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India lift maiden Women’s World Cup with 52-run win over South Africa

A spirited all-round performance powered India to their first-ever ICC Women’s World Cup triumph, as they defeated South Africa by 52 runs in a thrilling final at the DY Patil Stadium on Sunday night.
After setting a challenging target of 299, India’s bowlers — led by Deepti Sharma’s sensational five-wicket haul — ensured South Africa’s chase never fully took off. The Proteas were bowled out for 246 in 45.3 overs, despite captain Laura Wolvaardt’s valiant 101.
Wolvaardt’s dismissal in the 42nd over, followed quickly by Chloe Tryon’s wicket in the same over, ended South Africa’s hopes, with 78 still needed off the final eight overs. Nadine de Klerk fought hard down the order, but Deepti’s precision and consistency sealed the deal for the hosts in front of a jubilant home crowd.
Deepti Sharma (5/39) was the star of the bowling unit, while Shafali Verma chipped in crucially with two quick wickets, dismissing Sune Luus and Marizanne Kapp to turn the game firmly in India’s favour. Earlier, Sree Charani trapped Anneke Bosch LBW, and Amanjot Kaur’s sharp direct hit to remove Tazmin Brits gave India the breakthrough they needed after a brisk 50-run opening stand by the Proteas.
Earlier in the day, India posted an imposing 298/7 — the second-highest total ever in a Women’s World Cup final. Openers Smriti Mandhana (45) and Shafali Verma (87) provided a strong platform with a century stand. Deepti Sharma’s composed 54 and Richa Ghosh’s quickfire 34 added crucial runs in the middle and death overs.
For South Africa, Ayabonga Khaka (3/58) was the standout bowler, supported by Nadine de Klerk, Chloe Tryon, and Nonkululeko Mlaba, who claimed one wicket each.
Ravi Teja’s Mass Jathara Struggles: Fifth Flop in a Row?

Mass Maharaja Ravi Teja, once celebrated as the face of commercial masala cinema in Tollywood, is currently finding it difficult to sustain his mass appeal at the box office. After back-to-back successes with Dhamaka and Waltair Veerayya, his next set of films — Ravanasura, Tiger Nageswara Rao, Eagle, and Mr. Bachchan — failed to click with audiences.
His latest outing, Mass Jathara, which promised to bring back the star’s trademark energy and vintage flair, is also heading towards a disappointing run. Despite releasing amid moderate expectations after multiple delays, the film received weak word of mouth right from Day 1 due to its conventional storyline and predictable narration lacking fresh appeal.
Apart from Ravi Teja’s energetic screen presence and a couple of impressive songs and action blocks, Mass Jathara offers little to engage the audience. The opening day numbers too were underwhelming, with India net collections estimated at around ₹7 crore, while overseas figures remained poor across major territories. The simultaneous release of Baahubali: The Epic also appears to have affected its performance to some extent.
If the current trend continues, this could turn out to be Ravi Teja’s fifth consecutive flop within just two years. Industry analysts feel the actor must reassess his script choices and avoid relying solely on outdated commercial templates aimed at a limited segment of viewers.
Looking ahead, Ravi Teja is set to return with a wholesome family entertainer for Sankranti, directed by Kishore Tirumala. The film, tentatively titled Bhakta Mahaseyalaku Vignapthi, is being seen as a crucial project for the star to score a strong comeback and regain momentum at the box office.
They Call Him OG Gets Edited for TV Premiere

Pawan Kalyan’s action drama They Call Him OG, which released on September 25 and grossed nearly ₹300 crore worldwide, stands as one of the highest-grossing Telugu films of the year. The film originally received an ‘A’ certificate from the Central Board of Film Certification (CBFC) due to its graphic violence and mature content, restricting viewers below the age of 18.
The same theatrical version has been streaming on Netflix since October 23 without any edits, as the platform does not require age-based censorship. However, ahead of its upcoming television premiere, the film has undergone re-censorship to obtain a U/A certificate suitable for family audiences.
Approximately 10 minutes of footage—primarily intense action and violent sequences—has been removed to make the film more suitable for home viewing environments. The theatrical runtime of 154 minutes and 15 seconds has now been reduced to 143 minutes and 52 seconds for the TV version.
Directed by Sujeeth, They Call Him OG features Pawan Kalyan in the lead, alongside Emraan Hashmi, Priyanka Arul Mohan, Neha Shetty, Arjun Das, Sriya Reddy, and Prakash Raj. The film is produced by DVV Danayya and Kalyan Dasari under DVV Entertainments, with music composed by Thaman S.
Baahubali: The Epic Re-Release Breaks Records

Even ten years after the Baahubali phenomenon began, SS Rajamouli’s filmmaking prowess continues to resonate strongly with audiences across the globe. The overwhelming response to Baahubali: The Epic — a remastered, condensed cut combining both installments of the iconic duology — stands as proof. Released on October 31, the special anniversary edition has witnessed a sensational reception in theatres everywhere.
Marking its tenth anniversary, Team Baahubali curated this unified, 220-minute feature to offer audiences a nostalgic, larger-than-life theatre experience. The idea worked remarkably well, with the re-release not just drawing crowds but also rewriting box office records. The premiere shows alone recorded robust collections across several regions.
According to trade estimates, Baahubali: The Epic grossed around ₹30 crore worldwide in just two days, an extraordinary achievement for a re-release. The franchise’s enduring craze is evident from the strong occupancy levels through the weekend, despite new Telugu releases sharing screens.
Industry analysts are now watching closely to see how far the film can go. There is growing buzz that it may become the highest-grossing re-release ever. However, whether it can breach the coveted ₹100-crore milestone remains uncertain. With new releases like The Girl Friend and Jatadhara arriving next week—both carrying positive expectations—the box office momentum for Baahubali: The Epic may slow down moving into its second weekend.
For now, the re-release stands as a celebration of a cinematic legacy that refuses to fade. Crossing ₹100 crore would be a historic feat for any re-release, but even if the numbers taper off, Baahubali: The Epic has already reaffirmed its timeless impact on Indian cinema.
Ananya Nagalla Stuns in Elegant Red Dress

Ananya Nagalla effortlessly turns heads in a chic red short dress that balances modern allure with timeless sophistication. The look showcases her confident sense of style and natural elegance, making it a standout in any contemporary fashion setting.
With a sleek silhouette that flatters her presence, she keeps the overall aesthetic refined through minimal accessories and soft, natural makeup—allowing the dress to take center stage. The ensemble is a beautiful reminder that true style lies in simplicity, poise, and self-assurance.
Ananya’s look is a testament to how confidence can elevate even the simplest outfit into a bold and graceful fashion statement—radiant, poised, and undeniably modern.
The Raja Saab Gears Up for Sankranthi Release

The prestigious film The Raja Saab, directed by Maruthi and produced by leading banner People Media Factory, stars Rebel Star Prabhas in the lead role. The recently released fun-and-horror-themed trailer has taken the internet by storm, elevating expectations and showcasing Prabhas in a refreshing avatar, while Maruthi’s treatment has further heightened the buzz.
With the hype already on a high, the makers are now preparing to begin musical promotions. The first single from the film is set to release in November. Meanwhile, post-production is progressing at full speed. The movie reportedly features over 6,000 CG shots, making it one of the most VFX-intensive films in Indian cinema.
People Media Factory’s in-house VFX division, along with multiple top-tier studios, is working round-the-clock to complete the visual effects on schedule. The teams are delivering between 200 and 300 CG shots daily. Director Maruthi is personally supervising the output to ensure each shot aligns with his creative vision and integrates smoothly into the edit.
The team remains strongly committed to arriving for the Sankranthi festival season. To avoid any delays, additional studios have also joined the pipeline. The makers have reiterated that The Raja Saab will not be postponed, confirming a global theatrical release on January 9, 2026.
The film features Sanjay Dutt, VTV Ganesh, Sapthagiri, Satya, and others in notable roles. Leading ladies Malavika Mohanan, Nidhhi Agerwal, and Riddhi Kumar bring glamour and charm to this fantasy horror romantic entertainer. Music is composed by the sensational Thaman S.
Producer TG Vishwa Prasad and the team are confident that Maruthi’s vision, combined with Prabhas’ charisma, will deliver a memorable cinematic experience.
Mega Family Sets Example in Handling Differences

Every family experiences differences and misunderstandings — what truly defines a family is the ability to address those issues and remain united. In that sense, the Mega family often stands as a strong example of maintaining internal harmony.
Over the years, several reports have surfaced about disagreements within the Mega compound. During Chiranjeevi’s active political phase, there were widespread discussions about friction with Allu Aravind. Later, speculation grew around a strained equation between Pawan Kalyan and Allu Arjun, followed by similar rumors involving Allu Arjun and Ram Charan.
However, whenever such talk gains momentum, the family eventually appears together in public, offering a clear message through their casual group photographs and family gatherings — differences may exist, but unity comes first.
The most recent buzz revolves around alleged tension between Allu Arjun (Bunny) and Ram Charan. Yet, just as these speculations were making headlines, both were seen together at Allu Sirish’s engagement ceremony, smiling and posing in group pictures. This once again reflects the Mega family’s maturity in handling personal matters privately while maintaining togetherness publicly.
On the other hand, the situation appears different within the Nandamuri family. At Nara Rohit’s recent wedding, while several members of the extended clan attended, Jr. NTR and Kalyan Ram were noticeably absent, and there has been no clarity regarding their participation. This contrast has only fueled discussions about the changing dynamics in the family.
In the end, every family has its share of differences — but how they choose to address them shapes how the world perceives them.
Pradeep Ranganathan’s Dude to Stream on Netflix from Nov 14

Tamil actor-filmmaker Pradeep Ranganathan continues his winning streak with his latest release, Dude, which opened in theatres on October 17 during the Diwali season. The film received a strong response from audiences and went on to collect around ₹100 crore at the box office, marking Pradeep’s third consecutive film to achieve this milestone.
Even before its theatrical release, Dude was acquired by Netflix for a substantial price. The streaming platform has been following a shorter theatrical-to-OTT window, typically premiering new films four weeks after their release. Dude will follow suit, and is expected to start streaming on Netflix from Friday, November 14. An official confirmation is likely to be announced soon.
While this shortened gap benefits OTT audiences, a section of trade analysts believes it may impact the film’s long theatrical run and reduce the large-screen viewing experience.
Directed by Keerthiswaran, Dude stars Pradeep Ranganathan, Mamitha Baiju, R. Sarath Kumar, and Hridhu Haroon in pivotal roles. The film is produced by Naveen Yerneni and Y. Ravi Shankar under the Mythri Movie Makers banner, with music composed by Sai Abhyankkar.
Pradeep Ranganathan’s next theatrical release will be LIK: Life Insurance Kompany, a futuristic romantic comedy directed by Vignesh Shivan, scheduled to hit screens on December 18. Following this, Pradeep is set to return to direction with a new sci-fi project, in which he will also play the lead role.
Nara Rohith Marries Sireesha in Hyderabad

Actor Nara Rohith entered a new phase in his life as he tied the knot with Sireesha Lella in a traditional ceremony held in Hyderabad on October 31, 2025. The wedding was a graceful and intimate celebration, attended by prominent film personalities and distinguished guests, including Andhra Pradesh Chief Minister N. Chandrababu Naidu and Bhuvaneswari.
The ceremony, beautifully captured by RVR PRO Photography, was described as “a perfect blend of understated charm and radiant joy.” Sharing glimpses from the event, the team noted that “every frame reflected love in its most graceful form.”
The bride, Sireesha, looked elegant in a soft pink Kanchipuram silk saree paired with exquisite temple jewelry, styled by Kanakavalli Edit. Her minimal yet refined makeup look was done by kiranmakeup, enhancing her natural grace. Rohith complemented her beautifully in a classic cream sherwani, exuding poise and tradition. The venue décor, curated by Aaradesign, added an aesthetic touch with subtle and sophisticated detailing.
Sireesha hails from Rentachintala in Andhra Pradesh. After completing her Bachelor’s degree, she moved to Australia for her Master’s and worked there briefly. Following her return to India, she decided to pursue acting and auditioned for Pratinidhi 2, where she met Rohith. Their connection gradually strengthened, eventually leading to their union.
Meanwhile, the couple has also drawn attention online regarding their age difference. Reports suggest that Rohith is around 40, while Sireesha is approximately 29, marking an 11-year age gap. However, fans and well-wishers have expressed overwhelming positivity, celebrating the couple’s journey and heartfelt partnership.
The newlyweds looked radiant and deeply content as they embarked on their new journey together, receiving warm wishes from family, friends, and admirers.
















