Kushitha Kallapu, who recently won appreciation for her performance in Aha’s 3 Roses Season 2 alongside Eesha Rebba, is now turning heads with her latest photoshoot for a saree and jewellery brand. The actress shared a fresh set of pictures that perfectly capture her elegant South Indian avatar, instantly drawing attention on social media.
Draped in rich silk sarees paired with stylish designer blouses, Kushitha looked every bit graceful and traditional. The looks were elevated with heavy jewellery, including chokers, layered necklaces, midriff chains, bangles, and statement earrings. From vibrant purple to bright yellow hues, she experimented with multiple sarees, yet maintained a consistent charm with her open hair, cute bindi, and confident expressions. The shoot has clearly struck the right chord, making viewers feel tempted to shop the outfits immediately — proving why such collaborations work brilliantly for clothing and jewellery brands.
Adding a candid touch, Kushitha also shared behind-the-scenes moments from the shoot, revealing the effort that went into carrying heavy lehengas and elaborate attire. Despite the physical strain, she managed to make every frame look effortless and stunning, earning praise from fans and fashion lovers alike.
On the work front, Kushitha has appeared in several romantic comedies and action thrillers such as Neethone Nenu, Monaharam, and Babu, playing a mix of lead and cameo roles. While these films did not make a strong impact at the box office, the actress has steadily built a solid digital presence. With nearly one million followers on social media, she continues to stay relevant and connected with audiences, balancing acting projects with impactful brand endorsements.
Ram Gopal Varma Hails ‘Dhurandhar’ as a Gamechanger in Indian Cinema
Filmmaker Ram Gopal Varma has described the blockbuster “Dhurandhar” as a gamechanger that the Indian film industry cannot ignore. According to him, the film challenges the traditional “VFX-heavy, expensive sets, item song-filled, star-centric” formula and sets a new benchmark for filmmakers.
Taking to X (formerly Twitter), RGV wrote:
“Whenever a path-breaking and massive hit like #Dhurandhar comes along, industry insiders tend to ignore it because they feel threatened by their inability to match its standards. They think of it as a nightmare, which disappears only when they return to their own films.”
He added that this is particularly true for the so-called Pan-India biggies currently in production. Many of these projects were conceptualized based on older templates, which are the exact opposite of what Dhurandhar has achieved. RGV emphasized that the film has become one of the most-discussed films in the last 50 years, making it impossible to overlook.
Comparing the film to a “large, scary dog,” RGV said:
“Even if you try to ignore it, you can’t help noticing it. Every production office working on upcoming big films will feel its presence. They may avoid mentioning its name, but it keeps lingering in their minds.”
Unlike formulaic, star-driven masala films, Dhurandhar has earned acclaim for its storytelling and craftsmanship, rather than just its star power. RGV described it as a “horror film” for filmmakers still clinging to the old hero-worship template:
“With the film being celebrated instead of the star, makers stuck in masala traditions will feel crucified in their own creations. No matter how much they wish it away, the impact of #Dhurandhar will be felt whenever their next film releases.”
Varma concludes that Aditya Dhar Films has held up a mirror to the industry, compelling filmmakers to rethink their approach and measure their work against the high cinematic standards set by Dhurandhar.