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Anurag Kashyap on How Bombay Velvet Changed Everything

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A decade after the release of Bombay Velvet, director Anurag Kashyap has candidly opened up about how the film’s failure affected his relationship with its lead actors, Ranbir Kapoor and Anushka Sharma.

In a recent interview with Screen, the acclaimed filmmaker revealed that following the box-office debacle of his 2015 film, he had resolved never to collaborate with the two actors again. Kashyap shared that the experience was emotionally draining for everyone involved, especially Ranbir Kapoor, who still feels uncomfortable discussing the film.

“I think Ranbir was very upset, and he keeps saying, ‘Why do you keep talking about Bombay Velvet? Just ignore it. The film didn’t work, it didn’t work, but you don’t have to talk about it all the time,’” Kashyap said. He added that while Kapoor prefers to move on, he is frequently asked about the film in interviews, making it difficult to completely avoid the topic.

Kashyap also spoke about the emotional distance that developed between him and the lead actors after the film’s failure. Recalling that phase, he admitted he struggled to face them. “We don’t meet often. Whenever we do, we just hug and greet each other. Initially, I didn’t know how to face them because they had given me a lot of trust and love. I was dealing with my own demons at the time,” he said. The filmmaker explained that he chose to retreat and focus on making a smaller, more personal film like Raman Raghav 2.0, which further contributed to the growing distance over time.

Adding an unusual insight, Kashyap revealed that post-release research uncovered a surprising reason behind the audience’s rejection of the film. According to him, viewers disliked Ranbir Kapoor’s hairstyle in the movie. Calling it a “weird” reason, Kashyap clarified that curling Kapoor’s hair was a conscious creative decision made to suit the period setting.

Bombay Velvet was a neo-noir period crime drama based on Mumbai Fables, a book by historian Gyan Prakash. The film starred Ranbir Kapoor, Anushka Sharma, and Karan Johar in lead roles, with Kay Kay Menon, Vivaan Shah, Siddhartha Basu, and Manish Choudhary in supporting roles.

As per Sacnilk, the film was made on a reported budget of ₹115 crore but managed to collect only ₹43.71 crore worldwide and ₹23.71 crore domestically, sealing its fate as one of Bollywood’s most high-profile box-office failures.

కేసీఆర్ అసెంబ్లీకి వస్తేనే బీఆర్ఎస్ మనుగడ సాధ్యం: Kavitha Shocking Comments on KCR

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కేసీఆర్ అసెంబ్లీకి వస్తేనే బీఆర్ఎస్ మనుగడ సాధ్యం: Kavitha

Ganja Batch Hulchul In Old City | Hyderabad

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Ganja Batch Hulchul In Old City | Hyderabad

Naveen Polishetty’s Wedding Joke Steals the Show

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Young actor Naveen Polishetty stole the spotlight at a recena rt event with his trademark wit and humour. When asked about his wedding plans, Naveen quippied, “Whenever Prabhas gets married, I will get married the next day at 12 noon,” leaving the audience in splits. The remark quickly went viral on social media, with fans praising his impeccable comic timing and spontaneous humour.

Naveen also spoke about his close bond with Prabhas, adding another humorous touch by saying, “If Prabhas anna places an order on Swiggy, I’ll get the OTP.” Beyond the jokes, the actor expressed heartfelt gratitude to audiences for their constant love and support, crediting them for helping him reach his current position in the industry.

Talking about his career, Naveen confirmed that his upcoming film, which stars Meenakshi Chaudhary as the female lead, is scheduled for a theatrical release on January 14, 2026. Sounding confident, he assured fans that the film will be a complete entertainer tailored for family audiences.

After emerging as a promising star with the blockbuster success of Jathi Ratnalu, Naveen showcased his versatility with Miss Shetty Mr Polishetty, which performed at an average level at the box office. Now, with his next outing positioned as a family entertainer, Naveen Polishetty is aiming to bounce back strongly and reclaim his winning streak at the box office.

గాలి జనార్ధన్‌రెడ్డిపై కాల్పులు | G*un Firing on Gali Janardhan Reddy | High Tension In Ballari

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గాలి జనార్ధన్‌రెడ్డిపై కాల్పులు | G*un Firing on Gali Janardhan Reddy | High Tension In Ballari

CM Revanth Meets ABN Andhra Jyothi MD Radha Krishna

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CM Revanth Meets ABN Andhra Jyothi MD Radha Krishna

Tollywood’s Big 2026 Lineup: Major Releases and Mega Clashes Ahead

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Telugu cinema fans have plenty to look forward to in 2026, with a packed lineup of big-ticket films scheduled throughout the year. The year is expected to begin on a festive note with The Raja Saab, slated for a January 9, 2026 release during the Sankranthi season. Close on its heels is Mana Shankara Vara Prasad Garu, which is also expected to hit theatres on January 12 as a festival release.

February 2026 will see the release of Swayambhu, starring Nikhil Siddhartha in a warrior role. Directed by Bharat Krishnamachari, the film features Samyuktha Menon and Nabha Natesh as the female leads and is generating decent buzz ahead of its release.

March is shaping up to be one of the busiest and most competitive months of the year. Decoit, starring Adivi Sesh and Mrunal Thakur and directed by Shaneil Deo, is expected to arrive in mid-March. This will be followed by a major box-office clash on March 26, with Ram Charan’s Peddi, directed by Sana Butchi Babu, releasing alongside Nani’s The Paradise, helmed by Srikanth Odela. Adding to the heat, Ustaad Bhagat Singh, starring Pawan Kalyan and directed by Harish Shankar, is also slated for release during this season.

March will also witness the arrival of the biggest release of the year, Dhurandhar 2, in its Telugu version. Though not a direct Tollywood production, the film is expected to create a massive impact and significantly shake up the box office in the Telugu states.

The summer season may bring Vishwambhara, starring Chiranjeevi, around June 2026, although the final release date is yet to be locked. Meanwhile, the much-talked-about project featuring Nandamuri Balakrishna and Gopichand under the direction of Hanu Raghavapudi remains uncertain, depending on production progress, making it a project to watch closely.

One notable point is that some of Tollywood’s biggest stars — Allu Arjun, Mahesh Babu, and Jr NTR — are not expected to grace the box office in 2026, making the year particularly interesting as it relies on a diverse mix of stars, directors, and high-concept films to drive audience excitement.

కోనసీమ కలెక్టర్ కు తప్పిన ప్రమాదం | Ambedkar Konaseema District Collector Mahesh

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కోనసీమ కలెక్టర్ కు తప్పిన ప్రమాదం | Ambedkar Konaseema District Collector Mahesh

Dhurandhar Emerges as India’s Next Cultural Blockbuster

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Baahubali created a massive impact across India, not merely as a blockbuster film but as a shared cultural phenomenon. Its characters, scenes, and dialogudialogueses became part of everyday conversations, echoing in homes, offices, and public spaces alike. Even those who hadn’t watched the film were aware of what Baahubali stood for. It emerged as a powerful reference point in popular culture, proving how cinema can transcend language barriers and regional boundaries to unite audiences nationwide.

Today, a similar wave of attention surrounds Dhurandhar, which has quickly become one of the most talked-about films among audiences. Viewers are watching it multiple times, actively sharing their reactions online, and creating a flood of positive memes that keep the film alive in daily digital conversations. Elements like the Pakistan spy storyline have gone viral through reels and short-form content, further amplifying the film’s reach well beyond theatre screens.

Trade analysts point out that this growing cultural buzz is already having a tangible impact on the industry. With the first part nearing the collections of Baahubali 2, entering the four-figure crore club, expectations for the upcoming sequel are sky-high. Reports suggest that big films slated for release around March are feeling the pressure, with industry circles growing cautious about clashing dates.

Both commercially and culturally, Dhurandhar is setting new benchmarks, reshaping audience expectations, and redefining what large-scale Indian cinema can achieve.

Anil Ravipudi Clears Acting Debut Rumours

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Popular director Anil Ravipudi has firmly established himself as a successful writer-director in Telugu cinema. Beyond his filmmaking credentials, his sharp comedic timing and natural screen presence—often evident during his appearances as a judge on television shows—have led many to believe that an acting debut might be on the cards, much like contemporaries such as Tharun Bhascker.

Addressing these speculations, Anil Ravipudi has now offered clear clarification. Speaking at the song launch event of “Mega Mass Victory” from Chiranjeevi’s Mana Shankara Varaprasad Garu, the director of blockbusters like F2, Sarileru Neekevvaru, and Bhagavanth Kesari confirmed that acting is not on his immediate agenda.

“When you’re doing well in one craft—direction in my case—people often suggest trying something new. But becoming a hero requires immense responsibility and complete focus. Right now, I’m comfortable and confident as a director, and I don’t plan to make my acting debut anytime soon,” Anil Ravipudi stated.

Having delivered back-to-back Sankranthi blockbusters at the Telugu box office, Anil appears keen on extending his successful directorial streak rather than diverting attention elsewhere. While the filmmaker in him remains firmly in control, fans who are eager to see the ‘actor’ side of Anil Ravipudi will have to wait a little longer.

ఎవరీ అవివా బేగ్..? | Aviva Baig Biography | Priyanka Gandhi | Raihan Vadra

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ఎవరీ అవివా బేగ్..? | Aviva Baig Biography | Priyanka Gandhi | Raihan Vadra

Germany: జర్మనీ అగ్ని ప్రమాదంలో తెలుగు విద్యార్థి మృ*తి

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Germany: జర్మనీ అగ్ని ప్రమాదంలో తెలుగు విద్యార్థి మృ*తి

Meenakshi Chaudhary Eyes Sankranthi Hat-Trick

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Tollywood’s Sankranthi 2026 season is shaping up to be a vibrant and fiercely competitive festive window, with several stars eyeing big wins. Among them, one heroine who stands out with a genuine chance of achieving a rare hat-trick is Meenakshi Chaudhary.

After making her Tollywood debut, Meenakshi grabbed attention by landing a key role in Mahesh Babu’s Guntur Kaaram. Released during Sankranthi 2024, the film received mixed reviews initially but went on to perform well at the box office, putting her firmly on the radar.

She followed it up in 2025 with Sankranthiki Vastunnam, which emerged as a major blockbuster during the festive season. Meenakshi, playing the central female lead, earned praise for her confident screen presence and performance, further strengthening her standing in the industry.

Now, all eyes are on Naveen Polishetty’s Ananganana Oka Raju, a rom-com entertainer slated for a January 14, 2026 worldwide release. Featuring Meenakshi as the solo heroine, the film has already generated positive buzz, with songs like “Bhimavaram Balma” striking a chord with audiences.

If Ananganana Oka Raju clicks at the box office, Meenakshi Chaudhary will create history by becoming one of the few heroines in recent times to deliver three consecutive Sankranthi releases that turned out to be box-office successes.

As things stand, Sankranthi 2026 could well be the festival that completes Meenakshi Chaudhary’s impressive hat-trick and further cements her position as a dependable festive-season heroine in Tollywood.

BRS నీళ్ల పంచాయతీ వెనుక కుంచిత రాజకీయం ఉంది – CM Revanth Reddy

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BRS నీళ్ల పంచాయతీ వెనుక కుంచిత రాజకీయం ఉంది – CM Revanth Reddy

Sara Arjun: Youngest ₹1000 Cr Heroine

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A month ago, the name Sara Arjun may not have been widely recognized. However, everything changed with the release of the teaser for Dhurandhar. The spotlight quickly shifted to her, not just for her screen presence, but also due to the intense online trolling surrounding her pairing with Ranveer Singh, who is nearly twice her age. The casting sparked heated debates across social media, with critics questioning the age gap and creative choices.

Despite the initial backlash, Dhurandhar proved its critics wrong. The on-screen pairing of Ranveer Singh and Sara Arjun, along with their character design and love story, resonated strongly with audiences. The film went on to become a massive blockbuster, grossing over ₹1000 crore worldwide, validating director Aditya Dhar’s conviction in his casting and storytelling.

With this achievement, Sara Arjun has etched her name into the record books as the youngest heroine to enter the ₹1000 crore club. At just 20 years of age, she has reached a milestone that many actresses achieve only after a decade-long career or in their late twenties. This early success sets her apart and positions her as one of the most promising young faces in Indian cinema.

Now, with the milestone achieved, industry attention turns to Sara Arjun’s future choices, which will play a crucial role in shaping her long-term career trajectory. Adding to the excitement is the anticipation around Dhurandhar Part 2, which is slated to hit theatres in March 2026. Many are curious to see whether Sara Arjun will reunite with Aditya Dhar and Ranveer Singh and recreate the same magic once again.

Her journey from relative anonymity to a record-breaking blockbuster in such a short span marks a remarkable beginning—one that could define a significant chapter in contemporary Indian cinema.

నంద్యాల జిల్లాలో దారుణం | Tragedy in Nandyal | Father Kills 3 Children, Dies by Suicide

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నంద్యాల జిల్లాలో దారుణం | Tragedy in Nandyal | Father Kills 3 Children, Dies by Suicide

9 PM | ETV Telugu News | 1st January “2026

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9 PM | ETV Telugu News | 1st January “2026

Allu Arjun’s 5-Year Pan-India Blueprint

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Telugu superstar Allu Arjun is stepping into a decisive and transformative phase of his career, signaling a clear shift from conventional stardom to carefully curated, ambition-driven cinema with a strong pan-India and global vision. With a powerful lineup of projects and some of the most sought-after filmmakers in the pipeline, the actor’s next five years appear strategically planned to elevate his brand well beyond regional boundaries.

The most discussed development is his upcoming collaboration with blockbuster director Atlee. Touted as a high-budget sci-fi spectacle, the project marks Allu Arjun’s first foray into large-scale, concept-heavy global cinema. Industry buzz suggests the film will be mounted on an unprecedented scale, blending cutting-edge visual storytelling with mass entertainment, positioning the actor firmly in the international commercial space.

Parallelly, Allu Arjun is expected to reunite with ace filmmaker Trivikram, a combination celebrated for delivering content-rich blockbusters with immense repeat value. Reports also indicate advanced discussions with Tamil cinema sensation Lokesh Kanagaraj, whose gritty, high-octane narratives enjoy nationwide appeal. Adding further intrigue to this long-term roadmap, filmmaker Sandeep Reddy Vanga is also believed to be part of the plan, hinting at a future project that could explore darker, performance-driven territory.

Speculation around Pushpa 3 continues to fuel massive fan excitement, with insiders suggesting that the franchise expansion is being carefully timed as part of Allu Arjun’s broader career strategy. Rather than rushing into multiple releases, the actor appears focused on maintaining measured gaps between films, ensuring each project carries scale, impact, and pan-Indian reach.

Trade circles see this approach as both bold and calculated, reflecting Allu Arjun’s intent to evolve into a true pan-India powerhouse driven by content, scale, and long-term vision. As audiences increasingly embrace cross-industry storytelling, his five-year blueprint positions him not just as a superstar, but as a global brand rooted in ambition, innovation, and cinematic evolution.

TTD To Allow Devotees Without Token For Tirumala Vaikunta Dwara Darshan From Tomorrow

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TTD To Allow Devotees Without Token For Tirumala Vaikunta Dwara Darshan From Tomorrow

Yash’s Toxic: Big Hype, Little Clarity?

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After the massive success of KGF: Chapter 2, Yash took his time in finalizing his next project, eventually announcing Toxic. Given that this is his first film after the KGF phenomenon, the anticipation surrounding Toxic is only natural. Adding to this excitement is the sheer scale of the project, evident from its lavish production values and an impressive ensemble cast that includes Kiara Advani, Nayanthara, Huma Qureshi, and several others.

The promotional material released so far reflects the film’s grand scale and high production standards. Visually, Toxic looks rich and stylized, reinforcing the perception of a big-ticket cinematic experience. However, despite the constant buildup and elevation, there remains a major gap in the film’s promotional strategy—the lack of clarity regarding its core premise.

So far, the marketing has leaned heavily on glossy visuals and mass appeal without revealing what Toxic is fundamentally about. While Yash’s post-KGF 2 stardom is enough to generate initial curiosity, audiences today expect at least a basic understanding of the film’s concept or narrative hook. Without this clarity, the sustained interest could wane.

The concern becomes more significant considering the upcoming box-office clash in March, with Dhurandhar 2 set to release across multiple Indian languages. As a proven box-office juggernaut, Dhurandhar 2 poses serious competition, making it imperative for Toxic to firmly establish its unique identity well in advance.

A comparable example is Saaho, Prabhas’ immediate follow-up to Baahubali 2. While the film had its flaws, it was clearly marketed as a stylish action thriller, which helped it find a strong audience—particularly in the Hindi belt—translating into solid revenues. Even that basic level of conceptual clarity is currently missing in Toxic’s promotions.

There is still time for the makers to course-correct. What Toxic urgently needs is a clear presentation of its core concept—whether through a teaser, trailer, or focused promotional campaign. Ultimately, the responsibility lies with Yash and the core team to assess the situation and roll out a sharper, more informative marketing strategy that matches the scale and expectations surrounding the film.

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