwardly conceived. The pleasant surprise is Harshaali Malhotra, who delivers a confident Telugu debut.
Technical Aspects
Thaman’s work disappoints on both the musical and background score fronts. None of the songs stand out, including the “Jajikaya” track, and the BGM feels noisy rather than impactful.
Visually, the film scores high with rich frames and large-scale cinematography. However, the subpar VFX and uneven editing dilute several key moments. Dialogues follow the familiar Boyapati–Balayya formula, with Sanatana Dharma lines being the highlight.
Strengths
- Well-executed pre-interval sequence
- One strong Sanatana Dharma dialogue block
Weaknesses
- Weak first half with minimal momentum
- Flat storyline and predictable screenplay
- Forced mix of patriotism and devotion
- Underwhelming villains
- Uninspiring music
Analysis
Boyapati and Balakrishna’s earlier collaborations worked because their formula — powerful villains, emotional flashbacks, dual roles, and high-voltage action — struck the right balance. Akhanda 2 tries to amplify this formula by weaving in Chinese aggression, bioterrorism, Hindu mythology, divine interventions, and emotional subplots. But instead of creating an epic canvas, it ends up feeling cluttered and directionless.
The film also borrows heavily from recent devotional blockbusters like Hanu-Man and Mahavatar Narasimha, featuring animated deities, mythological battles, and divine cameos. These moments feel forced rather than organic.
Balakrishna’s limited presence in the first half weakens the build-up. In an attempt to recreate the mass euphoria of Akhanda, Boyapati inserts the original “Jai Balayya” song and even adds a shirt-drop moment, but these feel like patchwork rather than purposeful choices.
The second half is filled with action blocks, yet logic is thrown out entirely — from a trishool blocking bullets to the Chinese army trying to blow up Kailasa Parvata. Emotional beats lack depth, and the villains never pose a real threat. Even the divine interventions fail to evoke awe due to exaggerated staging.
Thankfully, the film ends without teasing another sequel.
Bottom Line
Akhanda 2 is an ambitious but uneven sequel weighed down by weak writing, loud execution, and a lack of emotional core. Despite its scale and a few good moments, it ultimately lands as a disappointing follow-up.
Ananya Panday Opts Out of Choomantar
Ananya Panday, who is steadily rising in her career, has surprised everyone by stepping away from Maddock Films’ upcoming fantasy-romance drama Choomantar. The actress reportedly opted out due to scheduling conflicts. Though the film is set to begin production next month, Ananya is prioritizing the shoot of the second season of her hit web series Call Me Bae. She was initially keen on working with the makers of Munjya and Stree 2, but the dates simply didn’t align.
Interestingly, Sreeleela is now in talks to replace her.
While Sreeleela hasn’t been getting major offers in Telugu—her last release Mass Jathara also failed at the box office—Bollywood seems to be welcoming her with open arms. Even before the release of her Hindi debut with Anurag Basu and Kartik Aaryan, she has already become a sought-after name in Bollywood circles. She is also being considered for a dance number in another Hindi film and is in discussions with multiple filmmakers.
In between these developments, Choomantar could turn out to be a strong opportunity for Sreeleela. If she lands the role, it could give her a significant boost as she builds her space in Hindi cinema.
Priyanka’s Effortless Look on Kapil Sharma Show S4
Priyanka Chopra was spotted shooting for the very first episode of The Great Indian Kapil Sharma Show Season 4, and fans are already buzzing—could Superstar Mahesh Babu and SS Rajamouli make a surprise appearance to promote their film Varanasi? Too early to tell. So for now, let’s just focus on Priyanka’s look.
She appears quietly stunning, almost as if she got ready in a calm, effortless mood. The floral outfit rests on her with a soft ease, while the strapless top adds a hint of boldness without leaning into flashiness. The long, loose drape brings in a touch of old-school elegance that’s rare these days. Her hair has that slightly lived-in bounce, and the makeup stays light—just enough, nothing loud. She carries a steady, composed vibe… the kind that draws attention naturally without trying.
For Varanasi, Priyanka earlier joined Mahesh Babu and Prithviraj Sukumaran at the big Hyderabad launch event held at Ramoji Studios. She followed it up with a series of international interviews. Promotions kicked off unusually early—nearly a year before the film’s release—and fans online have been noting how genuinely excited she seems to be about returning to a large-scale Indian film.
Samantha Sparks Viral Talk on Fertility and Motherhood Choices
Samantha Ruth Prabhu, 38, who didn’t have children from her first marriage to Akkineni Naga Chaitanya, recently tied the knot with director Raj Nidimoru. Since then, social media has been abuzz—some speculate she should start thinking about kids as she nears 40, while others hint she might already be pregnant. The truth remains private, but her recent conversation on fertility has gone viral.
In a discussion with obstetrician Dr. Nozer Sheriar, Samantha addressed a question many women face: is fertility really about age, or just societal pressure? They explored myths, science, and the freedom to make motherhood choices without guilt. Sharing a clip online, Samantha captioned it: “Fertility often feels scary, confusing, and overwhelming. But it really doesn’t have to be.” She asked candidly, “For women who want to conceive, is fertility really tied to age?”—a question that resonated widely.
Dr. Sheriar’s response was practical: age matters, but it’s not a ticking countdown. “Have babies when you want, not when you feel forced. Science, society, and support are there to help,” he said. He also emphasized that fertility isn’t solely a woman’s responsibility—factors like stress, lifestyle, and environment affect sperm counts too. The chat highlighted that family planning is personal, and taking time is okay.
Recently, Upasana Konidela spoke on a similar topic, calling egg freezing the “biggest insurance” for women. She said it allows women to prioritize careers and choose when to become mothers. Critics pointed to cost and medical risks, but Upasana shared her own story of freezing eggs at 29 and having children later, emphasizing empowerment and options over pressure.
Mahesh Babu Launches South India’s First Dolby Cinema at AMB Cinemas Kapali, Bengaluru
Mahesh Babu ventured into the multiplex business in 2019 through a partnership with Asian Cinemas. Their first project, AMB Cinemas in Hyderabad, has enjoyed strong performance for over six years. Building on this success, the brand is now expanding to Bengaluru with a new outlet at the historic Kapali Theatre premises.
The Bengaluru property, officially named AMB Cinemas Kapali, is set for a grand opening on December 16, with Mahesh Babu expected to attend. This launch is particularly notable for introducing South India’s first Dolby Cinema. Until now, India had only one Dolby Vision screen in Pune. The AMB Kapali installation becomes the second Dolby Cinema in the country and the first in South India.
Dolby Cinema is a premium large-format theater concept that combines Dolby Vision and Dolby Atmos with specialized auditorium design, positioned as a competitor to IMAX and other high-end formats. AMB Kapali will house nine advanced screens, including a 60-foot-wide Dolby Cinema screen, the second-largest in India.
Earlier this year, Dolby Laboratories announced plans to roll out six Dolby Cinema screens across India. Following Pune’s City Pride and now AMB Cinemas Bengaluru, upcoming locations include Allu Cineplex in Hyderabad, LA Cinema in Trichy, EVM Cinemas in Kochi, and G Cineplex in Ulikkal.
Meanwhile, Mahesh Babu and Asian Cinemas recently announced AMB Classic, their second multiplex in Hyderabad, a seven-screen property at RTC X Roads.
Darshan’s The Devil Opens Strong Amid Review Ban
Darshan’s latest film The Devil released on Thursday across Karnataka and opened to massive crowds. Early morning shows registered strong occupancy, with several theatres reporting houseful status. Despite increased ticket prices, fans turned up in large numbers, proving that Darshan’s stardom remains intact even amid ongoing controversies.
However, there is a major twist: no one is allowed to post ratings or reviews for The Devil. Following an appeal from the makers, the team secured a court order restricting all online reviews, ratings, and comments. As a result, platforms like BookMyShow have disabled the rating feature for this film. The makers reportedly want to prevent negative or misleading comments during the crucial opening days.
With formal reviews blocked, early audience reactions on social media are the only indicators of public response. Initial word-of-mouth appears mixed—while some viewers are impressed by Darshan’s dual-role performance, others feel the film doesn’t fully deliver its promise.
Bengaluru multiplexes have added a significant number of shows on day one, many of which are running full. Theatres across the state are buzzing with cutouts, posters, and enthusiastic fan celebrations, showcasing Darshan’s massive support base.
Meanwhile, Darshan remains in Parappana Agrahara Central Prison. He was arrested in the Renukaswamy murder case, accused of involvement in the abduction and assault that led to the victim’s death. Though he briefly received medical bail for back pain, he later returned to custody and continues to remain in jail as the investigation progresses.
With Darshan unable to participate in promotions, The Devil is releasing solely on the strength of fan support. For his followers, watching the film has become their only way to see him on screen during this period.
Akhanda Dialogues Mania
With the buzz around Akhanda 2 growing stronger, fans of Nandamuri Balakrishna are celebrating the hype by revisiting the most iconic and electrifying dialogues from the original film Akhanda. The Boyapati Srinu–Balakrishna combination created a massive wave at the box office, and the powerful dialogues played a crucial role in elevating Balayya’s intense Aghora character to cult status.
Some of the most loved lines that still echo among fans include: “Kaaluduvve Nandi mundu rangu maarchina Pandi,” “Edutivaditho matladetappudu ela matladalo nerchuko,” “Seenu gaaru mee nanna garu baagunnara? anedaaniki… mee amma mogudu baagunnada ane daniki chala theda undi raa,” “Ey… anchana veyadaniki nuv Polavaram Dam aa?” and “Pattu Seena thuma?”
Several other lines became instant crowd favourites, adding to the film’s mass appeal. Dialogues such as “Pilla kaauva vidhiki, vidhathaki, vishwaniki savaallu visarakudadhu,” “Devudini karuninchamani adagali… kanipinchamani kadu,” “Meeku samasya vaste dannam pedutharu… memu aa samasyaku pindalu pedutham… both are not same,” and “Naaku buradantindi… naaku duradocchindi… naaku blood vacchindi… naaku gadocchindi,” turned into fan chants. And the most powerful among them—“Nuvvante adi shabdam… nenu ante shaasanam. Daiva shaasanam”—redefined Balakrishna’s screen presence.
Supported by Balayya’s commanding performance and S. Thaman’s intense background score, these dialogues helped Akhanda gain a cult following among mass audiences. As Akhanda 2 approaches release, fans are eager to see how Boyapati and Balakrishna will recreate and elevate that same mass magic once again.
